A round of laughter

1. Imagine naming a child after its mother’s laugh.
2. The mother’s characteristic laugh. Which is not the same as the characteristic way we represent a laugh – a haha, a hoho. These onomatopeia are grossly AWOL from the real sound of laughter. Yet as signs of that natural sign (laughter, since Occam, being treated in the tradition as a natural sign of joy – as, for instance, in Descartes), ha ha and ho ho have fed back into the pool of laughs. In English, at least, they sound much like the forced laugh, and perhaps this is because the forced laugh sounds like them. The forced laugh, in that sense, is quoting a laugh, which is representing a sound that has become, through some process of selection, the convention for the laugh. The sign, briefly, stands for itself. The forced laugh is humiliating. It is a way of being, for whatever reason, servile. Every forced laugh I have ever uttered has been cancerous.
3. Such a name, the name of this child, would confront the brute nature of the laugh and our way of domesticating it into the registry of signs and symbols. We recognize the laugh as a vocal expression, but what kind of expression is it?
4. Call the child. Let the child write down her name.
5. Dear Boss,
I keep on hearing the police have caught me but they wont fix me just yet. I have laughed when they look so clever and talk about being on the right track. That joke about Leather Apron gave me real fits. I am down on whores and I shant quit ripping them till I do get buckled. Grand work the last job was. I gave the lady no time to squeal. How can they catch me now. I love my work and want to start again. You will soon hear of me with my funny little games. I saved some of the proper red stuff in a ginger beer bottle over the last job to write with but it went thick like glue and I cant use it. Red ink is fit enough I hope ha. ha. The next job I do I shall clip the ladys ears off and send to the police officers just for jolly wouldn't you. Keep this letter back till I do a bit more work, then give it out straight. My knife's so nice and sharp I want to get to work right away if I get a chance. Good Luck.Yours truly
Jack the Ripper
6. It is an odd kind of expression, as all philosophers have noted. Beyond the natural sign, it is not exactly a gesture – especially as a gesture is explained by a previous intention. A laugh can’t be totally governed by an intention. On the other hand, it is not totally unpredictable. Like a blush.
7. Ha Ha. Jack the ripper, if the Ripperologist say true, was very fond of that phrase in the few authentic letters from him. Although they may not be authentic, either.
8. Traditionally, the opposition is laughter vs. tears. Both are involuntary in one sense, in that the closer they are to voluntary, the closer they are to false. Ha ha.
9. The medievalist, Jacques Le Goff, has written that that Church created a great system opposing tears to laughter. The spirit of Lent versus the Spirit of Carnival. The church was a great organizer of tears. Laughter, however, has always been in a somewhat strained relationship with the Church. As with most of the great religions – Islam, Buddhism.
10. Laughter, as Le Goff points out, takes on different senses and has borne different names. The is a different name for mocking (laag)as opposed to joyous laughter (sakhoq) in Old Testament Hebrew, for instance.
11. Jean-Michel Beaudet in Laughter: an example from Amazonia, finds four types of laughter among the Tupi: men’s, women’s, collective, and caricatural, which, I think, is false. Beaudet is interested in the variations in the sounds of these laughters.
12. Helmut Plessner, in Laughter and Crying, uses these as border phenomena, between the body and the expressive, to look at the doubleness of the human body, iwhich we are, and “in which” we are. To be in, to be of, the prisoner is the prison. It is to laugh. Ha Ha. Plessner is especially impressed by the words associated with laughter – burst, explode. For him, it is that moment when the discipline of the body dissolves – the sense body of experience encounters that problem to which it cannot find any answer. This is the nature of the natural sign – to be the nature that human nature must work with. And work.
13. We will. Or we won’t. This is the human switch. It is a great simplifier. Laughter, being expression that is interjection, almost unprocessed matter – it is as if called up by a spell. A spell reaches for that switch. On. Off. Perhaps this is why laughter, for the church, seemed far from God. And closer to the devil. God has the last judgment. The devil has the last laugh. Ha Ha. Ha Ha. Ha Ha.