I
finally read James Meek's article in the LRB. The article has a
terrible title, and begins with the least gripping lead in journalistic
history- but after this worrisome tedium, it begins to rip along nicely.
The account he gives of Free Market
capitalism in the power market, set loose by Thatcher's ideologues who
wanted to strip away the power of the state (at one point he quotes the
mastermind behind privatizing the production and selling of electricity
in England saying, about another government monopoly: what the post
office needs is an imaginative asset stripper) and ended up with a
national grid owned almost entirely by foreign companies, among which
figures France's ... state owned energy monopoly, EDF. Meek, smartly,
looks beyond the image of privatisation to see how the British version
became such a disaster for the customer. It turns out that the
Thatcherites were disgusted with the American way of privatizing energy.
In the U.S., the regulation of private energy providers turns around
limits on their profitability: Rate of return regulation meant that,in
effect, in the U.S., local monopolies on energy were tolerated. In
Britain, this was considered a horrible error, an intrusion of the state
on the wonderous workings of the market - the Brits developed
regulation based on prices. However, it turned out that this regulation
never actually returned the lower costs due to 'efficiencies' to the
customer. As the cost of electricity went down,, the profits went up,
and all that money went to shareholders and management. So much for the
justification that privatizing the power market would be good for the
end user. As usual, the end user was screwed. More interestingly,
competition in the British market led to vertical integration, as power
makers bought power distributers, and then to takeovers of the industry
by foreign companies - which, irony of ironies, then get bailed out by
the government when they run into trouble, since the electricity has to
keep flowing at all times. The image of Britain that comes through in
Meek's article is of a Gulliver that carefully weaves the lilliputian
web that imprisons it. Swift would have loved the utter ridiculousness
of the Thatcherites and their New Labour heirs: like Houyhnhnms, they
nasally, Oxbridgianly screw the country and reward themselves, or, if
they are true believers, make up incredibly silly stories about the
wonders of free trade and comparative advantage. The tory that came up
with the privatisation scheme, a man named Littlewood, is interviewed by
Meek, and he tells him (incredibly!) that takeover of the British
electricity market is a good thing, cause britain could then move
resources into where it had a competitive advantage, financial services.
Yep, those power plant engineers were just hungering to create
multi-tranche CDOs, and they finally got a chance to do so.
Although this point in history does seem troubling from many points of view, it does reliably provide farce on a grand scale.
Although this point in history does seem troubling from many points of view, it does reliably provide farce on a grand scale.
2 comments:
I like and generally agree with your political comments, but you've made a surprising amount of errors on the literary side.
Gulliver doesn't weave his own web that imprisons him on Lilliput. The Lilliputians do this while he is asleep, and Gulliver easily breaks the web when he wakes up. And these people are behaving more like Yahoos than Houyhnhnms.
Though someone with Swift's skills of satire is needed now (though if he lived today he probably would have been driven insane earlier), the more relevant parts of Gullivers' Travels in terms of describing "free market" enthusiasts are probably his descriptions of the Lilliputian court, and of the scientific academy in the less remembered but funnier third book.
Ed, that is the point of my article - instead of the way Swift tells the tale, it is as if Gulliver wove the web himself. That's the satirical point, y'see. I'm relying on you to know that Gulliver didn't weave the web. In other words, the original satire is squared.
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