P.S. is a 42-year-old man who has
been affected by
paranoid schizophrenia since the age
of 20. At the
onset of his psychosis, he was trying
in various ways to
compensate for his difficulties in
getting in touch with
other people. He had no secure ground to interpret
the
others' intentions. He lacked the
structure of the rules
of social life and systematically set
about searching for
a well-grounded and natural style of
behavior. For
instance, he was busy with an
ethological study of the
"biological" (i.e., not
artificial) foundation of others'
behaviors through a double
observation of animal and
human habits. The former was done
through television
documentaries, the latter via
analyses of human interactions
in public parks. An atrophy in his
knowledge of
the "rules of the game" led
him to engage in intellectual
investigations and to establish his
own "know-how" for
social
interactions in a reflective way. – Giovanni Stranghellini, At issue:
vulnerability to schizophrenia and lack of common sense (2000)
Consensus omnium, common sense and public opinion all exist
as separate tracks through the intellectual history of the West – and each
trail can be superimposed upon the other.
Early on, in Klaus Oehler’s definitive essay, Der Consensus
Ominium als Kriterium der Wahrheit in der antiken Philosophie (1963), there is
a quotation from Hesiod. The line quoted comes from the section of the poem
devoted to “Days”, with its sometimes obscure reference to work, luck, gods and
the days of the seasons. The line, 760,
goes: … and avoid the talk of men. For talk is mischievous, light, and easily
raised, but it is hard to undo it. Talk is never completely lost, which has
been in the mouths of the many. For talk is itself a God.” Talk, here, is not
logos, but pheme – which, as Jenny Strauss Clay points out in Hesiod’s Cosmos,
is the antithesis of kleos, that is to say, fame: kleos is to be heard about,
pheme is to be talked about.’ This enduring couple still presides, in all their
debased divinity, over the newspaper and the news and entertainment channels.
They are structured by what is likely, or plausible.
The plausible concerns the heart of Oehler’s theme. As he
points out, Plato’s antipathetic stance regarding opinion – endoxe – is
countered by Aristotle’s respect for it. “The positive value of generial
opinion is, as well, the ground for Aristotle’s preference for commonplaces
[Stichwoerter]. It is said that in the peripatetic school, under his direction,
a wideranding collection of commonplaces was made.” Furthermore: “… This
preference of Aristotle … rested on the materr of fact that in commonplaces the
infinitely rich experience of many races was documented in a unique way in
brief and trenchant formulas, which is the way the Consensus omnium expressed
itself.” [106]
If the pair pheme/kleos presides over the objects of the
news, the commonplace presides over the form. It is the style of the cliché,
the proverb, the wisdom of mankind – the conventional wisdom of the moment. The
duality of fame and infamy, expressed in cliché, is precisely the form of ‘betise’
that a certain school of modernist writers – Flaubert, Bloy, Peguy, Kraus,
Tucholsky, Mencken, Orwell – took as their ultimate enemy, even if for some,
the wisdom of mankind was what was traduced in the press, rather than simply
represented there.
In Oehler’s account, it was not Aristotle, however, but
Cicero who transformed the semiotic of ‘talk”. Before Augustine, Cicero interiorized
the commonplace as common sense – equating ‘the agreement of the people” with “a
law of nature.” After Cicero, the idea of the universal consent of the people
moves into the political order as a legitimizing technique – ironically,
according to Oehler, Augustus, who ordered Cicero’s murder, took up his idea of
the ‘universal consent of the people’ and made it one of the properties of the
emperor.
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