We are traveling in the Boulder Denver area this weekend. Denver has wonderful houses and a lotta rain, and I got sick yesterday. I took some pills, we put Adam to bed, then I lay down to sleep and had this dream.
I was at a comic book festival. I was with three people. The only one in focus was a tall, geeky looking guy – who I began to see was Stephen Merchant, Ricky Gervais’s partner on the Extras. He gave me a computer to write things on, but whatever I wrote appeared on the screen as something different, in Greek or Cyrilac script. I got mad and, like Adam, threw the computer down. Later Stephen told me this was a test, and then he revealed that I was being inducted into the CIA. He introduced me to the man with him – Richard Nixon. Nixon was much shorter than I expected. He had a sour look on his face. He was wearing a sweater that I somehow recognized. It was cream colored with brown braiding, very thick, with a sort of ruff, or turtleneck. It was, in short, the kind of sweater one bought in the seventies.
I was given a dossier and told my job. I was very happy, because I was sure that the pay was good, and the work sounded easy. It had to do with codes and comic books. But at this point I must have begun waking up, because I began to worry about Nixon. I had shaken his hand! I had called him Mr. Nixon! Wasn’t I opposed to Nixon? At this point I did wake up.
I conclude from this dream that my subconscious has become reactionary, which is potentially embarrassing. On the other hand, it did dress Nixon in the most ridiculous costume and made him short. So the subconscious of my subconscious must know what’s what.
“I’m so bored. I hate my life.” - Britney Spears
Das Langweilige ist interessant geworden, weil das Interessante angefangen hat langweilig zu werden. – Thomas Mann
"Never for money/always for love" - The Talking Heads
Monday, May 26, 2014
Tuesday, May 20, 2014
how goethe became a loser, too
"Eckermann – the best prose work of our literature, the
highest point reached by the German humanities” – Nietzsche
Eckermann’s Conversations with Goethe in the Last Years of
his Life was an instant nineteenth century classic, mined for quotes not only
in Germany, but in England and America. Margaret Fuller, with Emerson’s
encouragement, published an English translation, and Emerson incorporated a
number of Goethe’s remarks in the book into his essays.
Strangely, I have the impression that, at least in the
Anglosphere, it is now rarely read. Boswell’s Life of Johnson is still read, but
for us, Boswell is even more in focus than he was in the 18th
century, since we have his papers and letters. In the Life of Johnson, Boswell
seems plausible – he teases Johnson, he opposes him, he loves him, but he is
very separate from him. Eckermann is a more… ectoplasmic creature. He seems to
have been entirely absorbed by his sage. In Avita Ronell’s essay about
Eckermann, she makes him out to be another mad German romantic – and indeed, he
seems to have spent the last years of his life in a room filled with songbirds,
taking dictation from Goethe’s spirit – as the physical husk of the man had died
years before. Goethe was very conscious of what Eckermann was doing – as indeed,
he had to be, since in the end, Goethe drew up a contract with Eckermann,
making him the editor of his collected works. Unlike Boswell, Eckermann was not
independently wealthy – which has also made him a more painful subject to
remember. The Conversations start with Eckermann’s autobiographical sketches, giving
us an impression of him as a sort of sport, an unusual bolt from a peasant
marriage. Indeed, the lack of sophistication of the family gives Eckermann a
sort of joke to introduce himself with: one day when he was around 12, he
discovered he had a talent for drawing. Ther drawings he made eventually came
to the attention of the only wealthy man in his small town, who invited the boy
to see him and told him that he was willing to finance his training as a
painter. His parents were not overjoyed by this news. To them, a painter
slapped paint on the façade of a house, like the large houses they were
erecting in Hamburg. It was a nasty and dangerous job, and they councilled
against it, so Eckermann refused.
Such low hijincks to put beside one of the peaks of European
literature! Yet Goethe was not averse to low hijincks himself. Olympian he may
have been, but he married an unlettered factory girl, Christiane Vulpius.
Eckermann was not unlettered, but he was not credentialled – he was basically
self-taught, although he did finally go to art school. He always remained, however,
the peasant who had struggled against the enormous inertia of a society that
literally didn’t recognize the artist, and he was forever poor.
Now here’s the reason I bring this up. I consider myself a
loser and have a second sense for the tribe of losers in literature. The last
shall be first – such is the secret credo and barren hope of this crowd. Mostly,
no. The first are first and trample on our faces over and over again. But the
losers remember Melville, Pessoa, Kafka – they are pillars of the losers faith,
that there is a view of modernity, a terrible view, in which one sees the
reverse of things – and that is as close as we can come to the truth.
The uncanny thing about Goethe is that he is not only an
Olympian, but – among the multitudes he contains – he is also a loser. Or he
understands the loser’s vision on some deep level. That seems rather unfair.
This is the guy who was unkind to Lenz in his madness and tried to bar the door
to Kleist. This is Mr. Cold Marble. And yet at the end of his life, he is a
loser – at least by proxy – through Eckermann.
Monday, May 19, 2014
Tool news: NYT sponsors an op ed by Yulia Tymoshenko.
Best article about contemporary Ukraine I've read. It makes a mockery of the coverage in the Western press, which is not only propaganda, but ignorant propaganda - the propagandists really have no idea what is going on.
Saturday, May 17, 2014
assassinating the forbes 400 myth, larry summers edition
Everybody is under suspicion
But you don't wanna hear about that...
It is to two economists with the American EnterpriseInstitute, Steven Kaplan and Joshua Rauh, that we owe the meme that the Forbes 400 represents the fruits of social mobility, the rewards of an essentially meritocratic society..
But you don't wanna hear about that...
It is to two economists with the American EnterpriseInstitute, Steven Kaplan and Joshua Rauh, that we owe the meme that the Forbes 400 represents the fruits of social mobility, the rewards of an essentially meritocratic society..
Kaplan and Rauh have divided the individual who find places in
the Forbes 400 from 1982 to 2012 into three categories: that that come from
wealthy families, those that come from upper middle class families, and those
that come from working or middle class families. The claim to discern a
distinct change from 1982 to 2012 – the number of individuals coming from
wealthy families declines, while those from upper class families increases.
Thus, there is churn at the top, due to the meritocratic structure of American
capitalism.
Lets go into the ways Kaplan and Rauh are full of hooey.
A.
Granting, for the moment, that the
categorization, although a bit fuzzy, does actually represent three different
kinds of individuals, we have to trust Kaplan and Rauh on their judgments as to
which class individuals fall. They don’t include the list of all individuals on
the list – in Peter Bernstein’s book about the list, All the Money in the
World, there were 1302 people on the list from 1982 to 2006, which makes it likely
that there might have been fifty to one hundred more in the six years after
2006 – but instead give us representative names – which is how we know that
they included Bill Gates in the upper middle class group, because his father
was a well known lawyer. This tells us a lot about the laziness and bias of the
authors. Even a cursory glance at the numerous profiles of Bill Gates over the
years would tell you that he was endowed with a million dollar trust fund by
his maternal grandfather, who owned a Seattle bank. A million dollars back in
the sixties was a figure to reckon with. If one can’t trust the authors about
Gates, one of the five names they mention, how are we to trust them about the
rest?
B.
Of course, family money is a tricky subject.
Carl Icahn definitely came from a middle class family. On the other hand, when
Icahn was 32 and wanted to buy a seat on the NYSE, it was certainly convenient
that he had an uncle, Elliot Schnall, who was a Palm Beach millionaire and who
could loan him the money without questions.
C.
But even granting that there are meritocrats in
the purest sense on the 400, like Jeff Bezos, does this prove Kaplan and Rauh’s
point? By no means. Because we want to know that wealth is churning in response
to meritocratic pressure from below. One of the symptoms of a vigorous churn
would be the fact that few 400 figures remain on the list for long. If they do,
we have evidence of wealth stratifying in a hierarchical way – wealth is just
going to wealth. Go back to Jeff Bezos. He has been on the list since 1999 –
giving him a stretch of 15 years. This is not unusual – as is obvious from
Bernstein’s appendix in 2006. This fact should lead us to a deeper
contextualization about the 400. As almost all economic histories show, between
1932 and 1979, America experienced a great leveling. It wasn’t that the wealthy
went away; however, the labor and white collar wage class enjoyed incredible
gains in income and opportunity. When you look at the 1982 list, you are
looking at dynasts who made it through the leveling period plus that subgroup
that benefited ‘meritocratically’ from oil, building, manufacturing, and real
estate. In the years since, the list reflects the baby boomer years – year in
which, among other things, higher education was relatively cheap and available
for the ambitious. We have now reached the period when that group is going into
its sixties, and the wealth is definitely settling into place. Along with the
perrenial dynasts, there are the long timers – people who have been on the list 15 years or
more – who need to be broken out.
D.
As well, it is unclear from Kaplan and Rauh’s
charts if they double count these perennials. If Bezos is counted, each time,
as coming from the wage class in their compilation – rather than once, when he
entered the list – they are making an elementary error. I suspect they make it.
I suspect they know that they are making it. I suspect that they are working
for the American Enterprise institute.
E.
However, the larger criticism concerning how
well the 400 represents dynastic wealth. In fact, the very framework seems to
occlude it. In 1987, CBS news reported that, curiously, there was not a Dupont
on the list, even though the Dupont family was worth an estimated 10 billion
dollars. CBS resolved this anomoly by pointing out that if each of the 1500
Dupont relatives got a share of that money it would come to 5 million apiece.
However, this is a deeply misleading. The Dupont fortune operates as a unified
entity through family trusts. As an entity, it is as unified as the ‘Gates’
entity. In a list of individuals going from 1982, sheer mortality and
reproduction would naturally diminish the part of the inheritors, but this
would not really give us an idea of how much money is under dynastic control.
In 1937, a journalist named Lundberg published a book about America’s wealthy
dynasties, and the names in it seem foreign to us, who are used to reading
about tech barons and hedgefunders. But those families rarely lose their money.
The Pitcairns, for instance, who started PPG, have a private family investment
fund in which all the family participates. Individually, they would not be on
the list, but as an entity, it is a good bet they would be. The same is true
for the Weyhaeusers. There are many many families like this.
Forbes recognizes this in other lists – for instance,
they simply amalgamate all the Walton wealth into Walton Family on their world
billionaires list. But they are very inconsistent about it in the 400 lists.
Sometimes children and spouses appear separately, sometimes they don’t.
For all these reasons, Kaplan and Rauh’s 400 proof is a
farce. A farce that, I should say, is easily seen through. One doesn’t have to
go through some complicated mathematical proof, one simply has to apply
elementary social science reasoning. It is the kind of thing that is dogfood
for the dogs, rightwing columnists who can wave the paper about and claim to
have refuted the socialists and Stalinists once and for all. Only mooks would
fall for it.
This is, of course, why it gets an honored place in LarrySummers’ review of Thomas Piketty’s Capital. Summers, Obama’s favorite economist, the man who design the Clinton era
deregulatory architecture – or should I say, instead, wrecked regulation of the financial markets
and helped midwife the depression? -
inserts the following paragraph in gesturing towards other evidence that
American wealth is not becoming so unequal:
“A brief look at the Forbes 400
list also provides only limited support for Piketty’s ideas that fortunes are
patiently accumulated through reinvestment. When Forbes compared
its list of the wealthiest Americans in 1982 and 2012, it found that less than
one tenth of the 1982 list was still on the list in 2012, despite the fact that
a significant majority of members of the 1982 list would have qualified for the
2012 list if they had accumulated wealth at a real rate of even 4 percent a
year. They did not, given pressures to spend, donate, or misinvest their
wealth. In a similar vein, the data also indicate, contra Piketty, that the
share of the Forbes 400
who inherited their wealth is in sharp decline.”
A brief look here can be
defined as the look one gives the index card on which one has copied some “happy
facts” to share with the assembled plutocrats at one of Summers $50,000 talks. It is the index card that has the orange
sauce from the duck on the corner.
I am not shocked that
Summers would publish something this stupid. It is not that Summers is a stupid
man – he is, mainly, an “insider” – someone who knows how to “play” in DC, as
he famously told Elisabeth Warren. In
the economics profession, Summers is widely regarded as a genius. This says
less about the elevation of his intellect than the shallowness of his field – a
molehill is an Everest to a herd of aphids.
Like the overwhelming
majority of economists, Summers isn’t very good in thinking in broad terms, or
understanding the economy and what it is for. He is perpetually like a man
standing with his nose three inches from a pointillist painting – he can see
all the dots in detail, but he can’t see or imagine the picture. This is
fortunate for him – economics is the handmaiden of the plutocrats, and those
who step back and begin to see the picture are soon quietly sidelined.
Wednesday, May 14, 2014
the democracy team: how to understand American foreign policy
Philosophers have long argued about what democracy really
means. Western politicos don’t have that problem – democracy is a team name,
like the Rangers. Nobody expects the Rangers to be rangers, and nobody expects
the “democratic forces” supported by the krewe of Clinton, Bush, Obama, Blair,
Hollande etc. – whatever figurehead is in power - to be democratic. Blair, in
one of the comic highpoints of his miserable reign, toured the Gulf states and
touted the democratic alliance (of Saudi Arabia, Bahrain, and Mubarrak’s Egypt)
against the enemies of democracy, i.e. Iran. Of course, Iran has at least the
trappings of a democracy, much like the U.S. and the U.K., while Saudi Arabia
is perhaps the most totalitarian country in the world, and showed what it
thought of civil protest by invading Bahrain when the Arab Spring threatened
the ruling prince. Not that I am defending a country that routinely condones
torture and has the highest prison population in the world – but I would still
call the U.S. a quasi-democracy. For instance, elections are held in the U.S.
so that people have a chance to make their opinions known and have them
betrayed by whoever they elected. And Americans are damn proud of this, and
call it operation enduring freedom. Or is that when we invade a country
illegally?
I get mixed up.
I’ve been thinking about the democratic team with regards to
the astonishing smoke and mirrors show being put on about the Ukraine. The NYT
has been outstanding in this respect – liberals like to criticize Fox news, but
the NYT reporting on Ukraine makes Fox News look like the successor to Edward
Morrow and Walter Cronkite. I thought the nadir had been reached in the article
that praised the pro-government paramilitaries in Odessa for their good work in
squelching the “pro-Russian” side. This, from a newspaper that is, normally,
anti-neo Nazi. However, one must remember that the paramilitaries are on the
democratic team and it all works out beautifully. Today, the NYT editorialdissed the referendums in Donetsk with language that was almost pure bungalowBill. Here’s how they started
“If there were questions
about the legitimacy of the separatist referendums in eastern Ukraine, the
farcical names of the entities on which people were asked to vote — the
self-declared People’s Republics of Donetsk or Luhansk — surely answered them. “
‘Surely’ – in the club where the editorialists chuckle about things like
those funny Chinese and Negro names – most amusing. It is a kinda nostalgic, retro opening to a
salvo full of the cliches one expects from … well, the NYT. The funnily named little countries are surely
parallel to that standard of the white mostly elite clubs, the funny names
Negros give their children. Always a hoot in the cigar room. But in spite of having lived through the Iraq
invasion and knowing how the establishment works, it still made me curiously
angry.
Angry enough that I decided to look back at how the talking heads were talking
about Russia in the nineties. In
1993, Yeltsin’s situation with the
parliament was almost a mirror image of
what was happening in Kiev in January of this year. Again, a president seemed
to oppose the unanimous opinion of the legislature. In the case of Yakunovych, the discontent stemmed from his
refusal to sign the association agreeement with the EU. In Yeltsin’s case, it occurred
because of discontent with Yeltsin’s “shock therapy.” Constitutionally, Yeltsin’s
decree power ran out in December 1992. In April, a referendum was scheduled to
sort out the deadlock between the executive and the legislature . As Martin
Malia tells the story in his article, Soft Coup, for the New Republic (April
19,1993) (all from the standpoint that Yeltsin is the “democracy team), Yeltsin
came to believe he would either lose the referendum in April or that the
anti-privatization parts of the referendum would go against him. Now, as we all
know, the democracy team cannot tolerate democracy if democracy is going to
screw up the “liberalization” of the economy. As Malia points out, the
opposition actually wanted something like worker’s collectives to take over the
major industries. Such poppycock! And then the referendum coming up which might
give the wrong, anti-democratic answer to the question, do you want oligarchs
to take over your industry and plummet your economic status for the next
fifteen years. .So in March Yeltsin sounded out foreign countries, i.e. the US,
to see what they would think if he just unconsstitutionally swept aside the
power of the legislature and ruled by decree. Amazingly, they were “understanding”.
So Yeltsin pretty much did that, and proposed his own referendum.
“While Yeltsin won majorities
expressing confidence in his leadership, supporting reform, and calling for new
parliamentary elections, opposition to reform remained high—45% voted against
it in the referendum. No less important, a majority favored early presidential
elections, meaning that Russia’s voters wanted not only a new parliament, but a
chance at a new president and a clean political slate to move beyond the
confrontation between Yeltsin and conservative legislators.
Russia’s
president was not interested in the latter message, however, and pressed ahead
in his conflict with the Supreme Soviet and government by diktat—with the full
support of the Clinton administration. (And despite private advice from Richard
Nixon, who encouraged Yeltsin to seek a compromise with the parliament in March
1993, only to be told by the Russian leader that U.S. officials were counseling
the exact opposite.) When Yeltsin eventually dissolved the parliament in
frustration in September, President Bill Clinton stated explicitly that
“President Yeltsin has made his choice, and I support him fully.”
Ambassador-at-Large for the former Soviet Union Strobe Talbott referred to
Yeltsin’s dissolution of parliament as a “noisy squabble.” With this support,
Yeltsin sent in the tanks two weeks later, on October 4, and swept the Supreme
Soviet into the dustbin of history. It was surely noisy, but rather more than a
squabble.”
I rather like the farcical intrusion
of Richard Nixon into this story – a man from the past who actually advised,
oh, democracy democracy instead of team democracy. Poor Nixon, made obsolete by
the zeitgeist that had shifted far to the right of him, with Clinton and the
neo-liberals in the lead!
The moral of the Yeltsin story is that
the curious reporting about Ukraine – for instance, a New Yorker reporter named
Jon Lee Anderson writing that the Maidan protestors swept away a “tyrant” – is not
curious once you dispense with the idea of democracy as a process and
understand it as a team label. Of course, the democracy team does have to do
one thing: it has to privatize. It has to respect “private property” – for instance,
the assets of multinational corporations. Otherwise it isn’t the democracy team
anymore, but tyranny. And it is in this neat machine that the people of East
Ukraine are supposed to be milled to death. For who could support the
non-democracy team (the one that holds elections) except devilish souls like
Putin, who are not at all democracy team like Boris Yeltsin was.
Sunday, May 11, 2014
the breaks
According to Robert Craven’s 1980 article on Pool slang in
American speech, breaks – as in good break, bad break, those are the breaks –
derives from the American lingo of pool, which is distinct from British billiard terms. The difference in
terminology emerged in the 19th century, but he dates the popular use of break (lucky
break, bad break, the breaks) to the 20s. I love the idea that this is true,
that the Jazz age, the age of American modernity and spectacle, saw the birth
of the breaks. If the word indeed evolved from the first shot in pool – when
you “break” the pyramid of balls, a usage that seems to have been coined in
America in the 19th century, as against the British term – then its evolution nicely intersects one of
the favored examples in the philosophy of causation, as presented by Hume.
Hume’s work, from the Treatise to the Enquiry, is so
punctuated by billiard balls that it might as well have been the metaphysical
dream of Minnesota Fats – excuse the anachronism – and it has been assumed, in
a rather jolly way in the philosophy literature, that this represents a piece
of Hume’s own life, a preference for billiards. However, as some have noted,
Hume might have borrowed the billiard ball example from Malebranche – whose
work he might have read while composing the Treatise at La Fleche. But even if
Hume was struck by Malebranche’s example and borrowed it, the stickiness of the
example, the way billiard balls keep
appearing in Hume’s texts, feels to the reader like tacit testimony to Hume’s
own enjoyment or interest in the game.
Unfortunately, this detail has not been taken up by his biographers. When we
trace the itinerary of Hume as he moved from Scotland to Bristol to London to
France, we have to reconstruct ourselves how this journey in the 1730s might
have intersected with billiard rooms in spas and public houses. In a schedule
of coaches from London to Bristol published in the early 1800s, we read that there
is a coach stop at the Swan in St. Clements street, London, on the line that
goes to Bristol, and from other sources we know that the Swan was famed for its
billiard room. Whether this information applies to a journey made 70 years before,
when the game was being banned in public houses by the authorities, is
uncertain. One should also remember that
in Hume’s time, billiards was not played
as we now play American pool or snooker. The table and the pockets and the
banks were different. So was the cue stick – , it wasn’t until 1807 that the cue stick
was given its felt or india rubber tip, which made it a much more accurate
instrument. And of course the balls were hand crafted, and thus not honed to a
mechanically precise roundness.
If, however, Hume was a billiard’s man, one wonders what
kind he was. His biographer Hunter speaks of the “even flight” of Hume’s prose –
he never soars too much. But is this the feint of a hustler? According to one
memoirist, Kant, too, was a billiards player – in fact the memoirist, Heilsberg, claimed it
was his “only recreation” – and he obviously thought there was something of a
hustle about Hume’s analysis of cause and effect, which is where the breaks
come in.
There’s a rather celebrated passage in the abstract of the
Treatise in which Hume even conjoins the first man, Adam, and the billiard
ball. The passage begins: “Here is a billiard ball lying
on the table, and another ball moving towards it with rapidity. They strike;
and the ball which was formerly at rest now acquires a motion.” Hume
goes on to describe the reasons we would have for speaking of one ball’s
contact causing the other ball to acquire a motion. The question is, does this
description get to something naturally inherent in the event?
“Were a man, such as Adam, created in the
full vigour of understanding, without experience, he would never be able to
infer motion in the second ball from the motion and impulse of the first. It is
not anything that reason sees in the cause which makes us infer the effect.”
This new man, striding into the billiard
room, Hume thinks, would not see as we see, even if he sees what we see. Only
when he has seen such things thousands of times will he see as we see: then, “His
understanding would anticipate his sight and form a conclusion suitable to his
past experience.”
Hume’s Adam is an overdetermined figure. On the one hand, in
his reference to Adam’s “science”, there is a hint of the Adam construed by the
humanists. Martin Luther claimed that Adam’s vision was perfect, meaning he
could see objects hundreds of miles away. Joseph Glanvill, that curiously
in-between scholar – defender of the ghost belief and founder of the Royal
Society – wrote in the seventeenth century:
“Adam needed no Spectacles. The acuteness of his natural
Opticks (if conjecture may have credit) shew'd him much of the Coelestial
magnificence and bravery without a Galilaeo's tube: And 'tis most probable that
his naked eyes could reach near as much of the upper World, as we with all the
advantages of art. It may be 'twas as absurd even in the judgement of his
senses, that the Sun and Stars should be so very much, less then this Globe, as
the contrary seems in ours; and 'tis not unlikely that he had as clear a
perception of the earths motion, as we think we have of its quiescence.”
However, this is not the line that Hume develops. His Adam
has our human all too human sensorium, and is no marvel of sensitivity. Rather,
he belongs to another line of figures beloved by the Enlightenment philosophes:
Condillac’s almost senseles statue, Locke’s Molyneaux, Diderot’s aveugle-né. Here,
the human is stripped down to the basics. Adam’s conjunction with the billiard
ball, then, gives us a situation like Diderot’s combination of the blind man
and the mirror – it’s an event of illuminating estrangement.
It is important that these figures were certainly not
invented in the eighteenth century. Rather, they come out of a longer lineage:
that of the sage and the fool. Bruno and his ass, Socrates and Diogenes the
cynic, Don Quixote and Sancho Panza – it is from this family that all these
deprived souls in the texts of the philosophes are appropriated and turned into
epistemological clockworks.
Hume’s point is to lift the breaks from off our necks, to
break the bonds of necessity – or rather to relocate those bonds. In doing so,
he and his billiard balls are reversing the older tendency of atomistic
philosophy, which was revived by Gassendi in the 17th century.
Lucretian atoms fall in necessary and pre-determined courses, the only
exception being that slight inexplicable swerve when the atoms contact the
human – hence our free will. Hume, who had a hard enough time with Christian miracles, did not, so far as I know,
discuss the Lucretian version of things even to the extent of dismissing it.
To be a little over the top, we could say that the
eighteenth century thinkers disarmed necessity, exiled Nemesis, and the
heavyweight heads of the nineteenth century brought it back with a vengeance,
locating it – in a bow to Hume, or the Humean moment – in history. Custom. From
this point of view, Hume was part of a project that saw the transfer of power
from God and Nature back to Man – although we are now all justly suspicious of such
capitalizable terms.
But the breaks survived and flourished. There is a way of
telling intellectual history – the way I’ve been doing it – that makes it go on
above our heads, instead of in them. It neglects the general populace, the
great unwashed. Book speaks to book. To my mind, intellectual history has to
embrace and understand folk belief in order to understand the book to book P.A.
system.
Which is why we can approach the breaks in another way.
In 1980, I was going to college in Shreveport, Louisiana. I
went to classes in the morning, then worked at a general remodeling store from
3 to 10. I worked in the paint department, mostly. At seven, the manager would
leave for home, and Henry, the assistant manager, would let us pipe in whatever
music we wanted to - which is how I
first heard Kurtis Blow’s These are the Breaks. I also first heard the
Sugarhill Gang’s Rappers delight this way, and I still mix them up. I heard
both, as well as La Donna and Rick James, at the Florentine, a disco/gay bar
that I went to a lot with friends – it was the best place to dance in town.
Being a gay bar, it was always receiving bomb threats and such, which made it a
bit daring to go there. We went, however, because we could be pretty sure that
the music they played would include no country or rock. It was continuously
danceable until, inevitably, The Last Dance played.
At the time, I was dabbling a bit in Marx, and thought that
I was on the left side of history. At the same time, 1980 was a confusing year
for Americans. The ‘malaise’ was everywhere, and nothing seemed to be going
right – from the price of oil to the international order. There were supposedly
communists in Central America, African countries were turning to the Soviet
Union, and of course there was the hangover from the Vietnam War – the fantasy
that we could have won that war had not yet achieved mass circulation, so it
felt like what it was, a plain defeat.
I imagined, then, that the breaks were falling against a
certain capitalist order. In actuality, the left – in its old and new varieties
– was vanishing. Or you could say transforming. The long marches were underway –
in feminism, from overthrowing patriarchy to today’s “leaning in”; in civil
rights, from the riots in Miami to the re-Jim Crowization of America through
the clever use of the drug war; and in labor organization, from the union power
to strike to the impotence and acceptance that things will really never get
better, and all battles are now rearguard.
My horizons were not vast back then – I didn’t keep up with
the news that much, but pondered a buncha books and the words of popular songs.
But I knew something was in the air. As it turned out, Kurtis Blow’s breaks were not going to be kind
to my type, the Nowhere people, stranded socially with their eccentric and
unconvincing visions. However, after decades of it, I have finally learned to
accept what Blow was telling me: these are just the breaks. That is all they
are.
You’ll live.
Sunday, May 04, 2014
Reporting on the Ukraine - the man in the devil suit did it!
I have this sick, deja vu feeling about the u.s. ukraine reporting:it shares the same vices and mindframe as the reporting on Iraq in 2002-2003.
It is important to be clear about what happened. The former president was deposed - and he was deposed, apparently, by groups that were opposed to him in the previous election. Unfortunately, none of these groups seemed to have any roots in those areas that voted overwhelmingly for Yanukovych. This kind of thing happens all the time in countries that have no democratic tradition or institutions - one party, faced with the victory of another party, kicks that party out. It certainly is not an instance of overthrowing tyranny. That both sides are corrupt is pretty much a given in oligarchy ridden Ukraine. One doesn't have to be for I think running away was probably a good way not to get killed.
Unfortunately, the reporting in the NYT, the NYorker (with its pathetic series by Jon Lee Anderson, the LRB (with its pathetic reporting by James Meek) and the NYRB on Ukraine has pitted good guy Maidan protesters against Putin. as the whole story - when it is a sideshow This is convenient to the American mindset, but it eclipses the reality of what is happening in the Ukraine. The regions that voted overwhelmingly for Yanukovych are not being hypnotized by Putin - they are understandably disgusted by a Kiev centered political operation that has negated their political will. Over and over again, you read that they neither want to be part of Russia - nor accept the Kiev government as legitimate. Why is this position - which is pretty simple - simply ignored in this "series of portraits"? Because it inconveniences what Joan Didion once called the "narrative" - the way establishment newsmakers have determined a news story should go, whether it reflects reality or not. In fact, what is being missed is the framework for what is happening. To make it good Kiev versus bad Kremlin is a disservice to American readers. It will lead to Americans not being able to understand events in the Ukraine. It is overwhelmingly reminiscent of American reporting about Iraq, which similarly so mislead readers that the insurgency was wholly unexpected, and the whole unwinding of the occupation was a big enigma. If the press had done its job, that wouldn't have been so much the case.
But the press has long substituted one job - reporting - for another - lobbying - when it comes to foreign news reporting in the U.S. Thus, Ukraine is given to us in two historical periods - it appeared in the 1930s, when a georgian born dictator, Stalin, starved to death its people, and it appears in February 2014, when the Maidan protests gathered steam. However, a less supernatural view of the Ukraine would assume that it also existed in 2013, and 2012, and 2011, and 2010. From this angle, the question is who voted for the party of the Regions and where, A look at the map would show you that the Party of the Regions was extremely popular in the East. Here's the wiki map of the presidential election (the percentages are part of the total of the 48.95 percent that Yanukovych got in the second round of voting). This map indicates pretty strongly where the overthrow of Yanukovych is going arouse unhappiness. You don't need to posit some hypnotic power by Putin. Evidently, the power in Kiev is either going to have to compromise with these areas or occupy them. Or the Ukraine will split. This isn't really that hard to see or understand. The project of not understanding it, of ignoring it, of pretending that 2010 didn't happen, is a strong indicator that what we are getting in the mainstream media and the thought journals about the Ukraine is simply propaganda. Easy to swallow, since after all, Putin is a dick and a war criminal (and also the unexpected result of the last massive U,S. intervention in Russia, when the US aided and dragged Yeltsin to victory in 1995 in Russia).
But don't believe the man in the devil suit is the main actor here.
Saturday, May 03, 2014
sphinxes
Perhaps
Yeats was right, and beggary and poetry appear and disappear together. The
argument for their deep connection can be divined in Daniel Tiffany’s argument for
the form and function of obscurity in poetry, made in Infidel Poetics (see review here). Or at
least I can borrow certain of his images and arguments to support the Yeatsian
intuition.
First,
however, one has to concede that poetry does something – it in fact does
something about the way one thinks about doing things, what that activity if
for, the matrix of exchanges in which it is enmeshed. To switch to Hegel-ese
for a moment, beggary, outside of traditional society – the ancien regime
stretching back to the paleolithic – loses its form, not its substance. It
loses its hobo honor. Poetry, another artifact of that regime, is rivaled in
modernity by journalism (under which I would include novels) and driven into a
corner, where to save its form it has to resort to dodges that begin to
displace its substance. Like the beggar, the poet doesn’t do anything for
money. Money does something for the beggar and the poet – reward honors their
rewarders. All of which collapses for the usual reasons given by the big
thinkers.
Climbing
down from these often scaled heights – I was struck by this riff on the
rhapsode in Tiffany, which provoked the above thought:.
“The
submerged affi nities of the rhapsode reach still further into the
well
of the anonymous and indigent poet, touching the most ancient
artifact
of poetic obscurity, the riddle: Sophocles called the Sphinx a rhapsode,
while
Euripides and other commentators called her deadly riddle
a
“song.” The Sphinx, who has no proper name, is called a rhapsode
because
she was said to wander the streets of Thebes, homeless, reciting
her
queer “demaunde” to strangers—habits recalling the vocation of Presocratic
thinkers
such as Parmenides, who made his living as an itinerant
philosopher
and composed his baffl ing treatise on Being in epic hexameters,
thereby
adopting practices associated with the rhapsode.”
What a marvelous
hybrid image – this Sphinx! I can definitely see the Sphinx sniffing around the
streets not only of Thebes, but of where I currently live in Santa Monica,
California. Santa Monica needs a sphinx:
with its definite edge that ocean – and its box of jigsaw puzzle pieces
gathered from different puzzles and thrown all together. Here we have the rich,
the aspiring techie, the screenwriter, the leisured, the shoppers, the
tourists, the aged – often wheeled about with their heads at a disturbing cant
and their mouths open, jaws too weak now to resist gravity – and the hobos
everywhere – bums under trees in the park, mumbling to themselves on the steps
of office buildings, amazingly weathered women sprawled by curbs under some
vagary of palm shadow, sign welding white beards, many clothed in their entire
wardrobe – I run into them every day as I wheel Adam about in his stroller. The
tribe of the sphinx, except that rhapsody had definitely been downshifted, and
the Sphinx can no longer riddle even the mere toddler of privilegem much less his pa.
But I do not
write off the possibility that chthonic forces will one day emerge again – to
put it in Yeatsian terms, the Great Year will not be gainsaid, neither will
time stop.
Sunday, April 27, 2014
on being cowed
In the footnotes to his 1780 edition of Johnson’s life of
Joseph Addison, John Hawkins took the opportunity to defend his own character
sketch of Addison, which had appeared in a book published in 1770, against the
accusation that he had besmirched Addison’s character by describing him as "sheepish". In his defense, Hawkins reported two
anecdotes about Addison's time as the under-secretary of State under Queen Anne. In the first anecdote, the Secretary of State gave
Addison the job of writing the official announcement of Queen Anne’s death
to Hanover (George I). Apparently,
faced with the idea of announcing something so grave to a personnage so high,
Addison agonized over the wording to the extent that he was paralyzed. After a couple of days had passed and he still hadn’t composed the communication, the Secretary of State gave the task to
Addison’s secretary, Southwell, who dispatched it with ease. The second
anecdote concerns the time Addison was summoned to testify before the
Parliament. I imagine the periwig, the papers, the briefcase, the heals of his
shoe, the carriage he arrives in, the clopping of horse hooves on the
cobblestones of the street. And there he is, and now he arises to speak.
Supposedly he looked at the committee, then down at his papers, then looked
back at the committee and said – I conceive… And then fell silent. Again he
looks at his papers, again looks up, again says, I conceive, and again falls silent.
After a minute one of the wittier members of the committee said Mr.
Under-secretary, we agree that you conceive – but will you please now bring forth.
Addison, as Hawkins puts it, was a man who was easily cowed
in his personal relations. I have an
image of Addison as one of those stick-in-the-mud writers who tamed the wild
and glorious English of the 17th century and transformed it into
polite literature. However, these anecdotes present Addison in another light.
He is not here the author of sententious Augustan essays. He is suddenly a
character in Kafka. More than that – he
is my brother. For I, too, am a man easily cowed in personal dealings, who
suffers, afterwards, with enormous shame and gnashing of teeth over my stupid cowardices.
Here’s a recent instance.
About three weeks ago, I had a strange pain in my left leg.
Whenever a pain shows up in my body, I immediately jump to the conclusion that
this is it: the hidden chronic disease that I always knew was there is finally
showing its hand. For a while, I decided
that this must be some embolism, some cardiac warning, and I was seeing myself
keeling over while changing Adam’s diapers. So I went to a doctor who seemed
not at all concerned by my story and told me that no doubt the fact that I was
intermittently carrying around a twenty three pound toddler had caused the
sciatica nerve to act up, on the principle of the neck bone being connected to
the back bone, etc. etc. In his opinion, a few exercises would make me as good as
new. One hundred dollars please.
Relieved that the death sentence had been lifted, I noticed
immediate improvements in the leg until the leg went through the day doing all
the things legs do without complaining. Finally, last Monday, I decided to get
a massage, thinking that any remnant of a problem would be taken care of by the
soothing manipulation of my musculature. I walked up to Montana street,
mentally calculating the necesssary tip – it was one of those places where the
charge for the massage is cheap, but one is expected to tip the workers
handsomely for the massage that one had enjoyed.
My massage, it became immediately evident, was designed to
avoid any hint of enjoyment. When I began to explain about the leg, my masseur
cut me off immediately, telling me: “I’ve been doing this for forty years.” At
that moment I should have got off the table, or at least made a protest.
Instead, I turned over and put my head down and let my masseur get to work. It
became obvious that at least ten of those forty years were spent in the employ
of the CIA at Guantanomo, extracting info from poor Afghan peasant boys. I was
ready to give up all I knew, or make up all I knew and give it, in about four
minutes. When the pain was too much, I would stop panting and grasp out in a
pleading voice, please don’t do that. That was usually two hundred pounds of
masseur pressing into my thigh or ankle muscle. I’d paid for an hour, and for
an hour I was beat up. The piece de resistance was doing with my legs what I’d
done to the legs of baked chickens – pulling them violently outward at a
strategic angle. Sometimes, however, the masseur would say things like, tell me
when it hurts.
When I limped out of the room, my assailant came out and,
assuming a certain air of concern, asked if I was all right. I said I was fine,
overtipped, and left.
As I hobbled around the next day and the deep pain in my
legs slowly abated, I was bothered by one thing: why didn’t I make that guy
stop? What could I have been afraid of that was more painful than being plucked
and restrung? Why did I let him cut me off at the very beginning?
Why, in other words, couldn’t Addison simply bring forth?
To be cowed is to be afraid – that seems obvious. But fear,
though it may be felt as quickly as touching or heart beat, develops along
different lines, and is expressed in different modes. Being cowed is one of
those modes in which the sum total of the pain of avoiding the fearful object
is greater than the pain which may result from confronting said object. In other
words, it is definitionally neurotic. Addison, gnawing his lip and lingering
over the wording of his communication (passed away? Ascended to a far larger
and better sphere?) was no doubt aware that as time passed, he was becoming
ridiculous. He was making a fool of himself. But what if he made a fool of
himself positively, by making some mistake? The knowledge that he was losing
face didn’t help.
I sometimes take an extraordinarily aggressive tone as a
writer; perhaps this is to make up for the extraordinarily cowed stance I take
as a man.
The first instance of “cow” in the English language comes in
the tragedy of Macbeth. Macbeth, you’ll remember, considers himself invincible,
since he can only be brought down, the witches have told him, by a man who is
not born of woman. But as he is battling
Macduff, Macduff drops the coin: that he was “from his mother’s womb untimely
ripped.” This sufficiently fulfills the tricky condition contained in the
witch’s prophecy, as Macbeth immediately sees. In response, Macbeth says:
“accursed be that tongue that tells me so/for it has cow’d my better part of
man.”
This is a pretty rich way for a word to introduce itself
into the linguistic corpora. Etymologists are still puzzled about a verb that
seems to be derived from an old Norse word, since Mr. Shakespeare, although
excellent in many respects, had not only little Latin and less Greek, but surely
no old norse at all.
I’m no blabbermouth in Old Norse myself. I associate the
verb quite naturally with the noun. I think of this moment of freezing as
something cow-like within me, something pasture fed and unable to realize my
own weight against heard dogs and coyotes – not to speak of herdsmen and the
technicians in the abbatoir. That frozenness is not broken by the application
of a stick to my thick hide. On the contrary, I go in the direction that the
stick wants me to go.
Yet the cow in being cowed doesn’t quite cover all the case,
because to be cowed has definite connections to embarrassment. To be cowed is
to come up against an invisible but almost overwhelming barrier. An electrified
invisibility – one fears the shock, though one knows, rationally, that there is
no calculating the shock. This is a state of being that is surely
characteristic of developed countries, where the invisible barriers multiply
along with the visible ones, and the taboos once associated with totems are now
associated with a certain solitude – a lack of totems, in fact. In such a society,
why one does what one does becomes a pressing question, which one has to
constantly answer – along with why one doesn’t do what one doesn’t do. And not
being able to explain the latter make one ashamed.
It all makes me want to sadly moo in some misty valley in
the morning.
Friday, April 25, 2014
an op ed from a mouse hole
As allegories move towards some threating point
Where fact and magic clutch at your throat
Remember – you don’t get the dynamics of this joint
-
Don’t even think you have a vote.
They call it homeland – cast a firelit glow
Over the dude peeing in his pants
On the corner – he’d been the first to go
When they were downsizing the urban peasants.
Yes, the bottle is now uncapped
But we aren’t stuffing genies back inside it.
You think you’re so special? You’ve just relapsed.
That fucked over feeling, you’ll just have to hide it.
Thursday, April 24, 2014
delusions in economics
This week, Ezra
Klein reprinted an old speech given by the economist Thomas Sargent in 2007 under the title: “This graduation speech teaches you everything youneed to know about economics in 297 words.” Given that Sargent is a “clintonian democrat”, I don’t think Klein meant to
mock the man. However, the speech is a disaster, a series of bromides that do
tell us a lot about the current intellectually bankrupt state of economics. For
political reasons, about 1980, economics began to experience a huge increase in
prestige. Although economists have long felt that their discipline was the
physics of the social sciences, few other people did. But in the era of Reaganomics,
when every big newspaper was adding a business section to the sports news and ‘living’,
other people began to take the physics idea seriously. Sargent does us a favor
by stripping down economics to the inspirational truisms that make it apparent
that this is less about physics than about Babbitry, gussied up with models.
I could have an enjoyable time driveby shooting at
the inanities in Sargent’s “list of lessons that our beautiful subject teaches.
But I’d like to take one item on the list out of line and especially maltreat
the thing – no. 3: “ Other people have more information about their
abilities, their efforts, and their preferences than you do.” I’m
sure Sargent thinks this is an axiom with no need for proof. In fact,
economists have never even tried to prove it. But in other corners of social
science, this assumption has long been shown to be wholly fallacious as stated.
Our self-assessments, going from the way we remember the past to the way we
predict our correctness in the future, is subject to severe cognitive biases
that make it the case, generally, that ‘other people’ tend to either overestimate
or underestimate their abilities, tend to define their efforts in different,
self-defensive ways, tend not to understand their social and economic contexts
very well, and certainly tend not to line up their preferences in good
transitive order a la the Arrow theorem.
Everywhere
in the social and cognitive sciences – except in economics – the myth of the
unified individual, who can be certain of his thoughts, beliefs, memories, and
intentions, has been shown to be insufficient. From Freud to Prospect theory,
cognitive biases and theories about the unconscious have been found whenever
the laboratory met the social scientist. Sargent, who won the Nobel prize for
economics in 1991, has apparently never encountered the work of the winners of
the Nobel prize for economics in 2002, Kahneman and Tversky. Rather, he seems
here to cling to the musings of Hayek and other ideologues of the cold war
period.
In
economic life, as opposed to economics, people aren’t that stupid. Evey advertiser
knows of the parodox of parity products – that blind taste tests often show
that people cannot really tell one brand of coffee, wine, or soft drink from
another. Yet this doesn’t prevent the formation of ‘preferences’ – which is
where advertising comes in. One of the few economists who even considered the
effect of advertising was John Kenneth Galbraith, and he was roundly attacked
for it.
I’ll
end this with a quote from a 1988 study of illusion and well being:
Decades of psychological wisdom
have established contact with reality as a hallmark of mental health. In this
view, the wcU-adjusted person is thought to engage in accurate reality testing,
whereas the individual whose vision is clouded by illusion is regarded as
vulnerable to, if not already a victim of, mental illness. Despite its
plausibility, this viewpoint is increasingly
difficult to maintain (cf. Lazarus, 1983). A substantial amount of research testifies to the prevalence of illusion in normal human cognition (see Fiske & Taylor, 1984; Greenwald, 1980; Nisbett & Ross, 1980; Sackeim, 1983; Taylor, 1983). Moreover, these illusions often involve central aspects of the self and the environment and, therefore, cannot be dismissed as inconsequential.”
Monday, April 21, 2014
our Seneca
I know little about Seneca. In the back of my mind, I have
the idea that his plays are disgusting and his moral philosophy derivative,
although where these judgments come from I cannot tell. I know that he was
studied by all the greats – Machievelli, Montaigne, Bacon – but I put this down
to an exaggerated enthusiasm for Rome. So I had little reason to plunge into
the article about Seneca’s and Nero’s suicides, Dying Every Day, by James Romm,
in the winter Yale Review. Yet every once in a while I like to dive into a
scholarly topic that I’m really not interested in, in the hope that I’ll
broaden my horizons. I am an incorrigible optimist re those horizons, which –
being horizons – are probably geographically and mathematically impervious to
the broadening motivation. Nevertheless…
Well, Romm’s article is excellent. Of course, I recognize
that much of it regurgitates what every historian of the period knows – but it
plays the facts to create a kind of Lehrstueck about tyranny and what you could
call the trivialization of the sage.
Our sages now roam the popular blogs and newspaper columns
and tv opinion shows without, oddly enough, being questioned about their
expertise. What in particular does a Tom Friedman or a Christopher Hitchens do?
What is the skill set? Usually there is a retreat to the idea of “reporting” - but they aren’t reporting in the sense that
the stringer or the semi-anonymous AP person reports. In most cases, they are
opining. Their opinions, moreover, are based on a sort of assumed greater
ethical sensibility. Hitchens, for instance, in his declining years, would
often fill his columns for Slate or Vanity Fair with opinions in which he
triangulate his feelings – his disgust, his righteous joy – to some object in
the world, as though he were some moral litmus test.
Long ago, William James, in an excellent, disgruntled essay
on the moral philosopher, dispatched the breed, which even then was turning up
at Chatauquas and writing for the highfallutin’ quarterlies.
The ancestor of this type is surely Seneca. Although Cicero,
too, was a sorta stoic philosopher in his off hours, for Seneca, there was a
bond between the prestige he garnered as a sage and his heady position in the
world of Roman politics. Having landed the job of tutor to Nero, he milked it
for all it was worth.
Romm sets up his story by pointing to the ambiguous
reputation of Seneca (who, spookily, willed his imago to his friends – as if his reputation, the image of his life,
was some kind of separate creature). On the one hand there is a long tradition
that sees Seneca in the terms he created for himself in his treatises and
letters – as the moderate in all things Stoic sage, tragically doomed by having
as his pupil a sort of armed Id. On the other hand, there was another version
of Seneca:
“These are the opposing ways in
which Romans of the late first century a.d. regarded Seneca, the most eloquent,
enigmatic, and politically engaged man of their times. The first is taken
largely from the pages of
Octavia, a historical drama written
in the late decades of that century, by whom we do not know. The second is
preserved by Cassius Dio, a Roman
chronicler who lived more than a century after Seneca’s death but relied on
earlier writers for information. Those writers, it is clear, deeply mistrusted
Seneca’s motives. They believed the rumors that gave Seneca a debauched and
gluttonous personal life, a Machiavellian political career, and
a central role in a conspiracy to
assassinate Nero in a.d. 65.”
Romm, as the essay develops, doesn’t
think that Seneca’s life was debauched, and he thinks that his role in the
assassination plot – a role that led to his death – was, as was much in his
life, the result of trying to have it both ways. But he does seem to think that
there was something Machiavellian about Seneca – that in effect he was like
Thyestes, the hero of his most famous play. Thyestes the sage was also, by the
will of his father, supposed to share the kingship with his brother Atreus.
Rather than do so, he retired to the countryside. Atreus however lured him back
with the promise of the throne. Actually, Atreus had in mind the extermination
of Thyestes line, and he had a clever way of going about it – he slew and
cooked Thyestes children, while getting Thyestes drunk and promising him a
feast fit for his new royal function. Thyestes is shown revelling in his vision
of power, and mightily enjoying the meal that, it turns out, consists of his children.
Romm examines Thyestes as a projection of Seneca – a warning, perhaps, that
Seneca issued to himself. And at the same time a reference, via Atreus, to the
wicked Nero.
Even so, Seneca had not opposed the
wicked Nero when he murdered his mother, or began murdering all the descendents
of Augustus that he could find.
There’s
something compelling about the duel between the Ubu-esque emperor and the
Imperial pontificator. We have no Neros, but we have created a sort of plutocratic
Neropolis in the US, with Senecas all over the place – and I kept thinking how
mysteriously relevant this story is. Romm develops a nice little dialectical
picture of the two sides of Seneca by contrasting two physical images of
Seneca. One is statue that used to be
considered to be of Seneca – a bust of a
man who is “gaunt,
haggard, and haunted, its eyes seemingly staring into eternity. Its features
had served as a model for painters depicting Seneca’ s death scene on canvas,
among them Luca Giordano, Peter Paul Rubens, and Jacques-Louis David.” The
other is a bust dug up in Rome in 1813: “The bust shows a full-fleshed man, beardless and bald, who
bears a bland, self-satisfied mien. It seems the face of a businessman or
bourgeois, a man of means who ate at a well-laden table.”
1813 – ah,
just in time for the birthpangs of the modern socio-economic world! Seneca, the
bourgeois. I can see him in my minds eye, and hear him 24/7 on cable or talk
radio.
Friday, April 18, 2014
the paradox of the stone and meg wolitzer
When Flaubert compared the artist to God, it naturally
followed – as all who knew what Flaubert was up to understood – that theological
ideas and paradoxes would be absorbed and re-oriented in the world of art.
I’ve been reading Meg Wolitzer’s novel, The Wife, which is a
funny and depressing novel, and thinking of a paradox attirbuted to Aquinas
entitled “the paradox of the stone”, or “the paradox of omnipotence.” The
popular version goes like this: can God make a stone he can’t lift? Aquinas
spoke of whether God could square the circle, and shows that this supposed
limit on him omnipotence is no such thing. Others have tried to show the
logical emptiness of the stone paradox. Still, for non-logicians, it is a
rather compelling idea. Either God can’t make a stone he can’t life, in which
case he is not omnipotent, or he can, in which case he is also not omnipotent.
Some paradoxes lead to logically useful devices in the world
of logical theory, but I don’t think this one has.
However, in the world of the novel, the paradox is very
illuminating. Restated, it would be: can a novelist create a fictional novelist
greater than herself?
This question is tickled in various of Balzac’s novels. In
many of them he tells us of genious musicians and sculptors, and we can accept
these things, because we can accept descriptions of works that we can’t see or
hear as part of the novelist’s licence. Things get much harder when we are told
of a great writer. Lucien Rubempré is supposed to be a great poet, and Balzac
even cites him – but Balzac is no Victor Hugo.
However, Balzac never wrote about a great novelist. Proust
did. Proust neatly does an endrun around the omnipotence problem by making
Marcel’s becoming a novelist the novel. It is, indeed, a great novel, but the
story would not have worked if A la recherche was already completed – if the
fictional Marcel was supposed to have written it already. It would be an
entirely different novel, and hard to imagine, since we would have no reason to
credit Marcel with being a great writer for a novel that remains, for us,
unknown and fictitious.
The narrator of Wolitzer’s novel is the wife of a ‘great’
American novelist, Joe Castleman. It being the nature of greatness to attract
prizes, the wife is accompanying her husband to Finland to receive some
fictitious half a million dollar prize that is a semi-Nobel. The wife’s story,
however, is an evil eyed portrait of Joe
– a poor father, a poor lover, a cheat, a slob, and all the rest. Wolitzer’s
character has a voice like an Iris Owens character – scathingly funny. But the
humor chops Joe down to the point that it is impossible to believe he is a
great writer. This is finessed by hints that actually, Joe’s wife ghosts his
material.
But it is here that the paradox kicks in, because although
this is a good novel, it isn’t a great, Nobel prize winning novel. And in a
sense Wolitzer has stuck herself with a narrator who is telling about how her
work has won the semi-nobel prize. That is a huge burden to put a novel under.
It seems, at the very least, immodest, since the inference is that the writer
of the novel is telling us how good she is through her protagonist.
Ulysses nears this paradox too – if we take Stephen Daedalus
to be James Joyce. But here’s the thing: Stephan Daedalus could never have
written Ulysses. He is much too small. He doesn’t have the degree of
imagination that would let him ‘into’ Leopold Bloom. This is one of the ways out of the paradox,
particularizing a character to the point that this character could not exist
outside the pages of the novel, gazing in.
I don’t think that the paradox brings down Wolitzer’s novel –
but it does put the weight of the book on the particulars instead of the
structure. Since, however, Joan Castelman is essentially a comic narrator, she
is not only allowed to create a stone that she can’t lift, but allowed to milk
as much as she can from that ludicrous routine.
Perhaps this is what God does, too, with the paradox that
Aquinas wrapped around his neck.
Sunday, April 13, 2014
doctor pangloss writes for the london review of books
It must have seemed natural to the editors of the London
Review to ask Thomas Nagel, the author of The View from Nowhere, to review R.
Jay Wallace’s The View from Here. The subtitle of Wallace’s book is On
affirmation, attachment and the limits of regret, and from the account that
Nagel gives of the book, it seems to be a book that does justice to its themes,
which are at the intersection of philosophy and literature. It is a meaty
subject, this of taking up the moral peculiarity of the line of fate of
individuals and nations, and the way these lines are a mixture of the good and
the atrocious. Wallace seems to think that it isn’t as though the atrocity
could be subtracted from the good, but that they are dialectically interlocked.
I happen to share that view. I was raised by white parents in the suburbs in
the South in the 60s, when apartheid was beginning to crack, and I have
long realized that these facts in the
background – both the apartheid that made enormous room for white people like
my folks in the post-war years and the crumbling of apartheid that allowed
Northern businesses to move into the south as it became a more normal part of
the country – benefited me. So if I retrospectively affirm my life, I am
confronted with the problem of what to do about these things, which I don’t
want to affirm. Do I opt for
self-condemnation, or do I apologize for Jim Crow?
In a sense (not to be too grand about it), this is the kind
of problem faced by Leibniz’s God. On the one hand, his perfection requires
that he affirm himself perfectly, but on the other hand, the creation is full
of atrocities, and the devil is abroad. To understand how to bridge this moral
conundrum, Leibniz revamped the metaphysical discourse on possibility that had
been built by the ancients and the medievals. He thought, in other word, that
the greatest possible good was built into every appearance of evil, the
paradigm case being, of course, the exercise of free will.
For this, he was satirized by Voltaire, who began his career
on the side of a certain enlightenment view that claimed that atrocity and
virtue could be radically separated, given the right social machinery, and who
endit it deciding that, as nature itself was indifferent to human values and
civilization was generally systematized brutality, interspersed with a few
minuets, virtue, as a social thing, was a sham. In other words, the movement
was between believing that we could build a world in which we regret nothing to
believing that we could only build, if we were fortunate, tiny nests in which
regret was held at bay – otherwise, history was a wash.
It is a little astonishing to me that Nagel’s review of
Wallace’s book is written in the spirit of Dr. Pangloss, the character in
Candide forever associated with the phrase ‘all is for the best in the best of
all possible worlds.’ It is important not to take this phrase too bluntly – it is
not, even for Pangloss, true that all is the best, but merely that all serves
the best, all is for it. Voltaire’s
satire did not wholly miss Leibniz’s point. To think that all is the best is to
turn Pangloss into Babbit, the American booster. Nagel’s review alternates
between Pangloss and Babbitry. He refuses to enter into the ‘view from regret’,
treating it as an inducement to suicide rather than to reflection. In the
spirit of the analytic philosopher, he treats dialectic as an undergraduate
logical mistake. And so the interlocked nature of good and atrocity is
something he doesn’t even attempt to refute.
Thus, when Wallace writes that his own place of work, the
University of California at Berkeley, has benefited (and been complicit in)
atrocity, asking whether, in reflecting about his own life, he should regret
the existence of the institution, Nagel contradicts him in tones that
remind me of the owner of a used carlot bawling
at a new hire has conceded some fault to
a potential buyer:
“Wallace teaches at Berkely, a public institution that makes
enormous contributions to knowledge, both theoretical and practical, which
benefit not only its members but the society of which it is a part and the
world as a whole. To doubt that such institutions would exist in a just world
seems to me pathologically pessimistic.”
The babbitry here was, to me, startling. “Society” and “world”
are used as though these were not deeply divided entities, but wholes perfectly
represented by the successful. It would have interested me what Nagel would
have said if Wallace worked at, say, Duke. Would he celebrate Duke medical
schools advances in the treatment of cancer, while explaining that this more
than makes up for the cancers that were caused by the tobacco fortune upon which
the school was founded? Sans doute. If I were to classify Nagel’s response to
Wallace, it would be to call it a case of pathological optimism typical of the
winners in the neo-liberal world.
Regret, I’d argue, is a politically charged mood, as well as
an existential one.
I haven’t resolved the political consequences of the view
from regret myself, and doubt I ever will, but I do see regret as an
irreplaceable tool to understand how we got to where we are – how our histories
unfolded. Without regret, history is dumb.
Saturday, April 12, 2014
the decline of big rock candy mountain
I grew up in a folksinging family. Consequently, my idea of
the hobo was very romantic – he was an IWW angel. Big Rock Candy Mountain
sounded like a lot more pleasant utopia than the Dictatorship of the
Proletariat – and it still does. In folk songs, he was always a canny step
ahead of the bulls, all in order to be free.
However, I’ve noticed something about hobos in the last
decade or so: there’s been a political sea change. When you see a bum with a
political sign, it is invariably Limbaughdian. I saw, for instance, a man with
a white beard a couple of hours ago, with two signs, one the usually begging
one (“Help me I’m hungry” or something like that) and the other one, on poster
board, a long denunciation of Obama for bringing Naziism to the United States.
Santa Monica is, I think, progressive territory, or it once was, which is why
the city council is still fairly liberal about letting street people be. I’d be
surprised if Obama didn’t rule here during the last elections. Thus, the sign
was not a means of sucking up to a potential audience – and besides, the
handwriting was too angry for that explanation to float.
He reminded me of a beggar I used to run into in Tarrytown
in Austin – another Democratic Party stronghold – whose signs routinely
denounced Democrats for being traitors, simps, underminers of our ways, etc.
Now, there is a myth among liberal academics that the
uneducated white guy is a strong supporter of the worst Republicans – but in
fact, stats show, pretty consistently, that the more educated you are, the more
likely you will vote Republican. Here, simple economic interest seems to
explain the pattern. College graduates, with their higher salaries, are more
inclined to vote for the party that will keep their taxes down. Of course,
there are exceptions in this group, and the Third Party Dems have seen in the
social liberalism of this group an ace way of stealing a march on the GOP –
adopt GOP economic policies and combine them with social liberalism. But that
strategy acknowledges the lifestyle interest of the desired constituency.
In the case of the hobo block (and it is probably not a
block that goes to the polls), it is hard to see the cultural or economic
interest in denouncing the party representing the “handout”. After all, the man
with the beard and my friend from Tarrytown are directly demanding a handout!
One would think the more handouts the better. This was, in fact, Norman Mailer’s
strategy when he ran for Mayor of New York – he actually recruited angry
homeless people because these were the people he wanted to appeal to. Norman
Mailer was one of a kind.
But that was a long time ago, when the Big Rock Candy
Mountain still distantly glimmered. It saddens me that it seems to have gone
into permanent decline. The man with the white beard is surely old enough to
have been a “child of God/walking along the road” of Joanie’s song – but somewhere
along the journey, he absorbed the politics of Ronald Reagan. It is as though the anti-state views of the
old IWW – in which the state and corporation were identified as one monster –
have been transformed into simple anti-state views, in which the state is bad
cause it keeps down the hardworking billionaire.
This makes me think that American politics are even more
hopeless than I already think them. Wow.
Wednesday, April 09, 2014
a guess at the riddle
I ponder sometimes the fact that Adam, this complex being whose proto-language is so sweet to my ear, whose tricks I laugh at, whose humors I deal with, whose steps I marvel at, will forget all of this. We all emerge from amnesia - it is as if we awaken speaking, walking, eating properly and excreting privately, as though these were things we'd always done. Of course, we have stray memories of what went before, motes of dust in the mind's eye - an image of the shoestring we puzzled over, the feeling of crusty snow on the cheek, a confused vision of trailing down a dark hall. But these memories form no collective whole, no sense of our existence.
There are many theories about the human origin of belief in the gods; I wonder if anyone has traced the line between belief in an agent with supernatural powers and the natural history of our awakening with powers that we cannot account for?An awakening that leaves such a large mark on our subsequent life that it is too large to remember - large enough that we can only venerate it.
There are many theories about the human origin of belief in the gods; I wonder if anyone has traced the line between belief in an agent with supernatural powers and the natural history of our awakening with powers that we cannot account for?An awakening that leaves such a large mark on our subsequent life that it is too large to remember - large enough that we can only venerate it.
the Magic Mountain in Clarkston, Georgia
I’ve been reading the Magic Mountain for much longer than
the seven years it took Hans Castorp to climb it and climb down from it. Way
back in high school I even finished it – in the now discredited Lowe-Porter
translation. I picked it up because I read a high recommendation in a book by
the wonderful Will and Ariel Durant, blessed be their names. They were members
of the socialist humanism generation of American intellectuals, and their
middle brow guides to Western culture were and still are excellent things for
high school students, to be supplemented of course by the vast trove of lit and
art that we know now was produced by the oppressed – the Atlantic culture of
the African diaspora, women, gays, all those edged aside. Although I no longer
remember what the couple wrote about Mann, I do remember the experience of
reading it. I was sitting in a pew in the Clarkston Baptist church. No doubt it
was another Sunday of Reverend Vincent’s endless non-sequitor sermons – the man
lacked the charisma of an old piece of gun, so his revivalism had a tendency to
fall stillborn on our dead ears. I owe him, though – my first reviews were of
his sermons, which I would feistily attack coming home from church in the car with
Mom. Ah, the budding critic!
Although at the time I thought I was much more than a
budding thumbs up thumbs down man – I felt that I was Clarkston’s sole
modernist. In fact, the single person in the damn suburb who knew what the word
meant!
Under the Durants tutelage, then, I cracked the book. What I
remember is feeling that there was something about the book that made me feel
sickly. Then I went on with my reading list, and as the years passed, I learned
to look down on T.M. I learned he was hooffooted, pendantic, full of hot air,
pseudo-profound. That in fact he was an anti-modernist. I don’t exactly
remember how I received this news, but I do know that Nabokov, for instance,
always had it in for Mann. And in college I thought Nabokov should know, since
he could do anything with prose. Now I have a different view of Nabokov – that his
problem with Mann, or Balzac, or Dostoevsky, arose from the fact that Nabokov
made up a canon for himself and became its prisoner. In this way, he operated,
much like his social realist or psychoanalytic enemies, to squeeze the juice
and joy out of literature. In his best works, I think, Nabokov knows this –
hence his paragons of good taste, his King of Zembla, his Humbert Humbert, are
criminals – in a sense, driven to crime by the same discriminating instinct
that they have cultivated in their souls until it hypertrophied and took over
the plant. One knows, for instance, in
Lolita, that when H.H. enters the Haze household and spots the “banal darling
of the arty middle class, van Gogh’s Arlesienne”, he is not only showing his
lethal sophistication but, in general, his lethality – his lack of perspective
on his superiorities, such as they are. The radical lack of kindness, without
which good taste becomes a very cruel game.
To return to my own banal arty middle classness – for a
while I swallowed this idea of Mann. There’s an essay by Michael Wood whichelegantly pinpoints the moment Mann fell from grace to become a modernistembarrassment. To understand this, understand that Harry Levin, in the 40s and50s, was an influential apostle of modernism in academia. He used to teach acourse at Harvard entitled Proust, Joyce and Mann. Then, in 1949, Mann’s DoctorFaustus was published. Levin gave it a very hostile review. I think that wasthe year that Time magazine put Mann on its cover, which is like the apotheosisof middle class artiness. And shortly thereafter, Levin renamed his class:Proust, Joyce, and Kafka.
Well, for myself, I am still a Clarkston modernist. I’ve
gone as far away from that little suburban burg (and it has gone away from the
burg I knew in highschool, becoming one of the centers of the Bosnian refugee
influx in America, and now hosting a good number of Somalis, too). But I still kick around in the precinct of
the ideas I had and the artists I admired then. Age has made me think of myself
less as a Joycean exile and more as a sample of a certain history I don’t
understand. In short, a relic puzzled by his own relicness. In that respect, I
am in a Hans Castorp condition – which, pace Levin, is what modernism was all
about.
Monday, April 07, 2014
some liberal reforms on the inequality front
The annual thumbsuckers inequality ball is going on in the
press. The right, of course, is all at the battlements, decrying envy. Greed is one of those virtuous sins for the
rich, while envy is one of the damned sins that shouldn’t enter the New
Jerusalem. Myself, I’ve always been a big fan of the evil eye. And I don’t even
have the liberal disdain for greed.
But I do have the liberal-left desire to finish the
incomplete task of the French revolution. Equality is up there with liberty on
the roster.
Instead of kicking around abstractions, however, I think we
should start kicking around ratios. How much more income and wealth than that
earned and accrued by the top 20 percentile of income is allowable under the
ideal of egalitarianism?
My sense is that if we take 250,000 dollars as our base (I
am of course speaking of the US), something like 10 times that is as far aw we
can go with inequality of income. Wealth is a trickier subject, but if we put a
cap on 25 million dollars per person, we
have a good inequality space to work with.
Expropriative taxes are a clumsy way to enforce equality. Of
course, the wealthy are always threatening to quit if they aren’t permitted to
make world class booty – but I take those to be the rational cries of the
hopelessly addicted. They should stop working, it would certainly benefit the
rest of us. But besides this, I think
heeding those plutocratic bellows has landed us in a truly nutty variant of
capitalism, with speculation ruling the roost.
This is why deeper and more radical reforms would aim at making the new
york stock exchange, or any exchange, look more like the real economy. For
instance, at the end of the year, the commerce department should tally up
assets and earnings and make sure that the market capitalization of the firm
equals the actual capitalization of the firm.
This would revolutionize Wall Street. Facebook would
immediately shrink to a much lesser company than, say, Caterpillar Tractor. And
so it should – being little more than an internet billboard company on which
companies post ads, it is too ridiculous that Facebook is one of the world’s
huge corporations. The rule of
speculation is intrinsic to the rule of the plutocrats. This is where rugs need
to be pulled.
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