Tuesday, October 04, 2022

And here's our old friend, the reindeer

 


I’ve been reading one of Calasso’s last big books – The Celestial Hunter. As is often the case with Calasso, I am struck not just by the “shock of recognition”, but by the shock of deja-ecrit. The theme of this book – the dive into the period 20 thousand years ago when God saw that the world was good and the people in it saw that the world and the animals and the trees and the spirits were immensely bigger than they were – is more than congenial to me. It touches on an obsession of mine, which springs from having read books about the cave paintings and being fascinated by Chauvet (which I have “seen”, in as much as seeing it is going to a cave that is the simulacra of it). Long ago, in 2006, I wrote a review of a book by Greg Curtis, a man who edited Texas Monthly and then just suddenly decided to follow his spirit and write  a book about cave painting, I wrote, in part:

 

“Reading it, we were struck like by 100 000 volts that during the Upper Paleolithic – that wonderful time when there were, max, 150 000 people in Europe, and life was good for around twenty thousand years - the cave artists generally didn’t draw or paint or engrave people. There were your stray vulvas, the masked bird man, many hand prints, but generally – no people. Instead, there were mammoths. There were lions. There were rhinos and horses. Oddly, much fewer reindeer, even though reindeer meat was the spam of the Paleolithic – it was always poached reindeer for breakfast, fricasseed reindeer for lunch, and reindeer pudding for dinner. We are often told how to evolution stories about this or that human habit, but in reality, the way those how to stories are formed is that evo psychologists extrapolate back from ‘primitive people’ of today to those wandering around 200,000 years ago. However, this habit is in serious disconnect from archeologists, who have long held that ethnography of people today, in no matter what state of society they live in, is essentially unhelpful when trying to reconstruct the way the inhabits of the Eurasia 30,000 years ago lived. It is impossible not to imagine back using our PBS/National Geographic images, but what tribe do we know of that doesn’t draw people? Deleuze and Guattari talk of the special faciality of the West – this seems right, on all accounts – but to show so little interest in people when one has mastered perspective, and the expressive character of animals? That seems quite significant. But of what? Well, this is where speculation is dumb, but irresistible.”

I went on to outline my speculative position:  the cave art of 25,000 years ago, with its relative  absence of the human, marks the time when – just perhaps – humans did not assume they would prevail. They did not even assume they were superior, since of course they knew – the horse was superior for speed, the lion and tiger and bear was superior for strength, the bird for flight, and so on.

There wasn’t - I would speculate, in this scene still dotted with other hominid candidates for most likely to survive - the sense that homo sapiens was superior in any department at all.

Calasso’s book is more sophisticated than my speculation, but it shares the sense that “man” was level with “nature” – in fact, that split between the humans and nature was inconceivable because neither category in the modern sense existed. Enemy and friend, transformation and death, hunting and eating existed. “When it began, the hunt was not a person who pursued an animal. It was a being who pursued an other being. No one could say with certainty who was who. The pursued animal could be a transformed man, or a god, or simply an animal, or a spirit or a something dead.”

And so it was I think through most of the Holocene. This recent change of earth time – the Anthropocene – was prefigured when a divide, a borderline was built, in heads and hearts and fields. Did that border have to thicken into plastic strewn oceans and the kind of yuck that we can see in pictures of the aftermath of Hurricane Ian? I don’t believe it. What is strange about the anthopocene story is that we have a story from science that would make sense to the cavepainters – that we are brothers and sisters of other animal tribes, that there is nothing called “nature” that causes anything, that everything has a material unity that we can play with but never overstep, that metamorphosis is life.

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