I recently read Wiliam Gibson’s Pattern Recognition, after seeing an article in the London Review that made a case for it. I can see the case: the writing is exciting for the most part, until it is dragged into that dread sink of genre fiction, the need for a resolution of a problem. I’m down with solutions, I’m a great fan of pacing out London under the shadow of Sherlock Holmes and finding the criminal, but I’m also a fan of things blowing up in your face. And a little too little blew up in the face of Gibson’s coolhunter heroine, Cayce Pollard. I admired her as an occasion for transvestism – the property Angela Carter rather patronized in D.H. Lawrence, all those stockings and dresses – but as an occasion for detection, her advance to the resolution of the problem became increasingly like an exercise in algebra: “solve the problem with a proof as to how you arrived at the solution.” In solving her problem, Cayce comes into contact with one of those gross “entrepreneurs” of the ear
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