Morning in Santa Monica. For a long time, now, I have been
walking Adam to school and then returning home to work, or to read. I’ve been
enclosed in a little capsule of winter routine. Today I decided to walk down to
the ocean. The beach was largely empty – meaning, really, that there were few
people there. I walked across the expanse of sand to where the bank over where
the ocean was lapping up on shore, then loped my way down the beach, heading
away from the pier, towards Malibu. I encountered birds, lots of seabirds. One
colony of very large pelicans, five of them, with those faces, elongated,
brightly colored, somehow reminiscent of an African mask, or of Picasso’s Demoiselles D’Avignon. Slightly
frightening, the length of beak. As I passed them I actually glanced back, as
if they might be following me.
I came upon a curlew. It was on the edge of the watermark
left by the ocean, which at this hour was rumpled by low tide. It had the nice
curved beak, not the sandpiper’s straight beak. I stopped. The curlew stopped.
I began to think about the curlew’s life. We are told that the beasts of the
air and those that creep upon the ground are driven primarily by sex and food.
There’s some validity to that p.o.v. – it is one in which we have simply the
species and the vehicle of the species, the contingent piece of it. However,
what the p.o.v. doesn’t indicate is all the down time in between. This curlew,
for instance, stopped perhaps because of me, perhaps because he just stopped.
He was evidently having as much of a down time moment as I was myself. First,
he waggled his tail, then he strutted a bit, then he stopped. He seemed to be
contemplating his bill. If he were a character in a Victorian novel, I would
say that he was contemplating his bill with enormous satisfaction. He also had his head cocked in a certain way,
so that he seemed to be listening to the ocean’s eternal laundering. Of course,
I am aware that my ocean and my sounds depend entirely on my sensory equipment,
which is at setting different from his. Birds, I have read, commonly hear
sounds at a higher frequency than humans. If that makes sense. And of course
the whole rods n cones arrangement of the eyes is different. The curlew was
seeing or processing different pictures than I was. Probably it wouldn’t be too
much of a stretch to take what we know about bird physiology and fashion some
Virtual Reality helmet so that we see and hear on the settings that they see
and hear. Yet I don’t think this would get us too near what the bird – what my
bird, the curlew – is like, to use
Nagel’s phrase. It would be like reading a bad and misleading translation of a
book from a foreign language.
The curlew, at rest, stood first on his two legs, then,
after a while, on one leg only. I didn’t catch it when he lifted up the other
leg. It happened in an instant. I must say that my concentration on the bird
was interupted by glances up the beach, and oceanward. I wondered again when we
were ever going to visit the Catalina Islands. I wondered about a few things
that I decided were distracting me from the beach, like the news. Fuck the
news.
Then the curlew was back in a two legged posture, and then
it strutted down to the watermark. It stood there and the ocean came up and
foamed around its talons. It was indifferent to the water. When the water
receded, it started hunting with its curved beak in the sand, and finding
things I couldn’t see. The vehicle was seized by the species urge. I bestirred
myself and made off in the direction of the pedestrian bridge that is right
after the repairs they are making to the entrance to the PCH at California
ave. When I got on the bridge, I saw two
men filming a man and a woman. The man, a lanky, older white guy, bald, but
with a fringe of somewhat ridiculous long hair, was doing a dance step in synch
with a lithe younger black woman. Two steps to one side, two steps to the other
side, throw your arms up. I could see the man was the worse dancer. I could
tell the dancer from the dance easy enough. I interrupted the session and
crossed over the bridge.
Those dancers, I thought. Species or vehicle, vehicle or
species.
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