In No Go The Bogeyman, Marina Warner takes, from the mouth of (very English) babes the distinction between “funny ha ha” and “funny peculiar”. It is an inherently unstable disjunction, having the structure of a booby trap or a slapstick routine. Between Punch the puppet and Gacy the clown serial killer, between “locker room talk” and sexual assault, there exists a subsurface resemblence, a vicious hilarity, to which we are both drawn and repelled. Warner’s book is about the large social region of the grotesque that is minimized by social scientists and made a footnote by literary critics, but that actually intrudes in our lives in a big way. The grotesque is generated by funny ha ha and funny peculiar, much as the two ends of funny pull at each othe.r I’ve heard many people say that they can’t believe that the president we inaugurated today is really the president. That unbelievability is cousin to the grotesque, and haunts the seriousness of the ocassion. Downfalls are rarely so mu
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Das Langweilige ist interessant geworden, weil das Interessante angefangen hat langweilig zu werden. – Thomas Mann
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