There are sounds that torture our animal souls beyond
endurance, as is discovered by children the first time they scratch a
blackboard. The car alarm, untended, in the city night makes the surrounding
apartment dwellers dream of firearms and blasting not only the car, but the
owner. Then there is the classic crying and screaming of the baby or toddler on
the plane flight. It is an amazing fact of natural history that the lungs and
vocal chords, otherwise so undeveloped, could raise such mature decibels of sound,
and for so long! I once shared a trans-atlantic flight with a two year old
girl, six or seven row back, who was evidently sick, in some kind of pain, and
able to scream ceaselessly for about two hours. Her parents couldn’t calm her. I
would put that girl, at that moment, up against the lead singer of Metallica
for sheer volume any time. Yet, being a parent myself, I had no appreciation
for the guy in back of us who kept suggesting that she should be stuffed in the
bathroom – I dreamed of stuffing him in the bathroom, dousing his head in that weird
aluminum vortex of a Boeing toilet, flushing him into the ocean.
However, our animal nature’s are as keenly attuned – or at
least I find mine is, and I don’t think this is special with me – with a
perhaps evolutionarily attuned sense for another variety of sound, one that
gives us a rare and complex pleasure…
A story: every week day, around 5:10 p.m., I walk the three
blocks to the Y pre-school where we keep Adam.
I always leave in a bit of a disgruntled state, since I suddenly
realize, around 4:30, that I have a ton of things to do that I now don’t have
time to do. But as I approach the school, I always have this moment – not the
best moment of the day, not every day, but always in my top five – which comes
about simply because I stroll past the wall of the outside playground that
abuts the sidewalk. I can always hear inside that wall the sounds of the
children, who I know are strewn about
the slides, the plastic car, the plastic castle, the swings, the area in front
of the small basketball hoop, and in circles around the teachers, and who are
chirupping, screaming, talking, shrieking with joy (their running in the wobble
of the voice), laughing and weeping over some crisis. The whole din always
seems to touch some spring within me: I feel an affective state we do not have
a noun for. It is something like hope without an object.
Kant, of course, is the great without-an-object man. For
Kant, beauty was disinterested. Art of any type is fundamentally purposive but
without a purpose, a use. We have lost our way if we are thinking of what use
we can put beauty too – how we can photoshop it, for instance, to sell a
product. We have lost our way to what the aesthetic is about. Well, we can
dicker with Kant here – in fact, all of our culture dickers with Kant here –
but the feeling of hope I am describing is something like this purposiveness
without a purpose. I hope, but I don’t hope for the future. There’s no moral
conclusion to my hope, like hope that we
will all someday hold hands and sing. It is a feeling of great expectation
without thinking that anything much is going to happen. I know that I’ll pick
up Adam, get his stuff, the empties from lunch, go to the store with him, go
home. The end, as Adam says, turning the last page of a picture book. These
things do overlap, perhaps, my feeling – if I Venn diagramed it out, there’d be
the minor expectation of the routine with Adam overlapping the hope without an
object, surely.
But that unoverlapped part, it seems to me that the hope is
just this: that we exist.
Goddamn it. We exist.
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