“I’m so bored. I hate my life.” - Britney Spears
Das Langweilige ist interessant geworden, weil das Interessante angefangen hat langweilig zu werden. – Thomas Mann
"Never for money/always for love" - The Talking Heads
Sunday, June 23, 2024
olivier blanchard and the free lunch: a comedy of errors
Saturday, June 22, 2024
The Universal Beep
1.
“A letter
was published in the Scots Magazine dated Renfrew, February 1, 1753, and signed
" C. M."” proposed a machine that would employ some electrical
conductor to create “the striking of a bell by the attraction of a charged
ball.”
Nobody in
Smollett, or Sterne, or Fielding rings an electrical doorbell. Nobody hears a
phone. Nobody hears a beep. Yet during this period of picaresque plenty, this
C.M. was plotting to change the world into the mass of beeping that it is
today.
In the year
1831, Edgar Allan Poe was failing at West Point and writing his first tales.
Meanwhile, north of West Point, an American natural philosopher and inventor
was about to change the world from his perch in a school in Albany, New York,
like some mad Poe hero. Joseph Henry, being impressed by the experiments with
magnets and electricity performed in Europe, decided to try it out on his own.
Insulating a bunch of wires in silk, which meant that he could bind more than
one metal wire together in a chord, he ran lengths of wire around a classroom
in Albany, New York, put a battery at one end and an electromagnet at the other
end of the wire, and in a moment of fiendish inspiration, placed a steel rod
and a bell near the electromagnetic end. He then sent an electrical charge
through the wire, thereby ringing the bell and causing billions of innocents,
175 years later, to suffer through bells, rings, buzzes and a variety of
unpleasant noises from every implement that involves, even remotely, electricity.
O the
innocents of that time, out plowing in the fields, hunting the game, making up
hymns or getting royally drunk in inns! Little did they know.
2.
While all
this business with electricity was going on in America, in Northern Britain,
another affair was afoot. I take these facts from M.B. Emanuel’s Hay fever, a
post industrial revolution epidemic: a history of its growth during the 19th
century (1988).
Oddly,
until the nineteenth century, there were vanishingly few references in the
medical literature to anything resembling pollen-caused allergy. In the 8th
century A.D., a Persian doctor, Muhammad ibn Zakariya' al-Razi, wrote about a
illness that came from sniffing roses, causing headache and runny nose.
“Leonhardus Botallus of Pavia in 1565 referred to persons who held the smell of
roses in deadly hatred because it gave rise to headache, sneezing and
troublesome itching of the nose.” And there was a dude in France who referenced
the Rose disease in the 17th century.
But it was
not really a disease on the map until John Bostock in 1818 reported a seasonal
“catarrh”, which he attributed to the rays of the sun. In 1828 he returned to
this seasonal illness, writing that he had seen more of it in the past ten
years. It had acquired a name – hay asthma or hay fever. But the connection
between hay and the illness was still uncertain. But it was becoming
fashionable:
“There is
evidence that the Hanoverian monarchy suffered from allergic disease. William
IV was rumoured to suffer from hay fever [21] and his brother the Duke of
Sussex was flogged for having asthma as child. It is now known that childhood
asthma is almost invariably of allergic origin. It is documented that William
himself suffered from occasional asthmatic attacks and his death in June 1837
followed a particularly severe episode.”
It was
another doctor from North Britain, Charles Blackley, who showed, via
experiment, that the pollen of certain plants brought on the attack of runny
nose, headache and fever. Blackley noticed something strange, though: the
farming class, who had the most physical contact with pollen, seemed to have
the fewest cases of hay fever.
Blackley’s
observation has led to an abundance of literature on the complex ecological
conditions that favour a disease or a syndrome. If this case, those most liable
to the disease were, 1, in sedentary professions, and 2., outside of farming
communities. But, importantly, they were also in the midst of a change in the
uses of land. For farm land was disappearing under the spread of urban and
suburban housing. It was not simply exposure to pollen, but the situated
isolation from pollen that was important to the incidence of the disease.
3.
On December
1, 2014, the NYT had a small article entitled: When Everyday Noise becomes
Unbearable. The journalist Joyce Cohen, dug up an extreme case – a man who
found the “humming noise” of a refrigerator unbearable. The doctors in the
article called these cases hyeracusis. In the usual medical way, they blamed
loud noises, like heavy metal, which damaged the ear for smaller noises.
Indoor
noises – rings, buzzes and beeps – are features of design and structure. Among
people who are bothered to a greater degree than “normal” by rings, buzzes and
beeps, this is a problem. I noticed, last year, when we were out shopping for a
new dishwasher, refrigerator and stove, that the descriptions of the products
in Darty and the other emporiums we went to all included a reference to the
level of noise made by the product, helpfully illustrated by a graph which
produced that pleasing, pseudocomprehension in the shopper. A visual! I was
surprised. This consumer and design information was evidently responding to a
need, but I had not been aware that other people were feeling the same as we
were: that the noise of machines in motion in the living space can be rather
annoying
I happen to
be reading, while thinking about beeps and buzzes, Edward Tenner’s Why Things
bite Back. This is a very affordances-centered book about the unintended
consequences of technological innovation: it was published in the late
nineties, when the post-Cold war fad was to question central planning under the
aegis of “unintended consequences” – the Soviet Union being exhibit one.
Tenner
develops a neat vocabulary to taxonomize unintended effects – for instance, the
idea of revenge effects:
“Revenge
effects happen because new structures, devices, and organisms
react with
real people in real situations in ways we could not
foresee.
There are occasional reverse revenge effects: unexpected benefits
of
technology adopted for another reason. (Like revenge effects
themselves,
reverse revenge effects are a rough but useful metaphor:
in one
case, for the way reality seems to strike back at our efforts, and
in the
other, for the equally unexpected ways in which we benefit
from the
complexity of the world's mechanisms.)”
This is an
insight that goes back to the Greeks and Egyptians, and is part of the cultural
vocabulary of Nemesis. Although, in the 1990s, they were all pretending that we
had just discovered this.
Applied to
allergies, or the human geography of agriculture and industry, it is easy to
see the revenge of the immune system in operation here. The human body, which
is easily abstracted away from in sociology, is still the key variable, as
every murder story reminds us.
In the case
of hypersensitivity to noise and to light, what is interesting is that the
urban environment in the developed economies – the post-industrial economies –
was in many ways much noisier at the beginning of the twentieth century. When
Theodor Lessing wrote his classic essay against noise and founded the
anti-noise league in 1909, he was responding to a real, increased level of
noise in the urban environment. John Goodyear’s essay on Lessing’s anti-noise
league contains some good quotes, both from the pro-noise side and Lessing’s
own colorful vocabulary of Klavierpest (the plague of pianos) and Gesangseuche
(the pestilence of singing) to the various traffic noises, in which the hooting
of car horns already figures.
If we were
to do a complete, one thousand page book on the rise of the Universal Beep,
which will happen only in the afterlife, when I have time - the hooting of car
horns would have pride of place. This hooting involves the designed production
of ugly noise, the ideology of safety (horns being necessary as signals to
other drivers), and the collective phenomenon resulting from this. So much, as
WCW could have said, depends upon the car resting in the driveway! And its
sound possibilities.
This being
so, the great industrial period, in which cities actually hosted giant
factories and mid-range workshops, has come to an end in many countries. France
and the U.S., for instance. The city is now a service node, a consumer spot, a
building investment opportunity – but not a place where the terrific noises of
smelting and congealing are going on.
The
engineered ugly noise is now everywhere, from car alarms to fire alarms. When,
during the reign of Good King Obama, we moved to Santa Monica California for a
couple of years, we encountered the Cali required and always faulty fire alarm,
with all its hijinx: the squack of it at one in the morning, the maddening
attempt to turn it off, the replacement of the batteries, the leaving out of
the batteries, etc. Burned toast or old batteries were suddenly occasions for
riot.
At the
moment, our universal beep problem concerns the new induction stovetop,
replacing our old gas jet stove top. The beep sounds for a variety of reasons –
a pot boiling over, or a pot being partly out of the induction heat circle,
etc. – and we try to understand it while pressing various buttons. Its use to
us is mostly in disproportion to its irritation of us.
This isn’t
to say that safety features are not important – especially to the liability
lawyers retained by corporations – so much as that the total gestalt of one’s
living area doesn’t really figure into all these designed ugly noises. They are
all shrill noises. None of them are organic – the ring or the buzz is the
farthest thing from, say, the fart or the burp. They combine with changes in
artificial light and changes in the ambient temperature to affect our inner
organism, and our moods, and our well-being.
They are
here, each buzz, ring and beep, to remind us that the machine is here. When we
humans go – from disease, nuclear war, or zombie apocalypse – we will leave
these beeps behind.
Tuesday, June 18, 2024
The ethics of integrity or the Baker at Dachau
Throughout the 19th and 20th century, one stumbles
upon the lefthand heirs of Burke – Red Tories, as Orwell called them. Orwell’s
instincts, at least, were close to theirs: Orwell, after all, wanted a law to
make 20 mph the top speed limit in England, a pretty typical Red Tory gesture,
gallantly futile. In England, the term would include Ruskin and Chesterton, and
the spirit at least of William Morris. In France, you have Charles Peguy and
Jacques Ellul. In German speaking countries, there are many more names to
choose from – to mention four, Thomas Mann up to the late 20s, Karl Kraus,
Georg Simmel and Max Weber.
The Red Tories, by inclination and conviction, were
never systematizers. When Burke, in the Reflections, denounces “theorists and
economists”, all the progressive planners, he spoke for the tribe. They form
something more like a family resemblance than a party. They, too, are in revolt
against capitalism, but not because it wounds their sense of equality – on the
contrary, what it wounds is their sense of the just order, or the organic
society. This comes out in their protest, all the way along the line, in honor
something I’m going to call “integrity”. Against integrity, the sense of
purposiveness and vocation in life, they saw arrayed two forces: capitalism,
with its generation of alienation, its calculations that eat into the integrity
of labor, seeing it only as another inter-substitutable commodity, and
socialism. Socialism, from their perspective, is merely the bourgeois attitude
for workers. The socialists basically want the workers to make more money –
they don’t put in doubt the system of production that the workers are engaged
in. Socialists are pro-industry.
From the economists viewpoint, whether a person
works as a carpenter or sells bubble gum over the counter is a matter of
indifference, the product of a labor “market”. Economists do recognize “human
capital”, but like any capital, it is invested indifferently, and must be to be
efficient. Maximizing profit on all fronts, such is the letter of the law for
economists.
The Red Tories saw, as well as Marx, that this
social maxim was in deathly struggle with the ethos of integrity. Integrity,
the desire to do the best job possible because of the thing itself, its value
in the doing, no doubt stems, as an ethical value, from the artisan class in
the early modern period. Or even before, in the ancient urbs. It is significant
that the first socialist organizations in France and Britain were composed of a
largely artisanal membership – because these people instinctively felt that
they were being symbolically degraded under capital. It is also significant
that Marx decided, early on, that these were definitely not the people who
would lead the advance guard against capitalism. Thus, the complex struggles
against anarchists and other non-scientific socialists.
The programmatic example of the Red Tory exaltation
of integrity is found in Charles Peguy’s Money (1913) Peguy never has had much
of a following in the Anglophone world. He was an often disagreeable Catholic.
Notoriously, his feud with Jaures resulted in some disciple of Peguy’s
assassinating the great socialist leader. Peguy was all in for the war against
Germany. He volunteered, even at his absurdly advanced age, and was ground up
like so many others.
This is how Peguy, with some nostalgia (but also,
with some insight), remembered the society of his youth – this would be around
1880.
We never thought about anything but working. We
knew workers who in the morning only thought about working. They woke up in the
morning, and so early, and they sang about the idea that they were going to
work. At eleven o’clock they sang about going on lunchbreak. In all, it was
always Hugo; and it is always to Hugo that we have to go back. “The went, they
sang.” To work was their joy, even, and the deep root of their being. And the
reason that they were who they were. There was an incredible honor in work, the
most beautiful of honors, the most Christian, the only one perhaps that could
still stand.
And, on the same subject, here:
"These workers didn’t serve. They worked. They
had an honor, absolute, which is the real property of an honor. It was
necessary that a chair leg was made well. It was understood. It was primary. It
was not necessary to make it well because of the wages. It wasn’t necessary to
make it well for the boss, nor for the connoisseurs, nor for the clients of the
boss. It was necessary that it was well made in itself, for itself, in its
being, even. A tradition, come, coming up from the deepest depths of the race,
a history, an absolute, an honor willed that this chair leg be made well. Every
part of the chair that couldn’t be seen was exactly as perfectly made as that
which could be seen. It was the principle of the cathedrals."
This state of affairs was, without a doubt, not the
bower of bliss that Peguy now remembers it to be – even he, in part, admits
this. Certainly the singing is interesting. The French countryside, in a sense,
learned French by singing – it was a standard part of the peasant’s laboring
day. Factories, in the 1840s and 1850s, as Engels noticed, banned it. Singing
was something that the factory supervisors came down on hard. And of course no
group on earth cared so little for their pay packets. However, contra the
capitalist mentality, this was not a complete truth, either then or now. The
irrational hatred of Peguy for Jaures was poisonous, but I have to give Peguy
some credit, here, for spotting the moment in which alienation drops out of the
socialist attack on bourgeois society and assimilation becomes the goal. In
this respect, Jaures was a great figure, which is one of the reasons that every
goodsized town in France has a street named for him. Marx, on the wholly other
side of Jaures, would perhaps have agreed with Peguy in his own dialectical
way: as we know from his critique of the Gotha Program.
2.
Integrity is not really discussed in ethics
classes. I taught them in a philosophy department a long long time ago, and I
don’t recall any discussion of the integrity of labor for itself. America, one
might think, is just the place where we cast off the principle of the
cathedrals as a scandal to the pursuit of happy consumption. But I don’t think
you’d hang around people who do things, or provide, horrible word, services
very long before you’d run into this ethos. It has been attacked over and over,
laughed at by neo-liberalism, disappeared utterly from the entertainment we
feed ourselves and our kids on, yet there it is, every day. Every f-ing day, to
write unlike Peguy, the principle of the cathedrals and goes to work in
millions of offices, stores, and factories.
It is in many ways the contradiction that keeps
capitalism moving, that bears up the almost unbearable stress of everyone
becoming poorer in relation to the rich, atomized, more powerless. People in
whatever field do not respect people who have no integrity in this crucial
sense. They suspect that their bosses do not have this integrity, that the
organizations they have built up are ultimately indifferent to them. To work is
to see this sorting procedure. To work is to see the silent contempt that builds
up for those who will do anything. Who work for pay, the boss, the clients of
the boss, and not, on some level, for the thing itself that they are doing.
I’ll finish this riff on integrity with quite
another story. This one comes from Nico Rost’s Goethe in Dachau.
3.
First a bit about Rost. Rost was a Dutch journalist
who was stationed in Berlin in the Weimar era and became great friends with the
most advanced artists and lefties. In 1933, to honor his work in making known
Germany’s leftist culture, the Nazis sent him to the Orienberg KZ. He was
released after a couple of months, and he saw enough, was beaten enough, that
he bore no illusions about the Nazis. He translated exiled German authors in
Dutch, and fought with the Republicans in the Spanish Civil War. When the
Germans invaded Belgium in 1940, he was stuck in Brussels. Rost made his
thoughts known about that in a newspaper he founded. It was shut down and he
was shuffled between KZs until the end of the war. His last stop was Dachau.
When he published this “journal” from Dachau in 1947, it received some
attention, especially from German leftists. Then it was largely forgotten. It
was never translated into English, so I am gonna translate this bit myself. It
is an anecdote that helps to envision integrity as an actual life-value.
“In a neighboring bed [in the infirmary] lies a new
one. A kind of Michael Kohlhaas, yet more good natured and sentimental than his
classical model out of Kleist’s novella.
He is by profession a baker. He lives in the
Kopenick near Berlin, and is now here, he tells me, for the second time. For
the same offense.
“I baked cakes made out of flour that is better
than that officially allowed, and with eggs. Not in order to earn more, but
because they were being sent to the Front, and I couldn’t allow them to send
bad cakes. I got a year for it. Then they wanted to release me, but they wanted
me to pledge, in advance, to adhere strictly to the rules in the future. I
couldn’t go for that. On the contrary, I explained to the Gestapo that I would
certainly use good flour and eggs in the cakes, because I would not turn out mud
for the women who came to me to send something good to their men on the front.
After I said this, they beat me all over again, and
sent me back here.
He told this story very clearly and with many
details. Modestly, even a little humbly, but before everything else satisfied
in the feeling that he had done his duty, and that he couldn’t have done
otherwise.
We sealed our friendship with each other, and he
invited me to visit him after the war. I promised to do so.
“You just have to ask for the fat baker and even a
child will lead you to me.”
Poor devil. He completely forgot that, in between,
he had become as skinny as a piece of thread.”
Cake for cake’s sake. It is a revolutionary act.
Sunday, June 16, 2024
At the manif
Nobody knows what to do with Bardella’s name.
Friday, June 14, 2024
Elections in France
One suggestion, though. Everybody sees with their own eyes what investment in public services does. But they also see with their own eyes what they are taxed. I think it is time to send around, yearly, public audits telling the individual family what they have gotten from public services - and to make this very plan, per income group. It will turn out, always, that the state has given the most to the wealthiest. But the state, given the right administration, should give the most to the low and middle income groups. This should of course be sent out with tax information. It helps people decide where the holes in the system are.
Wednesday, June 12, 2024
fascism is easy with an opposition like this
The fascist tactic, classically, is the pounce. The fascist strategy is to see the fragility of the political establishment, which by its nature has nourished the most shortsighted and the most cowardly in its ranks.
Le Pen is not a particularly shrewd politician, but after Macron did her the favor of dissolving the national assembly, she is reeping the benefit of the strategy of normalization: the political establishment is dissolving before her eyes. She probably can't believe her luck. One goes back to the thirties, and the way the Social Democrats went from the establishment to the concentration camp in Germany. All the while its leaders making some vain and stupid stand or another, and refusing to turn to the working class, cause they are grody.
France, as Tucholsky remarked in 1928, was characterized, much more than Germany or the UK at the time, by the fact that the past was never passed - history was in the very cries in the street.
This was a shrewd insight. And what we are seeing in France - the cluelessness of the left, the vanity of the center, the cluelessness of the right, and the desire of the extreme-right - is like many periods in the past. Marx's 18th Brumaire is still pertinent to France.
That a man as shallow and vain as Macron is trying to make this all about him just adds to the comedy. His asskissers are floating a new idea from the Great Disrupter: what if he resigned? Then he could run again for a glorious third term.
Louis Napoleon he is not. This harebrained scheme, however, might be the best way for Le Pen to take the presidency in the next year. I can see Macron trying it, although I don't think even the ever pliable constitutional council would accept it.
Watching this happen here is sad sad sad - and instructive. It happened in the UK with the Tories. The political establishments in most countries are fat, complacent, and brain-dead. We will measure just how braindead as the Socialists, under Raphael Glucksman - who, for my sins, I voted for - pull away from the only thing that can save the left from disaster - a united front.
The only happy gleam I can see, at the moment, is that the fascists in Italy, though they triumphed in the Europeans, were closely followed by a re-invigorated leftwing party. But that is thin gruel.
Welcome to the Jungle, baby.
And here 's the song link.null
A Karen Chamisso Poem
Thoughts at the Denfort-Rochereau Metro Stop
Tuesday, June 11, 2024
The meatmarkets I have seen
Monday, June 10, 2024
The News from France
I've written this too often to write it freshly, but here it is: Macron came into office as a sort of idol of the French media and establishment - he was the perfect neoliberal. Neoliberalism is not simply an economic phenomenon - it is a cultural one. It is a synthesis between the gains of the civil rights era and the dissolution of the institutions of the social democratic era. That synthesis operates to repress class struggle and promote civil rights theater - which is how some billionaire woman can become an exemplar of "feminism", while her janitor can become an exemplar of "reaction".
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