In 1926, there was an attempt to put into place a new kind
of sidewalk at Rue Championnet in the 18th arrondissement – now known,
if known at all, for being the last address of the Iranian author, Sadegh Hedayat
– which would incorporate one of H.G. Wells’ vision of the future: it would
roll. The speed of the sidewalk was set at 1 to 7 kilometers per hour. The
experiment was reported by Paris Soir. But evidently it did not catch on: Rue
Championnet today has returned to sidewalks that support the movement of the
pedestrians, rather than vice versa. The future didn’t happen.
I am, for some reason, fascinated by the sidewalks of Paris.
Outside of our building and all down our street, this winter, they have been
reinstalling pipe. To do this, they had to remove the blocks of stone that constitute
the sidewalk and dig a trench, going down a good three feet – or so I judge
from watching the diggers step into it, which sank them to a chest high view of
street level. The diggers seemed to have been a good natured bunch, as they
would have to be: all of us residents of the street cast the evil eye, at one time
or another, at this disturbance of our routine. We were forced to walk into the
street rather than on the sidewalk, for one thing. On the other hand, we depend
on those mysterious pipes and cables. Without them, we are fucked.
In the US, the destruction of the sidewalk would have been
the work of jackhammers, and the pieces of concrete would have been carted off.
In Paris, however, history is an arm’s length away. The sidewalks on our street
are not mere anonymous sheets of concrete – the Mafia’s fave substance. Rather,
they are paving stones – the kind of thing that, during revolutions, are dug
out and piled up in the street to make barricades. Dallage, quoi. What the
workers did was rather marvelous: they numbered each stone, spraying the
numbers on them with a dayglo paint. Then they piled them in a little area at the
end of the street, which was surrounded by a little nylon green barrier. Now
that the pipe and cable are laid, they are putting back the stones in the order
in which they were numbered. This, for an American, is so amazing that I can’t
walk down the sidewalk without feeling the urge to take out my phone and
photograph. Although the photographs don’t really capture what is happening
here. Instead of viewing the past as something to be preserved – in a sort of
competition with the present and the future – the past is viewed as something
living in the present, something that floats in our everyday life. This is so
alien to the view of things in the American city – or at least the cities I’ve
lived in, Atlanta, Austin, Los Angeles – that one has to shift the frame, or
crash the frame, to get it to conceptually fit.
Liberate the past. Why give it to the reactionaries?
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