Loneliness. John Kenneth Galbraith is dead. 
In the NYT obituary, which is generous (as it should be), there are two paragraphs on the matter of Galbraith’s isolation from the economic community which cast a broad light on why Galbraith is generally right, and the mass of economists, drudges of rightwing ideology, are generally living in outer space:
“Mr. Galbraith argued that technology mandated long-term contracts to diminish high-stakes uncertainty. He said companies used advertising to induce consumers to buy things they had never dreamed they needed. 
Other economists, like Gary S. Becker and George J. Stigler, both Nobel Prize winners, countered with proofs showing that advertising is essentially informative rather than manipulative.”
Adorno and Horkheimer, in The Dialectic of the Enlightenment, said that De Sade’s vision of a world of universal prostitution is a dystopian version of capitalism. Gary S. Becker’s neo-classical analysis of the family unit as essentially a matter of efficient transaction costs cast the world as a matter of universal prostitution and pronounced it good, and in doing so founded the Law and Economics field that has swallowed the justice system. Galbraith never liked the idea that we should live in a world of universal prostitution. For this, he got rocks thrown at him by the economics professors.
Not all, however:
“Amartya Sen, a Nobel Prize-winning economist, maintains that Mr. Galbraith not only reached but also defined the summit of his field. In the 2000 commencement address at Harvard, Mr. Parker's book recounts, Mr. Sen said the influence of "The Affluent Society" was so pervasive that its many piercing insights were taken for granted.
"It's like reading 'Hamlet' and deciding it's full of quotations," he said.” 
   Well, LI searched for the proper poem to commemorate JKG. Here is Donald Davies’ Obiter Dicta, 
 Trying to understand myself, I fetch 
             My father's image to me. There he is, augmenting 
             The treasury of his prudence with a clutch 
          Of those cold eggs, Great Truths---his scrivener's hand 
             Confiding apopthegms to his pocket book. 
             Does mine do more than snap the elastic band 
           Of rhyme about them? In an age that teaches 
              How pearls of wisdom only look like eggs, 
              The tide, afflatus, still piles up on the beaches 
         Pearls that he prizes, stones that he retrieves 
            Misguidedly from poetry's undertow, 
            Deaf to the harsh retraction that achieves 
         Its scuttering backwash, ironies. And yet, 
            Recalling his garrulity, I see 
            There's method in it. Seeming to forget 
         The point at issue, the palmer tells his beads, 
            Strung by connections nonchalantly weak 
            Upon the thread of argument he needs 
         To bring them through his fingers, round and round, 
            Tasting of gristle, savoury; and he hears, 
            Like rubbing stones, their dry conclusive sound. 
         Himself an actor (He can play the clown), 
            He knows the poet's a man of parts; the sage 
         Is one of them, buffoonery like his own, 
            Means to an end. So, if he loves the page 
         That grows sententious with a terse distinction, 
             Yet lapidary moralists are dumb 
         About the precepts that he acts upon, 
             Brown with tobacco from his rule of thumb. 
         'Not bread but a stone!'---the deep-sea fishermen 
            Denounce our findings, father. Pebbles, beads, 
            Perspicuous dicta, gems from Emerson, 
         Whatever stands when all about it slides, 
            Whatever in the oceanic welter 
            Puts period to unpunctuated tides, 
         These, that we like, they hate. And after all, for you, 
            To take but with a pinch of salt to take 
           The maxims of the sages is the true 
        Great Truth of all. To keep, as you would say, 
           A sense of proportion, I should portion out 
           The archipelago across the bay, 
        One island to so much sea. Assorted 
           Poetic pleasures come in bundles then, 
           Strapped up by rhyme, not otherwise supported? 
        Turning about his various gems to take 
           Each other's lustre by a temperate rule, 
        He walks the graveyard where I have to make 
           Not centos but inscriptions, and a whole 
        That's moved from inward, dancing. Yet I trace 
           Among his shored-up epitaphs my own: 
        Art, as he hints, turns on a commonplace, 
           And Death is a tune to dance to, cut in stone.
“I’m so bored. I hate my life.” - Britney Spears            
 
Das Langweilige ist interessant geworden, weil das Interessante angefangen hat langweilig zu werden. – Thomas Mann  
"Never for money/always for love" - The Talking Heads
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