Here’s a couple of sentences from Cioran’s Thinking against
Oneself: “Assaulted by the malediction attached to actions, the violent man
only forces his nature, only goes beyond himself, in order to return furious,
as an aggressor, trailed by his enterprises, which come to punish him for his
having instigated them. No work fails to
turn against its author: the poem will crush the poet, the system the
philosopher, the event the man of action.”
This is the voice of a moraliste. A moraliste is an expert
in generalizations that are rooted in his exacerbated sense of the world as a
place where he tests himself, and fails – taking each failure as a mark left by
the world on his hide, and worth studying for that reason. The ethicist, on the
other hand, is an expert in generalizations that are, ideally, not suppose to
make contact with his personality at all. From the ethicist’s point of view,
the moraliste is carelessly and unforgiveably unconcerned with the truth of his
generalizations, and is thus an untrustworthy and perverse guide to conduct.
For the moraliste, the ethicist derives truths from cases that are so thin and
so abstract, so lacking human meat and gusto, as to be caricatures. There is no
investigative surprise in such work: it has the quality of fables composed by a
bureaucracy.
The moraliste’s problem with the truth is that a too close
adherence to it – which presumes success in its pursuit and capture – creates mere
sententiousness; while a too intense sensitivity to the failure to discover the
truth leads to unending paradox. Both sentiousness and a too facile way with
paradox lead to tedium – primarily, in the life of the moraliste himself. Cioran,
who began his literary career as a partisan of fascism and an admirer of Hitler
and apparently changed his mind in 1940, when he managed to migrate from
Romania to France, was the violent man whose work turned against him. And in
the work he did after that repentence, the work for which he is known, the work
in French, the tension is always between the feeling that fascism gave him –
which he identified with youth and energy – and the feeling that the repentence
gave him – which he identified with old age and nihilism. Thus, his life and
work was an endless political cold turkey. The leveling impulse, as he saw it,
of the ethicist who dismisses exhilaration and elevates the rules, enraged him,
for that way lead to the crippling of high spirits and the impulses, generous
or horrible, of life; and at the same time he had visible proof that the only social
order he could really live in either had to cage hatred, violence, bigotry, and
hysteria or collapse.
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