Friday, June 07, 2002

Remora

The Line, 2

In our last post, we made a few tentative jabs at thinking about the culture implications of a society in which the accumulation of wealth on the one side, and its absence on the other side, produces a gulf greater than that between, say, a Roman master and his slave. This is one of the great unthought ofs -- one of the unconscious features which plays its role in global culture. The promise of democracy is all hollowed out even as it is suavely announced by its spokesmen. For the Enlightenment ideal -- that one should be treated as an adult, and act like one -- depends on one being an adult human. The poor, though, are increasingly not. The suave spokesmen know it.

One of the things that should be noted about this wealth gulf, one of the reasons we are bringing up the tedious Roman reference, is that we'd like you to ponder the historical uniqueness of our status situation. Ours, our time's. Let's count it out: the Roman master could acquire other slaves, a greater amount of food, gorgeous clothing, and civil honor, and was in his way terrible. But in terms of levels of material existence, the master wasn't really going to find a better doctor, or dentist, or find more nutritious food, or even get a better education than the slave. The gulf between master and slave was in 500 a.d. as it was in Hegel's description in 1803 - they were both, in order to get the dialectic started, simply human beings. Hegel didn't talk about master and parakeet, master and deathwatch beetle.

Of course, this isn't true today. The Western dream of the lower species, that racist canard, was not, it turns out, a description, but rather a promise -- this was the vast project of the Western owners, the movers and shakers. if there really isn't an under-race, they would create an underclass. And over time, as the question of who was human became a question of who had the technology to be human, more and more of the poor simply don't have the price for that ticket, or the looks to get into that club. Since Limited Inc is one of this mass -- an ape on the planet of the apes that is being staged under your very windows, every day -- we can talk all about it. We aren't denied human rights anymore -- for human rights aren't really relevant to the non-human. We don't ride, for one thing, in cars. We don't go to dentists and have our toothaches cured. If we get AIDS, malaria, tb, or merely some cancer of a vital area, sleeping sickness, heart disease, the lot, and all our fault, drug or sex related no doubt, or due to living in some cancer gulch, living next to a refinery, living next to one of those old Monsanto chemical factories, living where they've put in all the highways so the humans can speed through the neighborhood, well, what do you expect? There is no cure. Whereas, of course, among human beings, the ardent discussions are about fertility drugs and viagra. The ardent discussions are about psychotherapy, the ardent discussions are about the safety of children. Are they attention deficit disorder children? Bring on the counselors, by all means.

There is a whole sphere not only of goods and services, but of ways of living, that are available to the masters and simply unimaginable to us apes. Of course, we vulgarly imagine it. Or rather, have it imagined for us by the humans. We have tvs -- well, LI doesn't, but that at least is a statement, not simply a factor in our ongoing immiseration -- and rent videos and there they are, the masters all adoringly imagined for us, and their childish antics, the things they blow up, the food they eat, the vehicles in which they chase each other around. This, we say, is what that species must do. Or must think they do. But for us apes, it is all a nature film, a wildlife film. They are different creatures, they move at different speeds, they eat different things, they die of different diseases, they experience their pains through different channels, and they experience their pleasures that way too.

Limited Inc is thinking about this a lot lately. We've just had a bout with the electric company -- owned and operated, supposedly, by the City of Austin -- in which the City of Austin won. Basically, they drained us of our cash. And we still don't have the money to remain in the desolate little efficiency to which we cling for another month. So we spent yesterday and today lamenting the move out to the street, which has gone from being a nightmare to being something we should plan on. We look at those weatherbeaten souls holding up the cardboard signs by the intersection of Lamar and 5th street reading, wer will mich horen, wenn ich schreie, unter dem Engeln Ordnungen, and we wonder about our own future. Although not exactly human, as LI's faithful reader know -- the ape has surely shown through, the rubbery features, the fur, the bulk, the inability to fit into shoes, pants, shirts -- we are still used to certain of the human comforts, and we contemplate their removal with dismay, and more than that, with a sort of animal panic, a paralyzing disarray. We live pretty much on a bushman's salary -- that is, on about six hundred dollars a month in US currency, supplemented by the money we beg, when the bills can no longer be put off, from friends and relatives. Every act of beggary is another descent into animality, so we have a very phased sense of what it means, we've swallowed the time release pill, the one that brings us to this level of poverty, and then to this further level, this murkier level. Descent, descent. And we know that, at forty four, this isn't going to go on forever. There are no jobs for our kind, for one thing; there's no honor in the poverty, for another thing; and neither love, which has long been forgotten, nor health awaits us in the future. The dark corner, another words, and, with our stiff little limbs in the air, being brushed into some dustpan like the cockroach in Kafka's Metamorphosis.

This is why we have been thinking about Uber die Linie, Ernst Junger's essay on nihilism. The essay takes its readings from Nietzsche and Dostoevsky, and makes the interesting suggestion that power, in the modern world, is promoted by something Juenger calls the nihilistic rumor -- the rumor that some force out there owns the future, from which one is excluded, and that resistance is futile. It's the No Future of the Sex Pistols, lived as the everyday experience of the apes.

Limited Inc, in other words, is talking about failure. We were moved recently by the New York article on a jazz singer, Susannah McCorkle, who jumped to her death last year from her sixteenth story apartment. But we did find it rather amusing that her death was immediately psychologized. She was, of course, depressed. The secret word -- failure -- never comes up in the article. But failure is a big external thing. It isn't generated as a mood -- it impresses itself upon one, day after day, as a state of affairs. This seeminly can't be admitted in a country that puts such stock in success -- it is as if the polar opposite doesn't exist; as if, magically, an opposition has been abolished. The piece begins with a description of a gathering of friends to honor the singer, then goes on in this graf to explain it all:


"If the gathering was upbeat, the months since McCorkle's suicide have been anything but for her friends, as the complexities of the singer's life and death have grown clearer and more painful. Hers was, in many ways, a quintessential New York story, in both its public triumphs and its private tragedy.Brainy, warm, and funny, McCorkle belonged to an exclusive coterie of American singers: She performed in the best rooms, recorded nineteen albums, and enjoyed more than two decades of acclaim from the jazz press as well as the devotion of fans around the world. But in the months before her death at 55 stunned them all, her record company, Concord, had decided to issue a compilation album instead of a new one, and the Algonquin Hotel had given her precious fall slot at the Oak Room, one of cabaret's most prestigious venues, to a younger singer. McCorkle also felt she was getting nowhere working on a memoir she'd been struggling with for years."

The article is written in the idiom that systematically disguises failure and its consequences. It is as if we were reading the account of the flailing of a woman drowning, and then were told that she the breathlessness she died of was all mental. The brain, not the lungs. I don't think so. But LI hastens to say that this is certainly not the author's fault. Rather, it is an inevitable consequence of the American idiom. That the ape can, one day, grow inside you is not something you tell your nearest and dearest. Far better the word, depression.

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