That duplicity dogs the android is the puzzle around which La Mettrie’s Essay on Happiness winds itself, looking for an entrance, another metaphysician double crossed by metaphysics. As soon as they’ve dispensed with it and gotten down to hard reduction, the muses come back as curses, the slave emerges as a whole different zombie in the way La Mettrie and Hume set it up: the passions are unexpectedly discovered to be the masters, the body is one of those legendary slave ships where the slaves have taken over, and reason is demoted, begins its difficult career as an accompaniest, Kant’s transcendental caspar the friendly ghost, the x trailing a spectral glory behind the man machine as he goes merrily on his way to the mass grave and other more odorless triumphs. Still, even giving up the whole of the man machine to pleasure, folly’s great victory, doesn’t dispel the eeriness of pleasure itself, even if its climactic, the orgasm, is hidden within a literature of the obscene that adds an
“I’m so bored. I hate my life.” - Britney Spears
Das Langweilige ist interessant geworden, weil das Interessante angefangen hat langweilig zu werden. – Thomas Mann
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