Lytton Strachey’s essay on John Aubrey ends with a maxim about biographies that gains from coming from the pen of a man who wrote biographies small – Eminent Victorians – and large – Queen Victoria: “A biography should either be as long as Boswell’s or as short as Aubrey\s. The method of enormous and elaborate accetion which produced the Life of Johnson is excellent no doubt; but, failing that, let us have no half-measures; let us have the pure essentials – a vivid image, on a page or two, without explanations, transitions, commentaries or padding.” Aubrey’s Brief Lives are an instance of the death of the author as, really, the-death-of-the-author. They were jotted down and left in a pile at his death; they were meant for Aubrey’s own use, but, as well, as research material for that renowned Oxford asshole, Anthony a Wood. Wood, being the grumpy and supercilious man that he was, even managed to censor some of the book by removing forty pages of material – a disappearance that is still
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