Cynthia Ozick wrote a famous reckoning with T.S. Eliot – and his problem with the Jews – for the New Yorker in 1989. The beginning of the essay is marred by the “impression journalism”that identifies Ozick with the proto-cultural warriors, always on the lookout, then, for the decline in Western Civ. Ozick claims, without any references whatsoever, that Eliot is no longer taught in the colleges and the universities, and that he is only remembered for Prufrock. This, at the end of a decade in which the longest running musical on Broadway was called Cats. Ozick, like her soulmates on the conservative cultural magazine of that decade, the New Criterion, dispenses with providing evidence as though that, itself, were some persnickety politically correct trick. Thus, there is no grubby looking through actual college catalogues to prove her point, or looking at Anthologies to see if Eliot has so palpably dwindled. In this kind of journalism, impression quickly reduces to fact and
“I’m so bored. I hate my life.” - Britney Spears
Das Langweilige ist interessant geworden, weil das Interessante angefangen hat langweilig zu werden. – Thomas Mann
"Never for money/always for love" - The Talking Heads