A sunday meditation on balls

 

There is a tremendous literature about sports in the 20th and 21st century, but really little about the ball. The ball itself. Yet the ball is fascinating. The hardness, the compression of the racket ball balls is satisfying, but I can’t get myself into one of those balls. By contrast, that is what I spent my time trying to do between 11 and 21, playing tennis. I was a steady player, but mediocre. I was paired with another such player on the high school team – not for me the thrill of starting as a single. On the other hand, I was good enough that I could sometimes defeat our single player – not the Swedish ringer, but my buddy, W. – in a match. In tennis, sometimes you have a growth spurt – you play above the level of your play, you get it in a new way, the ball is your second self. But I could never climb to that level and stay there. Not enough dedication. Even so, I knew that when I played well, it was about the ball. The racket, the beautiful racket, followed, obeyed, it was a part of you, but it wasn’t idiosyncratic, it didn’t have a free will, it wasn’t a ball.

It is odd that economists don’t consider the ball. All the activity, the immense labor, that is woven around balls. Because why? Because you want to win, and to win means doing your thing with the ball, which is the thing – the object and the symbol – between you and your opponent.

Balls have evidently been around a long time, but they don’t get the study that, say, coins do. They should, though. Take, for instance, the American football. That ball is grotesque. It is less ball than projectile. If Adorno had had a sportif bone in his flabby kritikdrenched body, he would have recognized the intimacy between the football and Hiroshima. In fact, football is a tremendously interesting game, but it is interesting the way the war in the Pacific, circa 1941-1945, is more interesting than the Thirty years war.

On the other hand, you have the baseball, which is all Renaissance, a thing of beauty that would have been recognized by Alberti or by da Vinci. The stitching and the whiteness and the generally regal bearing of that ball, the great materials it is made of, mystically color the entire game.

When I was a kid, someone – I think Uncle Harry – gave me a baseball on which was inscribed the names of the Baltimore Oriole players from the great 1966 team. Boog Powell, Frank Robinson, Brooks Robinson, etc. Looking back, this was probably a manufactured thing, with those signatures. But the thing about the thing is: we move here from pragmatics to memorabilia. From the sphere of use to the sphere of fetishism. And this has downward effects on our way of thinking of Plato’s heaven of ideas. Myself, I think  we cannot get rid of essences in philosophy, but we find them right before our nose rather than beyond the starry sky. When we try to pluck one and only one particular from the crowd of essences, we pluck it out of one field of use. A wonderful thing about the baseball in Don Delillo’s Underground is that it is literally plucked, or caught, by someone seated in the Dodger’s stadium. It is a magic trick – as all catching of a baseball has a certain magic aura about it. From the essence to the particular – this is the route of humanism as well as magic.

Yet even so – there is the ball – not the individual balls. Oddly, all of these balls are inter-substitutable. One doesn’t play a ball game with the individual ball in mind. There are, of course, balls that are fetishistically claimed – bowling balls, for instance. But mostly the balls are disposable in their very essence. You might try to live on the tennis ball during the game, you might try to clear your mind of everything else, but in the end, you have no affection for the ball qua that particular ball.

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Children’s encyclopedia’s retail glorious myths about the invention of fire, or of the wheel, or the pully, or bronze – but they never both to imagine the invention of the ball. The ball, in fact, seems part of nature. A pebble, a nut. Yet the ball is surely the very symbol of culture – it is the very symbol of the symbol. In itself, it is nothing. But in play, it becomes more than itself. It starts to mean. It is Victor Turner’s symbolic object, and as such, it defines spaces and limits. It creates a passage, traversing a space that is charged with meaning. But unlike those objects – human beings – who also go through passages, the ball can mean but it can’t express. This, of course, brings us back to the afore mentioned fact that balls do not earn our affection, as say a piece of furniture, a house, a car do. A ball is always being subsumed into the great collective of balls.

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And that’s it for the Sunday meditation on balls.