If Douglas Sirk had worked in the Soviet Union, he would have made Slave of Love, the 1976 movie by Nikita Mikhalkov I saw last night. The movie depicts a film crew trying to make a melodrama starring the silent film star Olga Voznesenskaya in the South of Russia, on territory still held by the Whites. The camera man, Victor Pototsky, a handsome, Lermontovian dandy type with a car, obviously has a thing for the actress, who is publicly involved with her co-star on other films, a man named Maksakov. Maksakov is held up in Red Moscow, but expected to arrive momentarily – although he never does. During the course of the film we learn that the supposedly devil may care Pototsky is actually filming White atrocities. Well. There is a small scene in the film in which Olga and Victor go walking through a park. The two are wearing Great Gatsy-ish clothing, and the light is falling at the right angle for sundrenched love love love, and they have gotten to that point in the age old ritual when
“I’m so bored. I hate my life.” - Britney Spears
Das Langweilige ist interessant geworden, weil das Interessante angefangen hat langweilig zu werden. – Thomas Mann
"Never for money/always for love" - The Talking Heads