Tuesday, October 23, 2001

Dope
Limited Inc tossed and turned last night. In fact, we sleep so poorly lately that Insomnia has become our least favorite devil, and we are at a loss as to how to make terms with it. Benadryll doesn't help any more. Warm milk, not a chance; walking to and fro, exhaustion, lying still, lying under the sheet, pretending to be dead, turning on the light and deciding to read, turning off the light and trying to think of nothing, then trying to think of one thing, then trying not to let the mind get carried away by the thing that has to be done tomorrow and tomorrow and tomorrow. All those nice, luscious stories about incubi and succubi are nothing compared to Beelzebub, Lord not only of the flies but of all buzzing night thoughts. The thought that we could open our eyes at any point last night was itself enough to drive us crazy.

Well, so we go to the National Sleep Foundation, my fave charity, and see what is up. We are greated with one of the great headlines of our time:


NATIONAL SLEEP FOUNDATION WELCOMES NEW FINDINGS SHOWING MINNEAPOLIS TEENS SLEEPING MORE DUE TO LATER SCHOOL START TIMES.

Where were these people when I was a punk?
Here's the kind of graf that makes teenage wasteland seem not so bad.

"Sleep studies indicate adolescents need between 8.5 and 9.25 hours of sleep each night. NSF surveys show that during the school week, only 15 percent sleep 8.5 hours or more, and more than one-quarter sleep less than seven hours. Because of their physiological changes, adolescents tend to fall asleep and awaken later, which can find their body clocks in conflict with school clocks if classes begin at a time when teens want to be sleeping. The result is that too many teens come to school too sleepy to learn. "

Well, the greatest non-sleeper in history is Macbeth. But Freud points out that Macbeth was not exactly the sleepless one:

"One is so unwilling to dismiss a problem like that of Macbeth as insoluble that I will venture to bring up a fresh point, which may offer another way out of the difficulty. Ludwig Jekels, in a recent Shakespearean study, thinks [Endnote 5] he has discovered a particular technique of the poet's, and this might apply to Macbeth. He believes that Shakespeare often splits a character up into two personages, which, taken separately, are not completely understandable and do not become so until they are brought together once more into a unity. This might be so with Macbeth and Lady Macbeth. In that case it would of course be pointless to regard her as an independent character and seek to discover the motives for her change, without considering the Macbeth who completes her. I shall not follow this clue any further, but I should, nevertheless, like to point out something which strikingly confirms this view: the germs of fear which break out in Macbeth on the night of the murder do not develop further in him but in her. It is he who has the hallucination of the dagger before the crime; but it is she who afterwards falls ill of a mental disorder. It is he who after the murder hears the cry in the house: "Sleep no more! Macbeth does murder sleep ..." and so "Macbeth shall sleep no more"; but we never hear that he slept no more, while the Queen, as we see, rises from her bed and, talking in her sleep, betrays her guilt. It is he who stands helpless with bloody hands, lamenting that "all great Neptune's ocean" will not wash them clean, while she comforts him: "A little water clears us of this deed"; but later it is she who washes her hands for a quarter of an hour and cannot get rid of the bloodstains: "All the perfumes of Arabia will not sweeten this little hand." Thus what he feared in his pangs of conscience is fulfilled in her; she becomes all remorse and he all defiance. Together they exhaust the possibilities of reaction to the crime, like two disunited parts of a single psychical individuality, and it may be that they are both copied from the same prototype."

Distributed insomnia. Well, whoever lost his insomnia, I found it. Call immediately. It answers to the name of Warmed Over Death.

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