Wednesday, June 20, 2012

Kill the poor



It was during his Koln period that Marx, according to his own account, made one of his most important discoveries: that the sociological category, “the poor”, was vacuous. The poor were easily recognized in pre-capitalist economies: the beggars, the serfs, the slaves, they all exist under the sign of minus. They had less, and that quantitative fact defined their social existence. What Marx saw was that capitalist society was not just a matter of old wine in new bottles – the archaic poor were now free labor. Perhaps nothing so separates Marxism from religion as  this insight: in all the great monotheistic religions, poverty is viewed in feudal terms: the poor you will have always with you. But in capitalism, or modernity tout court, the poor continue to exist as a mystificatory category, usually in a binary with the rich. In fact, the real binary in society is capital and labor. The bourgeois economists, and even the non-scientific socialists, operate as though the archaic poor still exist. To help them, we need to develop a method of redistribution that is, in essence, charity – run by non-profits or run by the government, but still charity. But Marx saw this in very different terms. Labor produces the economic foundation of capitalism – value. In these terms, it is not a question of the poor being a qualitative or moral category – it is a question of the alienation of value, of surplus value, that circulates through the entire capitalist system and allows it to grow on its own, while at the same time making it vulnerable to crisis.

Baudelaire famously created a slogan for the 1848 revolution: Assommons les pauvres. Kill the poor! This seems on the surface to be the most radical and effective of  welfare schemes, for it would get rid of the poor once and for all. But Marx explains why it wouldn’t work: the poor describes an illformed social  category, a survival from the past. And on the other hand, to kill the working class would be to kill capitalism itself. What  Marx learned in the forests of Koln was that capitalism was as atheist as could be against property. Far from being founded on the defense of property, capitalism was quite comfortable with changing its definition to suit – capital. What was once a right of the “poor” – for instance, to glean windfallen branches – could be swept away with a penstroke when the large landowners so desired. What was once the very definition of property - to have the full usage of an item one buys - can suddenly be hedged round with limitations when we try, for instance, to copy it and upload it on the internet. We are suddenly deprived of the inalienable right to give our property - and this is named Intellectual Property, and a legal structure grows up around it in a heartbeat.  Property is not, then,  a constant element, but a fluid one, changing its meaning and effect with the system of production in place. To describe the poor as having little “property”, in other words, reified property, placed it outside the social, and disguised the social conflicts encoded in what property is.

Marx’s logical clarity, however, is a bit too bright even for many of his own followers, who are as prone to fall into the language of the struggle between the poor and the rich as anybody else. It is, after all, one of the richest images we have, an leads irresistibly to a one-sided discourse on equality.

Nevertheless, Marx did not take this to mean that all workers are “productive”.   

Tuesday, June 19, 2012

Unproductive labor 1


The idea of unproductive labor is evidently rooted in the way wealth is regarded in the pre-capitalist mindset. This does not mean that at some point, the concept was unambiguous – on the contrary. The moral economy of the pre-capitalist era in Europe (by which I mean, simply, the domination of pre-capitalist economic ties, and not the absence of capitalist enterprise of one sort or another) was organized around an implicitly conflicted notion of temporal and intemporal glory. The royal or noble banquet was, at one and the same time, a symbol of the intemporal glory awaiting the believer in heaven and a display of pride and gluttony that would lead the sinner to hell. Underneath the sumptuary laws that came out of pagan as well as Christian jurisprudence was a strong sense of Fortuna – a sense that there was an equilibrium in the world of goods deriving from the fact that goods were limited by divine and physical law, and he who had a good in a sense took it from he who did not have the good.

In the 17th century, certain thinkers – Petty and Boisguilbert, for instance – and a certain class of merchants and projectors dissolved, theoretically and practically, essential elements in this  old pattern of thought. In so doing, they did not utterly reject it, but used parts of it in their own bold suggestions as to how to reform the business of the nation. This reform could not do without the idea that some activities were productive and some were unproductive –and indeed, to an extent, they were bound together. The noble who ate and drank and the peasant who toiled and spinned were part of one economic system, separated, from the point of view of commodities, by the fact that the noble added nothing to the food or drink while the peasant added its essential  ingredients. Into this mix, however, one had to add money – with which addition the duality of producer and unproducer became extremely confused.

Adam Smith, of course, developed the notion of unproductive labor in The Wealth of Nations, and was lauded for it by Malthus, who took the notion to be the cornerstone of the work. Another reader, however, Jean-Baptiste Say, disagreed absolutely, and urged the removal of the distinction entirely as one confusing a number of elements: a sort of cult of the material over the immaterial; an incoherence in extending the notion of exchange value to its universal scope within the economy; and a pernicious moral and legal effect on the beneficient speculator, who labors under the suspicion of parasitism when, in effect, he produces the framework of credit inside of which production can flourish.

Schumpeter tacitly awards Say points, and refers to the distinction between productive and unproductive labor as a “dusty museum piece” in his History of Economic Thought.  However, he adds that Marx pretty much grasped the important thing in Smith’s distinction, which was not that there is a difference between useful labor and non-useful labor – it is not that the cook for the noble is creating a non-useful pie for his aristocratic appetite – but rather that there are different value addeds:

“He [Smith] had no use, of course, for the physiocratic proposition that only labor employed in agriculture is productive any more than he had use for the 'mercantilist' proposition that only labor employed in export industries is. But pouring away the physiocrat wine, he retained the bottles and filled them with wine of his own: he defined labor as productive that 'adds to the value of the subject upon which it is bestowed' (op. cit. p. 314) and exemplified this by the case of factory workers who, as he adds by way of explanation (ibid. p. 316), live on 'that part of the annual produce of the land and labour which replaces capital' (with a profit); and he defined labor as unproductive that does not add (exchange) value to anything and exemplified this by the labor of the menial servant and that 'of some of the most respectable orders in the society' such as the sovereign 'with all the officers both of justice and war who serve under him' and 'are maintained by part of the annual produce of the industry of other people.' “

Value is evidently the key to the distinction – but value here is defined by value for capital, and nothing else. This is the sense that Marx extracted from Smith – as Schumpeter says.

However, given this definition by way of a system in which production, for the sake of the analysis in Capital, is analyzed in distinction from circulation – which is analyzed in Book 2 – and then analyzed in, one might say, the real synthesis of the two – which is where Book 3 is going – this definition, to row back to where we were, has to be dialecticized (and lyed and dyed) before it becomes useful.      

Thursday, June 14, 2012

Dao and modernity



The Christian and secular books of the world stand in stark contrast to the Dao, as it is articulated in the classic Daoist texts.  There is no more radical reflection on uselessness than is found in Daoism. The notion of that being comes from nothingness and is secondary to it was one that the Daoists shared with Buddhists. But in the Buddhist system, the consequence of insight into nothing is compassion for all creatures and a teaching designed to produce an absolute liberation from the bonds of being. This is the opposite of the Daoist doctrine of inaction. The insight into the way does not lead us to compassion, but a certain type of perfection: perfect uselessness. This is the theme pounded over and over in the Chuang Tzu.

In the chapter entitled Heaven and Earth, Tzu-kung and his disciples encounter a farmer laboriously lugging pitchers of water to his field from a well. Stopping, Tzu-kung offers some friendly advice about a machine the farmer could use to do this work.

"It's a contraption made by shaping a piece of wood. The back end is heavy and the front end light and it raises the water as though it were pouring it out, so fast that it seems to boil right over! It's called a well sweep."

So far, we could be reading a story about a Yankee peddler. We could be reading any story about modernity.

“The gardener flushed with anger and then said with a laugh, "I've heard my teacher say, where there are machines, there are bound to be machine worries; where there are machine worries, there are bound to be machine hearts. With a machine heart in your breast, you've spoiled what was pure and simple; and without the pure and simple, the life of the spirit knows no rest. Where the life of the spirit knows no rest, the Way will cease to buoy you up. It's not that I don't know about your machine - I would be ashamed to use it!"

Here, too, as we know from hundreds of records of “savages” resisting civilization, we could also be reading a leave from a field report in development economics. But this is not development economics. It is a text that begins in praise of uselessness. Instead of taking the farmer’s words as evidence of his backwardness,  Tzu-kung takes them as a response pointing out,clearly, Tzu-kung’s own lack of enlightenment.

However, the reader is also involved in this text. He who has ears, let him hear – this is the fourth wall of the parable. The reader, then, seems to have gained his lesson in enlightenment rather cheaply in this staging of the sage and the peasant. So that the end of the story reaffirms the uncertainty of the lesson:

“When Tzu-kung got back to Lu, he reported the incident to Confucius. Confucius said, "He is one of those bogus practitioners of the arts of Mr. Chaos." He knows the first thing but doesn't understand the second. He looks after what is on the inside but doesn't look after what is on the outside. A man of true brightness and purity who can enter into simplicity, who can return to the primitive through inaction, give body to his inborn nature, and embrace his spirit, and in this way wander through the everyday world - if you had met one like that, you would have had real cause for astonishment.14 As for the arts of Mr. Chaos, you and I need not bother to find out about them."

The self-erasing dialectic of the useless, here, infects the very lesson in which it is taught. I will set this as a portal through which to view the formation of the “useful” character in Western capitalism.

A second and more famous story applies the paradox to the tree.

In the Human World chapter of the Chuang Tzu, there's a story upon which I've often reflected:
Carpenter Shih went to Ch'i and, when he got to Crooked Shaft, he saw a serrate oak standing by the village shrine. It was broad enough to shelter several thousand oxen and measured a hundred spans around, towering above the hills. The lowest branches were eighty feet from the ground, and a dozen or so of them could have been made into boats. There were so many sightseers that the place looked like a fair, but the carpenter didn't even glance around and went on his way without stopping. His apprentice stood staring for a long time and then ran after Carpenter Shih and said, "Since I first took up my ax and followed you, Master, I have never seen timber as beautiful as this. But you don't even bother to look, and go right on without stopping. Why is that?"
"Forget it - say no more!" said the carpenter. "It's a worthless tree! Make boats out of it and they'd sink; make coffins and they'd rot in no time; make vessels and they'd break at once. Use it for doors and it would sweat sap like pine; use it for posts and the worms would eat them up. It's not a timber tree - there's nothing it can be used for. That's how it got to be that old!"

After Carpenter Shih had returned home, the oak tree appeared to him in a dream and said, "What are you comparing me with? Are you comparing me with those useful trees? The cherry apple, the pear, the orange, the citron, the rest of those fructiferous trees and shrubs - as soon as their fruit is ripe, they are torn apart and subjected to abuse. Their big limbs are broken off, their little limbs are yanked around. Their utility makes life miserable for them, and so they don't get to finish out the years Heaven gave them, but are cut off in mid-journey. They bring it on themselves - the pulling and tearing of the common mob. And it's the same way with all other things.
"As for me, I've been trying a long time to be of no use, and though I almost died, I've finally got it. This is of great use to me. If I had been of some use, would I ever have grown this large? Moreover you and I are both of us things. What's the point of this - things condemning things? You, a worthless man about to die-how do you know I'm a worthless tree?"

When Carpenter Shih woke up, he reported his dream. His apprentice said, "If it's so intent on being of no use, what's it doing there at the village shrine?" 15

"Shhh! Say no more! It's only resting there. If we carp and criticize, it will merely conclude that we don't understand it. Even if it weren't at the shrine, do you suppose it would be cut down? It protects itself in a different way from ordinary people. If you try to judge it by conventional standards, you'll be way off!"
Again, the assistant lends the needed needling to the larger point. To achieve uselessness, one must find a way of leaping over the larger point. And that leap is the extra-ordinary.

That the parable is in the human world is, of course, a conjunction that should suggest an idea – or at least the approaching ghost of an idea, for it is possible that the monotonous production of the idea is too poor a thing, too head-bound a thing, for a Daoist.

Monday, June 11, 2012

blank spaces on the map: the adventurer and the clerk


Simmel’s essay on adventure (1919) begins by considering the “double-sidedness” of events in a life. On the one hand, events fall into a pattern in relationship to one another, so that one can talk of a life as a whole and mean a unified thing – on the other hand, events have their own center of gravity, and can be defined in terms of their own potential for pleasure or pain. To use an example not mentioned by Simmel, but getting at what he means: Famously, Kant had a regular habit of taking a certain stroll each day in Königsberg. It was famous as a regular habit – it was an example of some craving for order in Kant’s life, which some have read into his work. Now, one walk was, intentionally, much like the other – and yet, they all formed a distinct sub-system in Kant’s life of Kant’s walks.

In ordinary life, we often talk about what we are “like”. If I lose, say, my wallet, I may say, I always leave it on the table. In so saying, I’m observing myself anthropologically – this is what the tribe of me is like. It has these rituals, these obsessions, these returning points. At the same time, there are rituals and obsessions I am not so aware of. I fall in love, say, with a certain type of woman. For instance, I always find myself in relationships with blondes who have father issues and like to exhibit themselves. How does my radar pick out these women? Why is it the same process? Here, things aren’t so obvious. Freud speaks of “fate” in the love life. Of course, fates preside over other things beside the destinies of our dicks and pussies. La Bruyere, for instance, outlines the characteristic of a man who is always losing things, bumping into people, misreading signs, mistaking his own house for somebody else's and somebody else's for his own. We might think that this state of confusion, in the extreme, is evidence of some pathological disturbance of the brain. However, there are a number of habits one "falls" into in one's life, resolves not to continue with, and still - falls into again.

Simmel speaks of events and their meanings in themselves and in relationship to the whole of life. Which can also move in the other direction:

“Events which, regarded in themselves, representing simply their own meaning, may be similar to each other, may be, according to their relationship to the whole of life, extremely divergent.”


Simmel’s definition of adventure is on the basis of this relationship of the parts of life to the whole course of life:
“When, of two experiences, each of which offer contents that are not so different from one another, one is felt as an adventure, and the other isn’t – it is because  this difference of relationship to the whole of our live is the way one accrues this meaning and the other is denied it. 
And this is really the form of adventure on the most general level: that it falls out of the connections of life.”

That falling out of the Zusammenhange – the “hanging together” of our life isn’t to be confused, according to Simmel, with all unusual events. One shouldn’t confuse the odd moment with the adventure. Rather, adventure stands against the whole grain of our life. There is a thread that spans our lives – Simmel uses a vocabulary that returns us to the “spinning” of the fates – and unifies it. Adventure follows a different course:
While it falls out of the connections of our life, it falls – as will be gradually explained – at the same time, with this movement, back into it, a foreign body [ein Fremdkörper]in our existence, which yet is somehow bound up with the center.
The exterior part [Ausserhalb] is, if even on a great and unusual detour, a form of the inner part. [Innerhalb]

As always in Simmel, there is a lot of sexy suggestion here, which clouds one’s questions – especially about the latent conflict between a thread spanning a life and a center. One recognizes the logic of the supplement here – an excess in affirming a proposition has the effect of making it less clear, rather than more clear.

Simmel’s ‘proof’ of this theory about adventure is that, when we remember these mutations in our life, they seem dreamlike. Why would the memory set up an equivalence, as it were, between a dream and an adventure? Because it is responding to the logic of the exterior/interior binary. Dreams, which are so exterior to our waking life that we cannot see them as playing any causal role in that life, are so interior that we share them with nobody else. Introjected – Melanie Klein’s word – wasn’t available in 1912 for Simmel, but something similar is going on.
“The more “adventurous” an adventure is, the more purely it satisfies its concept, the “dreamier” it becomes in our memory. And so far does it often distance itself from the central point of the I and the course of the whole of life consolidated around it, that it is easy to think of an adventure as if somebody else had experienced it.”


These traits – which are expressed, Simmel says, in the sharpness of beginning and ending which defines the adventures in our life, as opposed to other episodes – make adventures an “island” in our life. These traits too call up another in the chain of signifiers that are suggested by the dream – that is, the artwork. Adventurers are like artists in that the adventure, like the artwork, lies both outside of and deep within the whole of a life. It lies outside of and deep within from the perspective of memory – while the perspective that unfolds during the course of the adventure is one of presentness – this is why the adventurer is deeply “unhistoric”. That present is neither caused by the past nor oriented towards the future.

To illustrate this, Simmel uses the example of Casanova. What he says should be put in relationship to Moliere’s Dom Juan, who was always proposing marriage – to propose marriage was his compulsion, as he explains it to Sganarelle, just as Alexander the Great’s was conquest. A reading of the play, like Kierkegaard’s, that regards the marriage mania as a mask for the real seduction underneath takes the conjunction of marriage and seduction too easily.

This is Simmel on Casanova:

“An extremely characteristic testimony to this [the lack of a sense of the future] is what Casanova, as can be seen in his memoirs, so often in the course of his erotic adventurous life seriously aimed at – to marry the woman he loved at that moment. 
By his disposition and way of life, there was nothing more contradictory, nothing more innerly and outerly unthinkable for Casanova.

Casanova was not only a notable knower of men, but was maifestly a rare knower of himself; and though he was obliged to say that he couldn’t have held out in a marriage more than fourteen days, and that the most miserable consequences would inevitably attend this step – the intoxication of the moment so caught him up (by which I mean to lay more emphasis on the moment than the intoxication) that it swallowed up the future perspective, so to speak, hide and hair.”
Walter Benjamin was a very sharpeyed reader of Georg Simmel. It is Simmel’s essay on The Adventurer that unlocks Benjamin’s cryptic observation: “The intentional correlate of living experience has not remained the same. In the nineteenth century it as “the adventure”.In our days it appears as Fate. In fate is hidden the concept of the ‘total living experience’ that is completely mortal.” Benjamin’s periodization seems a bit off here – surely the nineteenth century fantasy of adventure was already thrusting it back into an earlier age? From Scott to Dumas, adventure was one of the monuments of the ancien regime, and its continued existence in the cities of the industrial era was uncanny precisely because it was marked by a time lag, a return to the primitive. Simmel instinctively falls back on the great 18th century adventurer.

But this is only one way to hold the kaleidoscope of the adventurer. Another way, which is perhaps closer to Benjamin, is to contrast the adventurer with the clerk. In fact, the great colonial monopolies: the English East India Company, the  Dutch Vereenigde Oost-Indische Compagnie, the French Compagnie du Sénégal were organized in such a way that the clerk and the adventurer were sutured in one ‘venture’.

"I got my appointment—of course; and I got it very quick. It appears the Company had received news that one of their captains had been killed in a scuffle with the natives. This was my chance, and it made me the more anxious to go. It was only months and months afterwards, when I made the attempt to recover what was left of the body, that I heard the original quarrel arose from a misunderstanding about some hens. Yes, two black hens. Fresleven—that was the fellow's name, a Dane—thought himself wronged somehow in the bargain, so he went ashore and started to hammer the chief of the village with a stick. Oh, it didn't surprise me in the least to hear this, and at the same time to be told that Fresleven was the gentlest, quietest creature that ever walked on two legs. No doubt he was; but he had been a couple of years already out there engaged in the noble cause, you know, and he probably felt the need at last of asserting his self-respect in some way. Therefore he whacked the old nigger mercilessly, while a big crowd of his people watched him, thunderstruck, till some man,—I was told the chief's son,—in desperation at hearing the old chap yell, made a tentative jab with a spear at the white man—and of course it went quite easy between the shoulder-blades. Then the whole population cleared into the forest, expecting all kinds of calamities to happen, while, on the other hand, the steamer Fresleven commanded left also in a bad panic, in charge of the engineer, I believe. Afterwards nobody seemed to trouble much about Fresleven's remains, till I got out and stepped into his shoes.


Friday, June 08, 2012

prisoner's dilemma world


The conceptual children of the Cold War came out of its belly with the apocalypse in their eyes, a mindset conditioned by the great global unconditional surrender of the Axis. There was a ghastly optimism in it that danced in the nuked ruins of cities, and then rebuilt them carefully, like the potential targets that they were. Keep your high use population away from the epicenter, and let the low use population take the brunt - that was the day's secret slogan.
Among this progeny one finds the “prisoner’s dilemma.” Like all the problems in game theory, the prisoner’s dilemma arose in the fold between economics and the Air Force – between the Cowles commission and the Rand corporation, between the economy of managed demand of the future and the Air Force’s interest in dropping hydrogen bombs, or at least  threatening to, for maximum effect. In reality, it came out of a problem in game theory developed at Rand and observed by Albert Tucker, a Princeton mathematician who grasped the structure of the game in a story about two prisoners who are confronted with a “game matrix” of three options. They can either both stay silent, they can, one or the other, rat on the other, or they can both confess. The payoffs are structured so that the one who rats on the other will get the most benefit – if, that is, the other doesn’t rat on him as well. If they both confess they will get the least benefit. The most rational option, the “equilibrium” point, is the most irrational from the point of view of self interest: that they both stay silent. That irrationality evolves from the fact that neither knows what the other is doing – they are isolated from each other.

This impressed game theorists, who defined rational in that irrational way that utilitarians and economists define it: as maximizing one’s own ‘advantage’. In this world, the advantage of, say, true repentence a la the end of Crime and Punishment is hogwash – Raskolnikov got it right the first time when he axed the pawnbroker. But in the world of Bentham and Raskolnikov, the prisoner’s dilemma seems to show that situations can arise when an action that is logically rational turns out not to bring the maximum payoff – that is, it turns out to be irrational. Of course, iterated prisoner dilemma games often tend towards the maximum payoff, but this is because iteration sneaks in communication between the two parties.

In Alexander Mehlman’s Games Afoot, which explains the prisoner’s dilemma, he uses a beautiful, hoodish terminology to divide the strategic positions open to the prisoners: the sucker and the traitor.

If we look at the prisoner’s dilemma game long enough, we can see something more than a variation of détente and deterrence between the superpowers: we can see the deep structure of American politics at the moment. It is a politics divided between “individualism” and “collectivism”, or, to put it more frankly, between traitors and suckers. Individualism is not actually a natural position – in the game,  it is a condition enforced on the players. This is a more difficult thing to accomplish outside the think tank laboratory, but you can approximate it through a vast media noise machine. Which is exactly what we have. And then you have the suckers – the “liberals” – who have made their bet on solidarity. But of course this solidarity is a funny thing – suspecting the traitors of having the better deal, accepting the terms of rationality as Raskolnikov defines it, it is solidarity with a bad conscience. Suckers in American politics have long satisfied their thirst for solidarity by being solidaire with liberal financiers and corporate heads. Not, by any means, the dreadful suckers who sweat and, when you give them computers and the Internet, immediately start using them to play online poker and watch porno – a fearful thing recently highlighted by the NYT.

The prisoners dilemma regime is at an interesting point. The neo-liberalism that attempted to “do’ social democracy whilst allowing the 1 percent to gorge themselves with a vast share of the social  product is now disappearing in the maw of “debt” – while who the “debt’ is owed to is a nicely obscured topic, never broached in polite circles. But as this happens, the prisoners start crowding into the cells. The capitalism that in their parents and grandparents lifetimes proved wildly beneficial, elevating lifestyles over three generation, is now spinning back. The generation coming up may be the first since the nineteen twenties to experience capitalism as a curse, rather than a blessing. The prison can only hold so many prisoners before they do start communicating. And who knows what “irrationality”will result.


Tuesday, June 05, 2012

Zona report


Juri Lotman begins one of his essays with the following anecdote:

“There is a story about an episode in the life of the famous mathematician P. L. Chebyshev. At one of his lectures on the subject of the mathematical aspects of cutting clothes, there appeared an unexpected audience consisting of tailors, fashion-able ladies, and so on. However, the first sentence spoken by the lecturer-"Let us suppose for simplicity's sake that the human body has the form of a sphere"-put them to flight. Only mathematicians who found nothing surprising in this opening remark remained in the hall. The text selected its own audience, creating it in its own image.”

The anecdote mixes in just that little bit of Gogol to make a flying leap forward into Lotman’s subject, which is that selection mechanism. I, however, think that the anecdote fits, equally, what has been happening to us in the economic realm in the Zona era. In 2008, I named the coming depression the Zona because it nicely crossed Tarkovsky’s Stalker, which concerned a mysterious radioactive zone, and the New Guinea Fore term for a condition, zona, characterized by trembling, hallucination, catastrophic weight loss and death. The Fore term means, literally, “ghost wind”. A neurologist, Gajdusek, won the Nobel Prize for tracing the cause of the Zona back to the funeral rights of the Fore, which consisted in part of eating the brain of the dead person. Although the West loves its “stone age” image of natives, in fact, this was a recent rite in the 1950s, when Gajdusek first started visiting the Fore. A fad, in other words, that had worked its way down from the north of the island.

Radioactivity and brain cannibalism –they form nice metaphorical crossroads in which to situation the long crisis of financialized capitalism.

To get back to the anecdote: while Chebyshev’s opening proposition was such that the tailors and seamstresses could simply ignore it and go back to what they are doing, the ‘text selection” that we, helpless populations all, are imprisoned in is not so simple. For, of course, our economists and policymakers are proposing exactly the same kind of radical simplification of the human being: the human being as a walking negative demand curve. Demand curves, of course, resist Shylock’s test of the human:

If you prick us, do we not bleed?
if you tickle us, do we not laugh? if you poison
us, do we not die? and if you wrong us, shall we not
revenge?

Tickle, prick and poison your demand curve as much as you want, it will remain, stolidly, smudgily, there on your sheet of paper or your power point presentation. And certainly so far, the negative demand curves have not sought revenge: they’ve swallowed every insult, just as they were taught to, in the hope that health, education, retirement, a little porno, a small vacation, and a new car will still be there in the future, waving at them. As for the kids, well, what are you going to do? They might not make it in the new age of the Heat Earth anyway.

However, the words of the economic prophets from the very beginning have been, on the one hand, that the Zona for the little people had to be increased until they gave up all resistance and we reverted back to the good old days, pre-1929; and on the other hand, that the successful be advantaged as it is written in the scriptures, to he who has, it shall be given. Of course, Jesus’s idea of he who has was a bit different, what with the meek inheriting the earth, instead of Bill Gates and the merry band of billionaires that we watch buying American elections and such. But Jesus was merely another negative demand curve who got what was coming to him by not going retraining his human capital and moving out of the carpenter trade into, say, the exciting world of clerking at a convenience food store.

Speaking of Jesus, it was near his b-day, around Dec.25, 2008, when the Freakonomics blog, that veritable cornucopia of the Bush ideology, which labeled its contrarian instead of predatorian because the latter name is so icky, published a prophecy:

“John Lippert presents an interesting and extremely well-reported article on the financial crisis’s impact on the thinking of Chicago economists. It does a nice job of capturing the multifaceted nature of the institution, with people on all sides of the issues.
I absolutely love the following excerpt, which better captures what it is like to hang around with Chicago economists than just about any quote I have ever seen:
“We should have a recession,” [John] Cochrane said in November, speaking to students and investors in a conference room that looks out on Lake Michigan. “People who spend their lives pounding nails in Nevada need something else to do.”

Steven Levitt’s love of Cochrane’s sentence is the love that dares us to tell its name. Its name is not freakonomics – it is zonanomics. Levitt’s desire, here, is pretty simple from the psychoanalytic viewpoint, a matter of anal sadism that, in articulating itself, bars itself – the cruelty inflicted on “people who spend their lives pounding nails” is vicariously enjoyed, and the enjoyment is simultaneously denied –rather, we are talking about analytical rigour, here! But it turns out that Cochrane’s spirit has directed the entire policy response, from Obama to Merkel, to the Zona. The liberal version of it tries to double bar the enjoyment of hurting the 99 percent by snuggling up to the old idea that markets do self regulate, and government is an interfering bitch if it meddles in market’s mandate of heaven, but government can nudge a bit – and afterwards, it can cut the social insurance benefits for all, to the sound of trumpets and bond traders peeing in their pants with joy! The Merkel version is simpler: an undisguised hatred of the working class, and a desire to put the boot on their face until they surrender. The latter is more pure Cochrane, but the former basically takes Cochrane’s logic as a given.

Why? Because the crisis of the Zona, the real crisis that we keeps us leaping waterfalls, is that we have an economy that gives insane amounts of money to moneyshufflers, who operate in a system that does absolutely nothing productive. In order to keep that system going, we are going to have to throw more and more negative demand curves on the fire. And that is that.

“…if you wrong us, shall we not
revenge?” Shylock tried that route and didn’t get anywhere with it. Revenge is, after all, another turn of the wheel, another  case of anal sadism, another vicarious enjoyment of cruelty. But wheels do turn, no matter how we try to get off them. This is a total social fact. Cochrane’s logic is doing a good job of destroying Europe; it is bringing down the U.S. And it is creating conditions under which, for the first time since the thirties, the majority of the populations in the capitalist countries will experience capitalism hurting them instead of helping them. That doesn’t  have to go on too long before the cops aren’t enough.


Saturday, June 02, 2012

McTaggart and Borges




If you are a man of a certain age, according to all the wisdom literature I know, and it is a peaceful Saturday morning, and the adventures that have been the wind in your back or the life you have sloughed have come to a standstill, for one moment, then you turn your reflections to time and its possibility, or even its possible non-existence, a non-existence that would annul the fact that you are a man of a certain age, that it is Saturday, that adventure could have ever happened to you, and that you have a moment to reflect.

But reflect on time one must, because we are not watches. Watches toil not, neither do they sow – even though our language has given them hands and a face. Instead, they infinitely visit the same neighborhood of numbers. One can imagine watches different –one can imagine a little computer that you could strap to your wrist and that would just record the seconds, like a timepiece on a bomb, and thus give you a finegrained sense of your slice and dice advance towards death – or why stop there? Buried with such a thing, it could go on slicing and dicing your decay, your dust, your evaporation from this world. But at no point in its slicing and dicing would there be a moment, an aberrant moment, in which it wondered if it was really going anywhere, or measuring anything.

My two favorite essays on time are McTaggart’s The Unreality of Time and Borges’ A new refutatation of Time. Borges, in the introduction to his essay, acknowledges the awkwardness of refuting time one more time again – and concedes that it may be that the evident solecism of the title may represent the hidden solecism that skews every sentence, so drenched is language in time, or at least, so much do our assumptions about time live in our language. It is through Borges I first heard about McTaggart. Borges’ essay is all low violin sounds, all elegy and fugue – McTaggart’s, on the other hand, is that curious thing, English idealism, in which the brisk dispatch of a philosophical problem seems in stylistic contradiction with its import. Indeed, it is a question that is little asked why idealism took so long to take any root in Europe, and why, when it did, it chose the most material of cultures to do so, Britain. One expects the true idealist to be scrawny, nearly naked, and with a beggar’s bowl before him – not peruked, buttoned up, and with snuff and ale within easy reach. But I would guess that the introduction of idealism in Europe through Britain has something to do with the British tradition of the ludicrous. English literature loves the ludicrous – it loves the Liliputians for their own sake. It loves a certain kind of children’s literature, it loves limericks, it loves to add that one extra and unnecessary feature that is not at all the effect of the real, but the effect of the unreal in the real – hence, Dicken’s penchant for describing the tics of his characters. If we think of idealism as the quintessence of the ludicrous, then I think we get close to why idealism first found a place in Britain – and why it is so different there than in, say, the philosophical systems of India, even if there exists some similarity of arguments.

John Ellis McTaggart came, of course, at the end of the great British idealist tradition. And he was overshadowed by Russell and Whitehead. In Arthur Quinn’s The Confidence of British Philosophers, there is a story that I would like to juxtapose to my ludicrous theory. When McTaggart died, he had only one disciple left, it seems: C.D. Broad. Broad edited the second edition fo McTaggart’s The Nature of Existence (1928), which fell still born from the press – and unlike Hume’s Treatise, which had a similar fate, never experienced any resuscitation by the next generation of philosophers. Broad was disgusted by the reception of his master’s masterpiece, and wrote a three volume exposition of the work, which ran to 1200 pages. And in this exhaustive work, according to Quinn, Broad praised McTaggart’s arguments for their clarity, and showed that “McTaggart’s most important proofs were virtually all fallacious...” From the deeper idealistic level, Broad could not have done McTaggart a greater favor. Truth is one of the superstitions one must remove from one’s mind in order to truly de-provincialize it – for after all, holding onto the truth is only a means of separating oneself from God, or Nothingness.

With this caution, I’ll move on to McTaggart’s paper.

McTaggart begins with a premise that subsequently became famous.

"Positions in time, as time appears to us prima facie, are distinguished in two ways. Each position is Earlier than some, and Later than some, of the other positions. And each position is either Past, Present, or Future. The distinctions of the former class are permanent, while those of the latter are not. If M is ever earlier than N, it is always earlier. But an event, which is now present, was future and will be past."

McTaggart calls the series of earlier and later the B series, and the Past Present Future series the A series. In the B series, given an event (for McTaggart, the fundamental elements of the two series), its description, with relation to another event, will always be described as earlier or later. Broad always follows McTaggart, down the library-ridden years to the final conflagration. But in the A series, oddly enough, all three descriptions will apply. Broad planned to write his book, the book, appeared, the book is now history. At one point an event will be present, at another point it will be future, and at one point it will be past.

McTaggart throws in another characteristic of time -- he connects it to change. And it is here that the two series designated under one concept – time – does its work for McTaggart:

It would, I suppose, be universally admitted that time involves change. A particular thing, indeed, may exist unchanged through any amount of time. But when we ask what we mean by saying that there were different moments of time, or a certain duration of time, through which the thing was the same, we find that we mean that it remained the same while other things were changing. A universe in which nothing whatever changed (including the thoughts of the conscious beings in it) would be a timeless universe.
      If, then, a B series without an A series can constitute time, change must be possible without an A series. Let us suppose that the distinction of past, present and future does not apply to reality. Can change apply to reality? What is it that changes?
      Could we say that, in a time which formed a B series but not an A series, the change consisted in the fact that an event ceased to be an event, while another event began to be an event? If this were the case, we should certainly have got a change.
      But this is impossible. An event can never cease to be an event. It can never get out of any time series in which it once is. If N is ever earlier than O and later than M, it will always be, and has always been, earlier than O and later than M, since the relations of earlier and later are permanent. And as, by our present hypothesis, time is constituted by a B series alone, N will always have a position in a time series, and has always had one.{1} That is, it will always be, and has always been, an event, and cannot begin or cease to be an event.”
McTaggart has cleverly entangled time in its own net, here. If series B is all that really changes, and if series A never changes – which is how we know that series B changes –then, fundamentally, there is no change. There is only and always series B, the logic of which refers to series A, which confutes the reality of series B.
McTaggart writes: “But it does not follow that, if we subtract the determinations of the A series from time, we shall have no series left at all. There is a series -- a series of the permanent relations to one another of those realities which in time are events -- and it is the combination of this series with the A determinations which gives time. But this other series -- let us call it the C series -- is not temporal, for it involves no change, but only an order. Events have an order. They are, let us say, in the order M, N, O, P. And they are therefore not in the order M, O, N, P, or O, N, M, P, or in any other possible order. But that they have this order no more implies that there is any change than the order of the letters of the alphabet, or of the Peers on the Parliament Roll, implies any change. And thus those realities which appear to us as events might form such a series without being entitled to the name of events, since that name is only given to realities which are in a time series. It is only when change and time come in that the relations of this C series become relations of earlier and later, and so it becomes a B series.”
It is at this point, as the series under the great daemon Chronos threaten to get out of hand, that we can turn to Borges, who of course adored this idea, as it popped the whole world into a short story that reflects on the order of its own events  - like a watch that stops to ponder whether it will go from one o’clock to one o one, or if, instead, it will go from one clock to the corner liquor store to buy a bottle of cheap Irish whiskey and sit in the shade under a tree near a slow street and ponder its doings.
Borges takes up the refutation of space and matter, which he claims ensue from Berkeley and Hume’s arguments, and asks, reasonably enough, why they retain the idea of continuity in time. And he then – (this then figures in a logical simulacrum of time, a sort of fixed set of relations, like series A) -- writes:
“Once the idealist argument is admitted, I see that it is possible -- perhaps inevitable --
to go further. For Berkeley, time is "the succession of ideas in my mind, which flows uniformly, and is participated by all beings" (Principles of Human Knowledge, 98); for Hume, "a succession of indivisible moments" (Treatise of Human Nature, I, 2, 2). However, once matter
and spirit -- which are continuities -- are negated, once space too is negated, I do not know
with what right we retain that continuity which is time. Outside each perception (real or
conjectural) matter does not exist; outside each mental state spirit does not exist; neither
does time exist outside each present moment. Let us take a moment of maximum simplicity:
for example, that of Chuang Tzu's dream (Herbert Allen Giles: Chuang Tzu, 1889). Chuang
Tzu, some twenty-four centuries ago, dreamt he was a butterfly and did not know, when he
awoke, if he was a man who had dreamt he was a butterfly or a butterfly who now dreamt he
was a man. Let us not consider the awakening; let us consider the moment of the dream
itself, or one of its moments. "I dreamt I was a butterfly flying through the air and knowing
nothing of Chuang Tzu," reads the ancient text. We shall never know if Chuang Tzu saw a
garden over which he seemed to fly or a moving yellow triangle which no doubt was he, but
we do know that the image was subjective, though furnished by his memory. The doctrine
of psycho-physical parallelism would judge that the image must have been accompanied by
some change in the dreamer's nervous system; according to Berkeley, the body of Chuang
Tzu did not exist at that moment, save as a perception in the mind of God. Hume simplifies
even more what happened. According to him, the spirit of Chuang Tzu did not exist at that
moment; only the colors of the dream and the certainty of being a butterfly existed. They
existed as a momentary term in the "bundle or collection of perceptions" which, some four
centuries before Christ, was the mind of Chuang Tzu; they existed as a term n in an infinite
temporal series, between n-1 and n+1. There is no other reality, for idealism, than that of
mental processes; adding an objective butterfly to the butterfly which is perceived seems a
vain duplication; adding a self to these processes seems no less exorbitant. Idealism judges
that there was a dreaming, a perceiving, but not a dreamer or even a dream; it judges that
speaking of objects and subjects is pure mythology. Now if each psychic state is selfsufficient,
if linking it to a circumstance or to a self is an illicit and idle addition, with what
right shall we then ascribe to it a place in time? Chuang Tzu dreamt that he was a butterfly
and during that dream he was not Chuang Tzu, but a butterfly. How, with space and self
abolished, shall we link those moments to his waking moments and to the feudal period of
Chinese history? This does not mean that we shall never know, even in an approximate
fashion, the date of that dream; it means that the chronological fixing of an event, of an
event in the universe, is alien and external to it.”

Borges does not mention McTaggart in his essay – in the end, after going through Berkeley, Hume, and Schopenhauer, he turns to the very root of idealistic thinking, in India. Near the end of the essay, he quotes this very beautiful passage that I am going to end this little essay on, and which it will always end on, having been unfolded in my mind and on this screen, and which it will not ever end on at the same time, having refuted itself in every sentence and thus having no “it” to unfold:

A Buddhist treatise of the fifth
century, the Visuddhimagga (Road to Purity), illustrates the same doctrine… "Strictly speaking, the duration of the life of a living being is exceedingly brief,
lasting only while a thought lasts. Just as a chariot wheel in rolling rolls only at one point of
the tire, and in resting rests only at one point; in exactly the same way the life of a living
being lasts only for the period of one thought"






Take any event -- the death of Queen Anne, for example -- and consider what change can take place in its characteristics. That it is a death, that it is the death of Anne Stuart, that it has such causes, that it has such effects -- every characteristic of this sort never changes. "Before the stars saw one another plain" the event in question was a death of an English Queen. At the last moment of time -- if time has a last moment -- the event in question will still be a death of an English Queen. And in every respect but one it is equally devoid of change. But in one respect it does change. It began by being a future event. It became every moment an event in the nearer future. At last it was present. Then it became past, and will always remain so, though every moment it becomes further and further past. Thus we seen forced to the conclusion that all change is only a change of the characteristics imparted to events by their presence in the A series, whether those characteristics are qualities or relations.

A vanishing act: repressive desublimation and the NYT

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