In one of his apocalyptic essays, “Une anthropologie du presentiment”,
Paul Virilio (a writer whose lightning stroke provocations are bodyguarded by a
certain dark mumbo-jumbo, a logic of the worst case scenario, like a man who
had been up all night reading, alternatively, Michel Foucault and St. John of
Patmos) quotes a line of Octavio Paz:
“the instant is an uninhabitable as the
future”.
For Virilio, we have been forced to inhabit that inhabitability – this
is the crazy-making effect of the acceleration and massive accumulative power
of our system of telecommunications:
“In fact, can we still speak
of a contemporary world? Shouldn’t we, rather, speak of the anthropology
of a world that is not “intemporal”, but in-temporary, intemporal, if this is
even possible? Is an anthropology of the instance conceivable, and can it be
llogical without denying, in the same gesture, its fully historical dimension?”
If there ever was a time that
a certain apocalyptic strain in French philosophy seems to have found the object
it was looking for, it is this plague pause, this breaking apart of the
con-temporary, this pandemic that came to us on the wings of globalization. Acceleration,
the rat race, the routine of tasks that must be done, has suddenly come to a
screeching halt, or perhaps a non-screeching one, as the great metropoles
suddenly went quiet. And now, just as suddenly, the halt is lifting. What have
we seen in this desert of the real, o Lord? A reed shaken in the wind?
Myself, I am fortunately a
family man. Inhabiting an apartment in the Marais, of all places (such is the
vagary of my never very consistent life, a three Stooge’s adventure), and looking
out at a world of close calls without any one of those calls landing too close –
though my hypochondria is always on low in the background – I have an odd sense
that, for all the irreality that has rushed in on every front, this pandemic is
somehow normal, somehow expected.
I ventured out on
un-lockdown weekend a couple of times, and took a gander at the neighborhood
streets. I stood outside in line (so called – the French still, charmingly,
object to the American submission to the “line” as a linear thing, preferring
to cluster about) outside a bagel shop. I walked the boundaries. I saw many
masked people, but this was no Mardi Gras – there were many, many unmasked, as pretty
as you please, standing or sitting less than a good sneeze’s distance one from
the other. Were these people crazy? Or was I?
A little of both, perhaps. I
will get real here: it warmed my heart to see Paris limping back to life. I miss
the cafes, the uber-expensive dress shops, the galleries, the life, by God,
that flows over the streets every day. Yet I am all informed, too, about second
waves, about the way the Spanish Influenza’s second coming, when it got
serious, killed ten times more people than its rehearsal wave.
What is time? What is our
time? What is personal time? Questions that have lept out of philosophy class
and into our laps, be we working class or bougie, this Corona-period. Let’s end
on the gothic observation of Virilio, who might be right:
“Duration (durée), all true
duration, may have become by the fact of the acceleration of realism an
everyday illusion, an absence of duration or more exactly, the duration of the absence
which no longer allows us to grasp what is there, no those things that are
still there to the advantage of the intempestive characer of what happens ex
abrupto, of the Accident that from now on out replaces all events.”
Virilio wrote this at the
beginning of the great economic crack-up of 2008. Seems less heated now – seems
like pretty much a standard description of the impression we all have of our “time”. Put the 666 on my forehead and test and trace: I'm in!
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