I have quoted this passage from Merezhovsky on Gogol before – but the current election season makes this seem all too relevant:
“Everyone can perceive evil in great violations of the moral law, in rare and unusual misdeeds, in the staggering climaxes of tragedies. Gogl was the first to detect invisible evil, most terrible and enduring, not in tragegy, but in the absence of everything tragic; not in power, but in impotence; not in insane extremes, but in all-too-sensible moderation; not in acuity and profundity, but in inanity and planarity, in the banality of all human feelings and thoughts; not in the gratest things, but in the smallest.” –58
This, of course, describes the American election year to a t.
When, in the holy years of democracy, the revolutionary period from 1776-1793, the election in its modern form was created, the inventors had high hopes. The election was to be the poetry of the people, the highest expression of their choice. And what was their choice? Their choice was to be of their rulers, who would be chosen not as choice was made among court factions – where bribery, family blood lines, and charisma held sway, and the choice was made by the sovereign – but rather, as the will of the people would dictate.
The people’s will is foe to the reactionary and the conservative – who took a long time to understand that the election, far from being the beast unleashed, operated institutionally to skew the popular will righwards. That is, to skew the popular will to the most banal choice. Elections, it turned out, would not be about “ideas” or policies, but about what was and was not out of bounds. What was taboo, or what could be made taboo. The all-too-sensible moderation of the pundits and the devil would preside as the judge of all that was electable. And woe betide the candidate who did not make the first move, which consists of being scandalized by his or her opponent. Rival scandals are what is at issue. And other issues are drowned, or given the once over by an establishment which lives off of denying tragedy – all the unconscious buffoons of the platitudinous.
LI early this spring scoped out this election. What was obvious by March was that the economy was going to fall on its face in the fall – although even LI, ever the dupe of street corner apocalypses, didn’t imagine the zona would blow so hard. This counted out the GOP candidate – or at least made his victory unlikely. Of the Democratic candidates, it was obvious that Hilary Clinton would benefit most from a bleak economy. Since Hilary Clinton has been a consistent warmonger, this was not good news for LI. Luckily, Barak Obama ran a genius campaign – we live close enough to his upset of Clinton not to fully appreciate it. And, LI thought, Obama is essentially a peacemaker. It is how he rose, it is who he is. He would garner fewer votes than Hilary, but he would win.
Well, we still think that Obama is a campaign genius, and we still think he will win, but the election has been disheartening.
Our issue, more than anything else, has been peace. Fuck the idea that middle class Americans are running up against their credit card limits – we are much more interested in the idea that the U.S. won’t be pimping mass murder in Iraq. And, earlier this year, when Obama went to Afghanistan and Iraq, we thought he got it. He got, that is, that the Dems can no longer allow the Republicans to own our foreign policy.
For a long time, the Democratic strategy has been to play possum on foreign policy. A craven me-too-ism, with some progressive dressikng thrown in, has been at the center of Democratic foreign policy views. The D.C.-centric, Truman-esque wing of the party, which has no support among the grassroots, but a powerful army of pundit platitudinists, is the very pivot of foreign policy thinking. The platitudinists, with their usual inability to distinguish cause and effect, moan that the American people distrust the Dems because they are too soft. Of course, the root of the distrust of the Dems on foreign policy is the Vietnam war, which Johnson conducted partly because he didn’t want the Republicans to think he was soft.
Myself, I thought, in spring, that Obama was tempted, oh so tempted, to lay down a few truths. This was when he visited Iraq and Afghanistan. This was when his timetable was accepted by Maliki and swallowed, with grumbling, by the Bush administration.
The truths, of course, are outside the bounds of the sayable. For instance, one of the truths is that the U.S. has been far from the central actor in its own occupation of Iraq. Rather, in the first stage of the war, the Saudis made their move, financing the Sunni insurgency and supplying the bulk of the foreign jihadis. What were the Saudis fighting against? It was a step in the cold war between Iran and Saudi Arabia – just as Pakistan’s nuclear capacity was a step in the cold war between Iran and Saudi Arabia, with the Saudi’s paying for the nuclear weapon research. During the second stage of the fight, what the Saudi’s were fighting against came to pass: the hardline Iranian Shi’ite party came to power. The Da’wa party, which has come out on top of the coalition, was forged under Khomeini, and made its mark as Hezbollah’s consistent ally – Hezbollah even conducted a kidnapping campaign in Beirut in the eighties with the goal of freeing the Da’wa thirty, captured in Kuwait. It was on account of that kidnapping campaign that the Reagan administration opened a surreptitious channel to Iran.
These facts are as plain as day to anybody who actually lives in the Middle East, and are the most remote exotica to Americans, who have been systematically buffered from reality by the platitudinarians – although this might well give that later group too much credit for rationality. In truth, the D.C. centered elites really do think they are running the world.
Now, a foreign policy that is in complete disconnect from reality is much like a neurosis – it needs a talking cure. And I thought Obama was just the doctor to deliver one. But no – he calculated, evidently, that this would cost him too much, and entangle him with the cherished delusions of the elite. Instead, Obama has brilliantly campaigned on being scandalized – he has turned a campaign that McCain hoped would concentrate on Obama’s various transgressions into a campaign about the campaign. Liberals are all in an uproar about McCain’s rallies, and Palin’s rhetoric. In other words, this is another election about nothing. Or, rather, an election about inanity and planarity. The devil has won the round.
Nevertheless, we are going to vote tomorrow for Obama. And we are happy to do so.
“I’m so bored. I hate my life.” - Britney Spears
Das Langweilige ist interessant geworden, weil das Interessante angefangen hat langweilig zu werden. – Thomas Mann
"Never for money/always for love" - The Talking Heads
Wednesday, October 22, 2008
Tuesday, October 21, 2008
the executioner's melancholy
“… writing, on the contrary, is always rooted in a beyond of language, it develops like a seed and not like a line, it manifests an essence and threatens with a secret, it is a counter-communication, it intimidates. We will find in all writing the ambiguity of an object which is at the same time language and coercitation: there is, at the bottom of writing, a “circumstance” that is foreign to language, there is something like the glance of an intention that is already no longer that of langauge. This glance can very well be a passion for language, as in literary writing; it can also be the threat of a penality, as in political writing: writing is then charged to join in a single dash the reality of acts and the ideality of ends.” – Barthes, The Degree Zero of Writing
(…l'écriture, au contraire, est toujours enracinée dans un au-delà du langage, elle se développe comme un germe et non comme une ligne, elle manifeste une essence et menace d'un secret, elle est une contre-communication, elle intimide. On trouvera donc dans toute écriture l'ambiguïté d'un objet qui est à la fois langage et coercition : il y a, au fond de l'écriture, une « circonstance » étrangère au langage, il y a comme le regard d'une intention qui n'est déjà plus celle du langage. Ce regard peut très bien être une passion du langage, comme dans l'écriture littéraire; il peut être aussi la menace d'une pénalité, comme dans les écritures politiques : l'écriture est alors chargée de joindre d'un seul trait la réalité des actes et l'idéalité des fins)
The common approach to Chamfort’s ‘maxims’ and “anecdotes” has been to consider them as a philosophy – and to eventually dismiss them as a philosophy. Pellison, his nineteenth century biographer, remarks on the similarity of temperaments that seems to exist between Chamfort and Schopenhauer. But Chamfort was, Pellison concedes, not a systematic thinker.
The notion that a philosopher must work within a ‘system’, which figured largely in the 19th century, still has an influence on the definition of philosophy – in fact, the teaching of philosophy often comes down to a puppetshow of conflicting systems – if you claim x, you are a critical realist, and if you claim y, you are a nominalist. Etc.
Barthes was concerned with another system – the system of ecriture. This has a lot more relevance to Chamfort. Chamfort wrote his “Products” out of a reaction to, a consciousness of, the writerly function. That function – which, as with all middleman positions, has an unearthly relation to the basic one of pandering – is both under attack in the Maxims – from the beginning, the very idea of the maxim is ridiculed as the idea of a mediocre mind – and, inevitably, chosen as Chamfort’s instrument. What other instrument is there? But the notion of maxim, of a rule, if only a rule of thumb in the Repulic of Thumbs, puts us on the track of Chamfort’s sense that his writing was political. It is to this that the reflection tends; political scandal is the whole point of the anecdotes he carefully amassed. When his listeners at Mme Helvetius came away from his conversation with the sad sense of being present at an execution, it was no accident.
So, what was this politics?
Because Chamfort was intentionally freeing up his writing from the literary – and thus the systematic – it is easy to quote him, but hard to point to one passage or another that would provide the key to him. It is this very freedom that “intimidates”, to use Barthes term. But to threaten politically implies an order that can be violated, a standard from which one can judge. And there are many passages from the Maxims that hint at this order – that, as it were, give us the mythic foundation for the series of sacrifices, of executions, that space themselves in both the Maxims and the Anecdotes.
This passage from the first section of the Maxims, for instance.
‘I have often noticed in my reading that the first movement of those who have performed some heroic action, who have surrendered to some generous impression, who have saved the unfortunate, run some great risk and procured some great advantage – be it for the public or for some particulars – I have, I say, noted that the first movement has been to refuse the compensation one offered them. This sentiment is discovered in the heart of the most vile men and the last class of people. What is this moral instinct that teaches men without education that the compensation for these actions is in the heart of he who has done them? It seems that in paying ourselves for them, they have taken this from us. [Il semble qu’en nous les payant on nous les ote]” OC 1812, 2:28
The insistence of the writen, here, is caught in that repetition of “I have often remarked” – its way of pointing to the superfluity of the oral, the way, in the economy of speaking, repetition serves to organize a series that is continually disappearing, going beyond the attention of the listener, which is strictly not needed in writing (for after all, the reader has merely to glance back) and that appears there nevertheless to ‘glance beyond’ the written object, to connote the theater of conversation. But the major economic instance, here, is of course the gift – or the sacrifice. The gift – the heroic act, the generous impulse - initiates an internal circuit in which the outward gift (the true gift) is compensated by an inward gift (which is marked, already, as a compensation). But it is a circuit that is taken from us when we impose upon it another economy – that of payment.
This is, of course, a very Rousseau-like stance. However, it joins Rousseau to a moralist theme – of self satisfaction. Or at least of self compensation. As in Rousseau, nature is identified with a primary process – with spontaneity. The secondary process is that of payment. Chamfort does not, here, reflect on the connecting link of compensation – that there must be compensation of some kind is assumed.
The executioner’s melancholy arises from the perception that the rupture between the regimes of compensation has corrupted us in such a way that there is no going back. It is an irrevocable movement.
“Society is not, as is commonly believed, the development of nature, but rather its decomposition and entire remaking. It is a second edifice, built with the ruins of the first. We rediscover the debris with a pleasure mixed with surprise. It is this which occasions the naïve expression of a natural sentiment which escapes in society. It even happens that it pleases more, if the person from whom it escapes is a rank more elevated, that is to say, farther from nature. It charms in a king, because a king is in the opposed extremity. It is a fragment of ancient doric or corinthian architecture in a crude and modern edifice.”
(…l'écriture, au contraire, est toujours enracinée dans un au-delà du langage, elle se développe comme un germe et non comme une ligne, elle manifeste une essence et menace d'un secret, elle est une contre-communication, elle intimide. On trouvera donc dans toute écriture l'ambiguïté d'un objet qui est à la fois langage et coercition : il y a, au fond de l'écriture, une « circonstance » étrangère au langage, il y a comme le regard d'une intention qui n'est déjà plus celle du langage. Ce regard peut très bien être une passion du langage, comme dans l'écriture littéraire; il peut être aussi la menace d'une pénalité, comme dans les écritures politiques : l'écriture est alors chargée de joindre d'un seul trait la réalité des actes et l'idéalité des fins)
The common approach to Chamfort’s ‘maxims’ and “anecdotes” has been to consider them as a philosophy – and to eventually dismiss them as a philosophy. Pellison, his nineteenth century biographer, remarks on the similarity of temperaments that seems to exist between Chamfort and Schopenhauer. But Chamfort was, Pellison concedes, not a systematic thinker.
The notion that a philosopher must work within a ‘system’, which figured largely in the 19th century, still has an influence on the definition of philosophy – in fact, the teaching of philosophy often comes down to a puppetshow of conflicting systems – if you claim x, you are a critical realist, and if you claim y, you are a nominalist. Etc.
Barthes was concerned with another system – the system of ecriture. This has a lot more relevance to Chamfort. Chamfort wrote his “Products” out of a reaction to, a consciousness of, the writerly function. That function – which, as with all middleman positions, has an unearthly relation to the basic one of pandering – is both under attack in the Maxims – from the beginning, the very idea of the maxim is ridiculed as the idea of a mediocre mind – and, inevitably, chosen as Chamfort’s instrument. What other instrument is there? But the notion of maxim, of a rule, if only a rule of thumb in the Repulic of Thumbs, puts us on the track of Chamfort’s sense that his writing was political. It is to this that the reflection tends; political scandal is the whole point of the anecdotes he carefully amassed. When his listeners at Mme Helvetius came away from his conversation with the sad sense of being present at an execution, it was no accident.
So, what was this politics?
Because Chamfort was intentionally freeing up his writing from the literary – and thus the systematic – it is easy to quote him, but hard to point to one passage or another that would provide the key to him. It is this very freedom that “intimidates”, to use Barthes term. But to threaten politically implies an order that can be violated, a standard from which one can judge. And there are many passages from the Maxims that hint at this order – that, as it were, give us the mythic foundation for the series of sacrifices, of executions, that space themselves in both the Maxims and the Anecdotes.
This passage from the first section of the Maxims, for instance.
‘I have often noticed in my reading that the first movement of those who have performed some heroic action, who have surrendered to some generous impression, who have saved the unfortunate, run some great risk and procured some great advantage – be it for the public or for some particulars – I have, I say, noted that the first movement has been to refuse the compensation one offered them. This sentiment is discovered in the heart of the most vile men and the last class of people. What is this moral instinct that teaches men without education that the compensation for these actions is in the heart of he who has done them? It seems that in paying ourselves for them, they have taken this from us. [Il semble qu’en nous les payant on nous les ote]” OC 1812, 2:28
The insistence of the writen, here, is caught in that repetition of “I have often remarked” – its way of pointing to the superfluity of the oral, the way, in the economy of speaking, repetition serves to organize a series that is continually disappearing, going beyond the attention of the listener, which is strictly not needed in writing (for after all, the reader has merely to glance back) and that appears there nevertheless to ‘glance beyond’ the written object, to connote the theater of conversation. But the major economic instance, here, is of course the gift – or the sacrifice. The gift – the heroic act, the generous impulse - initiates an internal circuit in which the outward gift (the true gift) is compensated by an inward gift (which is marked, already, as a compensation). But it is a circuit that is taken from us when we impose upon it another economy – that of payment.
This is, of course, a very Rousseau-like stance. However, it joins Rousseau to a moralist theme – of self satisfaction. Or at least of self compensation. As in Rousseau, nature is identified with a primary process – with spontaneity. The secondary process is that of payment. Chamfort does not, here, reflect on the connecting link of compensation – that there must be compensation of some kind is assumed.
The executioner’s melancholy arises from the perception that the rupture between the regimes of compensation has corrupted us in such a way that there is no going back. It is an irrevocable movement.
“Society is not, as is commonly believed, the development of nature, but rather its decomposition and entire remaking. It is a second edifice, built with the ruins of the first. We rediscover the debris with a pleasure mixed with surprise. It is this which occasions the naïve expression of a natural sentiment which escapes in society. It even happens that it pleases more, if the person from whom it escapes is a rank more elevated, that is to say, farther from nature. It charms in a king, because a king is in the opposed extremity. It is a fragment of ancient doric or corinthian architecture in a crude and modern edifice.”
Scrounger’s Ball day 2
Monday, October 20, 2008
chamfort

Chamfort was not his real last name. In fact, it is still not certain whether his name was really Sébastien-Roch Nicolas, son of a Clermont grocer, or whether he was the bastard child of a Clermont canon. Sébastien-Roch-Nicolas Chamfort, like many another Enlightenment demi-sage, came up through the ranks from a seemingly engulfing provincial obscurity by inventing himself in a different milieu.
His success as a writer falls in the period of the 1770s. He earned money from a hit play; he wrote for enlightened journals; he found an aristocratic patron. And he enjoyed eating, drinking, talking and fucking. He mingled with some of the big names, wrote a catty little verse about Candide, received a letter of praise from Rousseau. His life, although he didn’t know it then, was falling into a pattern of anecdotes. For instance, on the subject of making love, his biographer Pellison recounts that a woman told him, once, “this curious thing. I don’t love smart men in love – they are watching themselves parade on by.” [impossible to capture the phrase, ils se regardent passer- ‘they are people watching themselves’ might be a better translation]. A remark that sticks with Chamfort, and that he records, later.
He was a good looking young man. Another biographer, Arnaud, records that he was the lover of an actress, Mlle. Guimard, “famous for the perfection of her bosom and who did her makeup each day before the portrait that Fragonard had painted of her.” [xiii]
But already, at twenty five, Chamfort’s life had changed much for the worse. Famously. As Remy Gormount wrote: “Chamfort’s secret, why use periphrases that don’t trick anybody, is in the syphilis that tormented him for a period of thirty years, during the time first of his greatest genital activity, and the second, and then in the third, the more discrete but more conscientious and refined period.” His looks fell away. He recovered, but with a disfigured face. Much like Mirabeau – to whom he has a strange, doppelganger relationship – Chamfort had experienced the down side of the libertine moeurs in his body, and he didn’t like it. An anecdote – how they trail our man, how they dog him like devils – from Abbé Morellet, a habitue of the Madam Helvetius’ salon, where Chamfort was a faithful attendee:
“I saw him, he said, in the society of Saurin and Mme Helvetius… this happened to me twenty times at Auteuil that, after having heard him for two hours in the morning recounting anecdote after anecdote and making epigram after epigram with an inexhaustible talent, I would leave with my soul as saddened as if I was leaving the spectacle of an execution. And Mme. Helvetius, who had much more indulgence than I do for that kind of wit, after having amused herself for hours listening to his malignity, after having smiled at each ‘hit’, told me, after he had parted: Father, have you ever seen anything as tiring as the conversation of Chamfort? Do you know that it makes me blue for the entire day? And this is true.”
For between 1780 and 1788 – the decade in which Herder is inspired by his discovery of Nemesis – Chamfort ‘retires’ from the circles of the intellectuals and the long stays as a house guest at the estates of the nobility. He was in his forties. It is now that he leaves behind poetry and the theater and begins writing down his epigrams and anecdotes. He has a sense that this will make a book, and calls the project – in one of those flashes of mordant wit that depressed Mme Helvetius – Produits de la civilisation perfectionnée.
This is one of Chamfort’s maxims:
“Hope is only a charlatan who ceaselessly tricks us. And, for me, only after I’ve lost it does happiness begin. I would gladly place over the gate of paradise the verse that Dante put over that of hell: Lasciate ogni speranza, voi ch’entrate.
a scrounger's plea
Patrons of LI!
I was so hoping to avoid my usual scrounger’s week this year – the week in which I beg for contributions to maintain LI as a viable blog. But, after floating through this year in a shimmer of good luck, Nemesis, the Devil and little baby Jesus all spotted me crawling about on the earth whistling a happy tune, and intervened to throw a little shit into my life, financially speaking. Last Thursday, my decade old computer gave up the ghost. I went to have it repaired at a computer shop stocked with used computers, and under the suave ministrations of the pirate at the counter, was pursuaded to purchase a better computer from that golden year, 2004. Mistake! It turns out I was dealing with the computer shop of horrors, a veritable den of lemons. Things have changed in ten years. Computer shops used to be run by computer geeks – a band of mostly young men obsessed with the ins and outs of the machine. A band who had switched off their Oedipal affection for the mother and switched on their Oedipal affection for the motherboard. No longer, alas. Computers have sunk to the level of automobiles, and computer shops are now run by the kind of people who used to wear the gray grease stained work suits and the gimme caps, the people who used to say, looks like the transmission. That’s gonna cost ya!
The upshot of which is that I had many adventures with the lemon that I, in all innocence, purchased, all of them of the bad medecine kind – and finally, late Saturday afternoon, I extracted a workable computer from the shop of horrors and hightailed for home with it.
Thus, my plea: Please contribute to LI – via the handy Pay Pal button – if you have ten plus buckos and are feeling in the generous mood. I’ll beg and plead some more this week, and hopefully round up enough to pay for LI's computer. And you, lucky reader, will benefit too, from the infinite verbiage that will pour off the keyboards. Thanks!
I was so hoping to avoid my usual scrounger’s week this year – the week in which I beg for contributions to maintain LI as a viable blog. But, after floating through this year in a shimmer of good luck, Nemesis, the Devil and little baby Jesus all spotted me crawling about on the earth whistling a happy tune, and intervened to throw a little shit into my life, financially speaking. Last Thursday, my decade old computer gave up the ghost. I went to have it repaired at a computer shop stocked with used computers, and under the suave ministrations of the pirate at the counter, was pursuaded to purchase a better computer from that golden year, 2004. Mistake! It turns out I was dealing with the computer shop of horrors, a veritable den of lemons. Things have changed in ten years. Computer shops used to be run by computer geeks – a band of mostly young men obsessed with the ins and outs of the machine. A band who had switched off their Oedipal affection for the mother and switched on their Oedipal affection for the motherboard. No longer, alas. Computers have sunk to the level of automobiles, and computer shops are now run by the kind of people who used to wear the gray grease stained work suits and the gimme caps, the people who used to say, looks like the transmission. That’s gonna cost ya!
The upshot of which is that I had many adventures with the lemon that I, in all innocence, purchased, all of them of the bad medecine kind – and finally, late Saturday afternoon, I extracted a workable computer from the shop of horrors and hightailed for home with it.
Thus, my plea: Please contribute to LI – via the handy Pay Pal button – if you have ten plus buckos and are feeling in the generous mood. I’ll beg and plead some more this week, and hopefully round up enough to pay for LI's computer. And you, lucky reader, will benefit too, from the infinite verbiage that will pour off the keyboards. Thanks!
Sunday, October 19, 2008
Nemesis and the pursuit of happiness
I want somethin different, I want somethin
special
Oh no, honey, not for ten dollars…
In Herder’s essay, the beauty of Nemesis is an aspect of her indifference –or is it that here indifference is an aspect of her beauty?
It was, of course, one of the less discussed problems with founding a society on happiness, or the pursuit of happiness. It isn’t self-evident that everyone is happy about the happiness of others. The chthonic Nemesis, the frightening Nemesis, is always in pursuit of the happiness of others. The evil eye is buried beneath the tolerant society, the society in which all interests busily converge, drawn by invisible threads. The chthonic Nemesis can be pictured with one foot on the neck of some iconic image of Superbia. For the exceeding happiness of one pulls at the others. The threads fray. In a Borges short story which is in the form of a report about some jungle community, the explorer remarks that the inhabitants all cover their mouths when eating, since to be seen eating is immodest. Immodesty, nakedness, is a continually reinvented thing in this world, with many aspects, many codes – and where nakedness exists, Nemesis exists. The older aspect of the goddess, the ugly aspect, must be appeased somehow. Often, this takes the form of crushing the happiness of children. Indeed, in the nineteenth century, there was a fashion for doing just that in Victorian England. And the happiness of children still has the power to evoke a peculiar social anger. But that anger is directed at other instances of happiness, too: the happiness of foreigners, strangers, other races, the happiness of women. It is a blithe and altogether too hasty assumption that happiness is socially reconciling, a binding force.
Which brings us to the beautiful and indifferent Nemesis, the judge. For here, Herder correctly sees, is a great triumph of civilization. In that indifference, there melts away the desire to crush the happiness of others. But it holds back, too, from sweet fusion with the mass, that other form of social cohesion. It coldly dislikes the even temporary erasure of the line separating the self from others in such fusion.
Herder’s two aspects of Nemesis preside over the castles and dungeons of Sade. It is always a question of Nemesis for Sade’s fuckers, all of them born under the sign of superbia.
special
Oh no, honey, not for ten dollars…
In Herder’s essay, the beauty of Nemesis is an aspect of her indifference –or is it that here indifference is an aspect of her beauty?
It was, of course, one of the less discussed problems with founding a society on happiness, or the pursuit of happiness. It isn’t self-evident that everyone is happy about the happiness of others. The chthonic Nemesis, the frightening Nemesis, is always in pursuit of the happiness of others. The evil eye is buried beneath the tolerant society, the society in which all interests busily converge, drawn by invisible threads. The chthonic Nemesis can be pictured with one foot on the neck of some iconic image of Superbia. For the exceeding happiness of one pulls at the others. The threads fray. In a Borges short story which is in the form of a report about some jungle community, the explorer remarks that the inhabitants all cover their mouths when eating, since to be seen eating is immodest. Immodesty, nakedness, is a continually reinvented thing in this world, with many aspects, many codes – and where nakedness exists, Nemesis exists. The older aspect of the goddess, the ugly aspect, must be appeased somehow. Often, this takes the form of crushing the happiness of children. Indeed, in the nineteenth century, there was a fashion for doing just that in Victorian England. And the happiness of children still has the power to evoke a peculiar social anger. But that anger is directed at other instances of happiness, too: the happiness of foreigners, strangers, other races, the happiness of women. It is a blithe and altogether too hasty assumption that happiness is socially reconciling, a binding force.
Which brings us to the beautiful and indifferent Nemesis, the judge. For here, Herder correctly sees, is a great triumph of civilization. In that indifference, there melts away the desire to crush the happiness of others. But it holds back, too, from sweet fusion with the mass, that other form of social cohesion. It coldly dislikes the even temporary erasure of the line separating the self from others in such fusion.
Herder’s two aspects of Nemesis preside over the castles and dungeons of Sade. It is always a question of Nemesis for Sade’s fuckers, all of them born under the sign of superbia.
Thursday, October 16, 2008
Notes on the Zona 1
LI, as we hope we have made clear, has been disgusted with Nader and the Green party for years. Yet, in 2000, we voted for Nader, under the delusion that the Green party was something more than a vanity movement that existed to keep Nader’s name in the papers. But we’ve never regretted that vote. We regretted that Gore ran a suck campaign and then, insanely, didn’t contest all Florida precincts immediately, demanding a recount.
Well, ho ho ho, it turns out that all the things Nader and the anti-corporation crowd were railing at – the failure to regulate the derivatives market, the failure to reign in corporate abuses, the use of lobbyists to stifle regulatory agencies that were warning about things like the abuse of accounting rules –well, they were all correct. It is like the 100 percent correct record. That’s nice. Meanwhile, the bipartisan oohing and ahhing over Maestro Greenspan has now started to settle in the national stomach a little badly, like a cannibal stew. Such, of course is the zona.
Read the WAPO account of the attempt by Brooksley E. Born to stop the oncoming train wreck.
"The meeting of the President's Working Group on Financial Markets on an April day in 1998 brought together Federal Reserve Chairman Alan Greenspan, Treasury Secretary Robert E. Rubin and Securities and Exchange Commission Chairman Arthur Levitt Jr. -- all Wall Street legends, all opponents to varying degrees of tighter regulation of the financial system that had earned them wealth and power.
Their adversary, although also a member of the Working Group, did not belong to their club. Brooksley E. Born, the 57-year-old head of the Commodity Futures Trading Commission, had earned a reputation as a steely, formidable litigator at a high-powered Washington law firm. She had grown used to being the only woman in a room full of men. She didn't like to be pushed around.
Now, in the Treasury Department's stately, wood-paneled conference room, she was being pushed hard."
Remember the days of yore, when economics would be pulled out of politics, and the private sector would chug along and do all the good things for the good little boys and girls? Sure you do. Uncle Thomas Friedman wrote a book about it. LI, in a prescient little review for the Austin Chronicle, reviewed said book.
Well, ho ho ho, it turns out that all the things Nader and the anti-corporation crowd were railing at – the failure to regulate the derivatives market, the failure to reign in corporate abuses, the use of lobbyists to stifle regulatory agencies that were warning about things like the abuse of accounting rules –well, they were all correct. It is like the 100 percent correct record. That’s nice. Meanwhile, the bipartisan oohing and ahhing over Maestro Greenspan has now started to settle in the national stomach a little badly, like a cannibal stew. Such, of course is the zona.
Read the WAPO account of the attempt by Brooksley E. Born to stop the oncoming train wreck.
"The meeting of the President's Working Group on Financial Markets on an April day in 1998 brought together Federal Reserve Chairman Alan Greenspan, Treasury Secretary Robert E. Rubin and Securities and Exchange Commission Chairman Arthur Levitt Jr. -- all Wall Street legends, all opponents to varying degrees of tighter regulation of the financial system that had earned them wealth and power.
Their adversary, although also a member of the Working Group, did not belong to their club. Brooksley E. Born, the 57-year-old head of the Commodity Futures Trading Commission, had earned a reputation as a steely, formidable litigator at a high-powered Washington law firm. She had grown used to being the only woman in a room full of men. She didn't like to be pushed around.
Now, in the Treasury Department's stately, wood-paneled conference room, she was being pushed hard."
Remember the days of yore, when economics would be pulled out of politics, and the private sector would chug along and do all the good things for the good little boys and girls? Sure you do. Uncle Thomas Friedman wrote a book about it. LI, in a prescient little review for the Austin Chronicle, reviewed said book.
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