“I’m so bored. I hate my life.” - Britney Spears
Das Langweilige ist interessant geworden, weil das Interessante angefangen hat langweilig zu werden. – Thomas Mann
"Never for money/always for love" - The Talking Heads
Tuesday, April 23, 2013
Sunday, April 21, 2013
The Kantian baby
The Kantian baby – imagine that there is such a thing for a
moment – exemplifies corporeally the Critique of Pure Reason. Reason is, as
anyone who has hung around babies knows, the mouth, which anything can enter
that the baby can reach and pull. It obeys the purely formal law of its
size. If it were big enough, the baby
would put a car, a street, its parents, the house, or the sky in it. But it
isn’t that big, so the baby puts in, say, the tip of the tail of the cloth green cat,
or – if the parent isn’t wary – the circular wooden bead, or the rounded end of
the rectangular parental pinky. It is here that synthetic aprioris are born,
and they will proceed to dance like fairies around the baby’s cradle, in a
fusion of now and shape, lulling him to sleep. But as we have already
mentioned, the supreme bliss of reason depends on reaching and pulling. On, in
fact, picking – that supreme tool of understanding, analysis, which resides in
the hand. Picking and grasping – this is what the hand does (English, in its
genius, even makes grasping synonymous with understanding. Henry James’
characters may look like Edwardian adults, but they, like babies, are always
“grasping” mentally; it is a word that he loves, as though the hand’s warmth
were needed to fight through the verbal fog which his characters so often pull
over themselves). Admittedly, the picking is hesitant at first, and what the
eye and body seem to aim at – here’s the pacifier, here’s the squeaky toy – is
often not what the hand lands on. Instead, the hand frankly stutters there as
it is in the full force of its arc towards the object, and instead what do we
have? We have the edge of the blanket, we have a pen, we have the ear of the
green frog doll (or is it a frog? With that cat’s ear?). But gradually the hand
and the incredibly delicate fingers get better at the whole hand eye
coordination thing, and then we pick – we pick the little chain of links of the
earring or necklace, we pick and grasp and pull the handle of the coffee cup
(sending it on a fatal, romantic dive towards its one true love, the keyboard
of your computer). These are picked out of the continuum, grasped, pulled. Oh
insatiable fingers!
Of course, reason rules – the fingers pick in order to raise
the thing picked to the mouth, which opens in all innocence, naively,
hopefully. Reason is a dreamer. But as we
look back, we are amazed at all the picking we’ve done, our miner’s work
on the continuum. The continuum, however, is vast, our equipment is
disproportionate to the world it is set loose in, and in the end we have picked
up so few things, even metaphorically, that we will probably die longing, our
fingers wrapped about one more shape – a plastic tube, the fringe of a
polyester/cotton coverlet. Still, I admire that instinct for picking and grasping.
I honor it here, as much as I can, in these sentences.
Tuesday, April 16, 2013
cultural relativism and me
I think of myself as a cultural relativist, but I am
constantly irritated at my fellow culture relativists and the debate they wage
with their antipodes, the various kinds of moral absolutists. I have a list of
complaints, but I will hold back the full thesis, and content myself with
merely two of them.
1.
The wrong enemy. There has been a long and, to
my mind, futile hunt and peck debate between the relativists and the
absolutists concerning the universality of this or that custom or norm.
Relativists like to point to things like the fact that the pharaohs of Egypt
married their sisters, and absolutists like to point to the universality of the
incest taboo. This debate was waged to an extent in the ancient world, but in modernity,
it was the discovery of America, and the difference of the Americans, that
kickstarted it in the seventeenth century. Seventeenth century writers loved to
list the odd beliefs and customs they found among the Americans, and from these
lists sprang the science of anthropology. From these lists sprang, as well,
modern historiography, as the discovery of American difference led to a
re-reading of the classics, and the discovery that the ancients were not the
civilization that the European humanists took them to be. Lafitau, remarking
that the beliefs of the Iroquois reminded him of nothing so much as the beliefs
of the ancient Greeks, was on to something. That something was: European
civilization was, at its root, un-European. In fact, looking around at the vast
majority of the European population (which consisted of peasants) and the folk
beliefs that flourished in villages and courts, Voltaire joked that the
territory of the savages began twenty five miles from Paris. He was
exaggerating – savages inhabited the streets of Paris and the halls of
Versailles as well. It was not just the Nahuatl who believed men could change
into beasts – this was a belief solidly upheld in court in Rouen in the 1690s.
However, cultural relativism is not the
thesis that there is no universal norm. It is the thesis that there is no society
that upholds and follows an absolute norm. In fact, cultural relativism gets
its strength from the universality of normative structures. What the relativist
observes is that those structures are not coherent, but conditioned, hinged, in
a double bind one with the other. Characteristically, a norm binding on
individual members of a collective does not bind a collective itself, which may
well demand that the individual make an exception of every norm in the service
of the collective. On the blog, Crooked Timber, a few weeks ago, there was a
discussion of universal norms stemming from a post in which one of the Crooked
Timber writers proposed that no society condones torturing to death infants for
pleasure. This was a curiously conditional absolute – why was the “for pleasure”
included? Because of course the ruling class in collectives routinely demand
that the members of the collective go to war with other collectives, and in so
doing they demand that children be tortured to death – as they were in Hamburg
and Hiroshima, in Stalingrad and Falluja, for instance. The justification for
bombing and warfare is, however, serious – seriousness is the real legitimating
foundation of the collective’s norms. Here, of course, in modern liberal republics,
we run into a little logical problem, in as much as the collective is
supposedly ruled to the end of allowing people to pursue their happiness – and
it seems that a roundabout case could be made that babies are then tortured to
death for the pleasure of the collective. But there is no real need to make
that torturous case about torture – all
the relativist claims is that the structure of excuses, of the temporary
suspension of norms as a norm, is universal in all collectives. There are,
then, no morally homogenous collectives. All collectives have hinged norms, structures
that code other structures and, in effect, annul the absolute condemnations
that run through those structures.
2.
Judge not that ye be not judged. There is, in
liberal societies in which cultural relativism has flourished, a tendency to
say that the moral of cultural relativism is that you cannot judge other
cultures. This idea quickly leads to the idea that cultural relativists have to
accept Nazis, slaveholders, etc.
Once again, this confuses the cultural
relativist argument. In fact, the conflicting structures that the relativist
observes are all based on judgment. A collective holds to its identity by
judging, differentiating itself. The relativist does not conclude from this
that we need another absolute at another level, a trans-cultural one – for there
is nothing in that other level which would “solve” the problem of hinged
structures. Far from claiming that the individual can’t judge other individual
in other cultures, the relativist claims that the individual can’t help judging
other individuals in other cultures. A collective will use the idea of
absolutes to create exceptions for absolutes – this is how social logic differs
from logic.
Interestingly, absolutes are socially
overdetermined. The absolute can introduce a vital, unstructuring moment into
the collective. From Socrates to Rousseau, from Jesus to Mohammed, there arise
representatives of the popular perception that the permanent state of exception
claimed by the ruling class of the collective is wrong. These figures stage
their protest on behalf of the absolute, and thereby create a kind of
anti-social community – a sort of expropriation of the charisma of the powerful.
In this moment of protest, a dream emerges – the dream of a morally homogenous,
non-hierarchical community. This is one of the great prods to the softening and
humanizing of culture. As a relativist, paradoxically, I am all for these
instances of unstructuring, as long as they are not completely successful. For
the dream of the morally homogeneous community, when it isn’t futile, quickly
turns monstrous, as it purges those who threaten that homogeneity. Most of the
time, the unstructuring moment succeeds not by converting the collective, but
by weakening its inhumanity. The pacifist, the civil rights advocate, the seeker
after truth – I have tremendous respect
for these righteous figures, who have modified the horror of life. Relativism,
by contrast, has spawned only one doubtful prophet – Nietzsche. On the other
hand, the recherché de l’absolu, which has spawned thousands of prophets, has
spawned no wits – save Chesterton, who is an odd case. The wits largely fall
into the relativists camp.
Thursday, April 11, 2013
Liberaliness
Does nobody remember the election of 2010? The GOP did not run on cutting medicare - they ran on restoring the cuts Obama proposed. And running to the left of Obama, they smashed the dems, who had their hands tied behind them by the clueless prez.
With the new budger, O. has once again enacted the same strategy. As a political strategy, his idea seems to be that trading the votes of the Washington Post op ed crew (they will love the cuts to gross entitlements) for the votes of the majority of Americans (who hate the cuts to the entitlements they have earned over a generation of wage stagnation and peculation by Wall Street) is an excellent idea. It isn't that the Dem voters will vote for Republicans - they just wont vote. This is an easy dynamic to see. As a farcical sideshow, this disaster will be accompanied, in the comments sections of liberal blogs, with Dem operatives or Obama fans adopting strident and bullying tones towards those who find the strategy politically pathetic and economically noxious, to be followed by the same shills explaining the Dem losses of 2014 on "holier than thou" leftists and liberals. Such are the limits of politics in the era of the mock demoracy, as the plutocratic parties battle for the margins.
One cannot, then, see this from the point of view of seerious politics. There is no serious politics going on here - the viewpoint of the majority is going to be ignored by whoever they elect. So one has to view it as a form of entertainment, comedy on a low level. And of course the balony factory, aka the establishment press, will provide the stage directions for this farce in their own inimitable language, half high school cheerleader, half dimwit. Thus, the NYT today, in Jackie Calmes thumbsucker, presented us with this alice in wonderland analysis:
"The president’s views put him at the head of a small but growing faction of liberals and moderate Democrats who began arguing several years ago that unless the party agrees to changes in the entitlement benefit programs — which are growing unsustainably as baby boomers age and medical prices rise — the programs’ costs will overwhelm all other domestic spending to help the poor, the working class and children.
“The math on entitlements is just not sustainable,” said Senator Mark Warner of Virginia, one of the few Democrats to unequivocally endorse Mr. Obama’s budget. “And if you’re not finding ways to reform, where do you squeeze? Well, then you squeeze early-childhood programs, you squeeze Head Start, you squeeze education and veterans.”
Ah, the small but growing portion of liberals who think that unsustainable medical costs are best met by - throwinhg those costs back on the individual! Its a whole new kind of liberalism, a sort of truthiness liberalism, which simply uses a new language - for instance, it used to be that the justification for entitlements is that certain costs can't be sustained by the individual household, but now, through liberaliness, we simply and easily reverse that notion and hope nobody notices that we are speaking nonsense. The NYT, always looking for the cutting edge and always finding it a couple years after it has become the boring norm, is charmed by the fact that it is small but growing - which is usually what the doctor says before he recommends surgery. Alas, the surgery that will be performed will separate the small but growing plutocrat friendly party - defending entitlements by eviscerating them - from the large but powerless body that cannot find any defenders among a political class that has merged entirely with the gated community crowd. It is the politics of the tumor by the tumor and for the tumor.
I can't wait for the Media to find the new Dem version of Paul Ryan to represent this small but growing liberaliness faction: Obama's heir!
In one way, this doesn't come as a surprise: Obama did say, in his first debate with Romney, that he and the governor agreed completely on social security. But I was caught up in the small delusion that the election of more liberal Dems to the senate would stifle Obama's liberaliness. It didn't.
Wednesday, April 10, 2013
Obama's beliefs
I can't really criticize Obama for not sticking to his beliefs. After 2010, you would think that he would have changed his belief that cutting "entitlements" was a good political idea. The GOP ran to the left of Obama in that election, pointing to the cuts he was proposing to Medicaid to rally the troops. Well, Obama is doing it again, proposing a transparent cut in Social security at a time when social security should actually be raised quite a bit. So, we at least have evidence of a core belief, which Obama shared with freedom loving Thatcher and Reagan: government entitlements are the problem. I like how this comes on the heels of the inauguration speech where O. made heavy weather with inequality as a bad thing. He's apparently changed his mind, since his proposals will make it visibly worse. I actually thought the Dems had learned something in 2012, but they didnt. Instead, the same feckless turn to the right is going to be their theme in 2014. Giving the GOP an opportunity to rescue Social Security from the Dems. It is funny, this game of piggy in the middle played by the two plutocratic parties in the age of the mock democracy.
Saturday, April 06, 2013
critique in the age of whatever
I went to a groovy coffee shop the other day. Prayer flags.
A wall dedicated to poor children, smiling toothily (or not) in photos, serving
as an advertising prop to sell accessories in which the gimmick is assuring the
consumer that the merchandizer will shift some of the ready, or an inkind
equivalent, to the kids. Smiley clean moral people behind the counter. So there
I am, and suddenly I feel an advent of that futile senile anger that I am sure
I will spend years expressing. I become, in a word, more Walter Sobjackish – so after
ordering a latte and a drip, I point to a camera high on the wall behind the
cashier, under which there is a smiley face and the words, smile, you’re on
camera, and I ask her whether she felt the slogan was a way of making us feel
actually happy about losing our basic freedom not to be surveilled or watched.
These words came out of my mouth, I am sure, in good order, nary a messup in
syntax, but the woman’s face (she was probably nineteen) showed utter
incomprehension. Then her companion, of about the same age, decided it was just
that I didn’t understand the sign, and told me that it was like we could all
pretend to be movie stars. I however thought that this didn’t quite grapple
with my off the cuff critique, and so pointed out that it is by such delusions
that we lose our basic freedoms. And then, not wanting to be a total jerk (the
spirit of senile anger leaving my shoulder, I guess), I conceded that there was
nothing we could do about it, so what the hay. I got my latte and the drip, and
the woman then resolutely turned to the next customer, hoping that he, at
least, was not a jerk.
Sunday, March 31, 2013
Another note on Nostromo
Conrad was a logistics man before he was an author. Unlike
Melville, whose sea experience, as Charles Olson notes, was in an assembly line
– in as much as the whale was caught, cut up, and its oil extracted on board
ship – Conrad sailed with the middle men, the truckers and dealers. This
experience within a small node of the greater global market system made Conrad
sensitive to both the pre-capitalist mentality – which lent its aura of romance
to the seaman – that the dealer was constantly in contact with in the far
places of the earth, and one of the fundamental facts of capitalism – the dominance
of exchange. Everything turns into money in the system – everything is
fungible. In actual fact, pre-capitalist notions pervaded, and still pervade,
the system. When pure capitalism penetrates a certain a-capitalist level, the
level of more complicated exchanges, it undermines itself, for capitalism is
parasitic on the economies it supposedly supercedes.
The x marks the spot where the inhuman fungibility of the
capitalist ideal encounters the redoubt of the a-capitalist mentality is the treasure trove. Treasure
– whether it is the miser’s hoard or the pirate’s chest – was much on the mind
of Conrad’s colleagues in the later 19th century. In the contention
between Henry James and Stevenson over the art of the novel, treasure becomes –
I think not accidentally – the symbol of their difference:
Mr. James refers, with singular generosity of praise, to a
little book about a quest for hidden treasure; but he lets fall, by the way,
some rather startling words. In this book he misses what he calls the
“immense luxury” of being able to quarrel with his author. The luxury, to
most of us, is to lay by our judgment, to be submerged by the tale as by a
billow, and only to awake, and begin to distinguish and find fault, when the
piece is over and the volume laid aside. Still more remarkable is Mr.
James’s reason. He cannot criticise the author, as he goes, “because,” says
he, comparing it with another work, “I have been a child, but I have
never been on a quest for buried treasure.” Here is, indeed, a wilful
paradox; for if he has never been on a quest for buried treasure, it can be
demonstrated that he has never been a child. There never was a child
(unless Master James) but has hunted gold, and been a pirate, and a military
commander, and a bandit of the mountains; but has fought, and suffered
shipwreck and prison, and imbrued its little hands in gore, and gallantly
retrieved the lost battle, and triumphantly protected innocence and
beauty. Elsewhere in his essay Mr. James has protested with excellent
reason against too narrow a conception of experience; for the born artist, he
contends, the “faintest hints of life” are converted into revelations; and it
will be found true, I believe, in a majority of cases, that the artist writes
with more gusto and effect of those things which he has only wished to do, than
of those which he has done. Desire is a wonderful telescope, and Pisgah
the best observatory. Now, while it is true that neither Mr. James nor
the author of the work in question has ever, in the fleshly sense, gone
questing after gold, it is probable that both have ardently desired and fondly
imagined the details of such a life in youthful day-dreams; and the author,
counting upon that, and well aware (cunning and low-minded man!) that this
class of interest, having been frequently treated, finds a readily accessible
and beaten road to the sympathies of the reader, addressed himself throughout
to the building up and circumstantiation of this boyish dream. Character
to the boy is a sealed book; for him, a pirate is a beard, a pair of wide
trousers and a liberal complement of pistols. The author, for the sake of
circumstantiation and because he was himself more or less grown up, admitted
character, within certain limits, into his design; but only within certain
limits. Had the same puppets figured in a scheme of another sort, they
had been drawn to very different purpose; for in this elementary novel of
adventure, the characters need to be presented with but one class of
qualities—the warlike and formidable. So as they appear insidious in
deceit and fatal in the combat, they have served their end. Danger is the
matter with which this class of novel deals; fear, the passion with which it
idly trifles; and the characters are portrayed only so far as they realise the
sense of danger and provoke the sympathy of fear.”
In fact, James – Stevenson could have replied – certainly did
write about treasure. What else are the Spoils of Poynton? What are the Aspern
Papers? And what – to go into a later novel – is Adam Verver doing in The
Golden Bowl, if not treasure hunting?
The treasure has certain characteristics that signal its
archaic status, its connection to the economic world of the limited good – to use
George Foster’s term from his article, Peasant Society and the Image of the
Limited Good, which – without Foster knowing anything about George Bataille’s
work – gets a crucial dynamic in the closed world preceding capitalism. This is
the notion that wealth is, centrally, something taken from the common pile. It
is thus already an act of violence, best sealed by keeping quiet about it. The
hesitation that we still feel about “telling your business” derives from the
idea that your business is obscurely wrested from someone else’s – that, at the
very least, it steals from someone else’s luck. Nostromo is in a sense an x ray
of the clash of different fundamental economic notions. It is a clash that is
associated, by historic necessity, with colonization and decolonization. Like Kurz’s
horde of ivory, the horde of silver that lies at the center of the actions
around which the narrative takes shape is something wrenched out of the world
system, dialectically negating the very system that gives the material worth.
George Bernard Shaw, in The Perfect Wagnerite (1883), gives
another, Marxist interpretation of one of the great nineteenth century treasure
narratives: the Ring of the Nibelungen. He takes Wagner’s treatment of the
Nibelungen horde as a kind of Hegelian motif that organizes a gloss on the
history of modern Europe. It is the history of the rise of the Plutonic
kingdom. Too easily, Shaw adopts the idea of the natural economy, one of
primitive communism, which effaces the intricacies of the image of the limited
good, and thus the cursed sense of treasure, in the peasant economy. Balzac and
Marx could have told him better. But he does capture a second aspect of
treasure which is echoed, both rhetorically and thematically, in Nostromo – the
mysterious power of capital, viewed as a treasure, over human life:
Let me assume for a moment that you are a
young and good-looking woman. Try to imagine yourself in that character at
Klondyke five years ago. The place is teeming with gold. If you are content to
leave the gold alone, as the wise leave flowers without plucking them, enjoying
with perfect naivete its color and glitter and preciousness, no human being
will ever be the worse for your knowledge of it; and whilst you remain in that
frame of mind the golden age will endure.
Now suppose a man
comes along: a man who has no sense of the golden age, nor any power of living
in the present: a man with common desires, cupidities, ambitions, just like
most of the men you know. Suppose you reveal to that man the fact that if he
will only pluck this gold up, and turn it into money, millions of men, driven
by the invisible whip of hunger, will toil underground and overground night and
day to pile up more and more gold for him until he is master of the world! You
will find that the prospect will not tempt him so much as you might imagine,
because it involves some distasteful trouble to himself to start with, and
because there is something else within his reach involving no distasteful toil,
which he desires more passionately; and that is yourself. So long as he is
preoccupied with love of you, the gold, and all that it implies, will escape
him: the golden age will endure. Not until he forswears love will he stretch
out his hand to the gold, and found the Plutonic empire for himself. But the
choice between love and gold may not rest altogether with him. He may be an
ugly, ungracious, unamiable person, whose affections may seem merely ludicrous
and despicable to you. In that case, you may repulse him, and most bitterly
humiliate and disappoint him. What is left to him then but to curse the love he
can never win, and turn remorselessly to the gold? With that, he will make
short work of your golden age, and leave you lamenting its lost thoughtlessness
and sweetness.
In this sense, Nostromo as a character is
the negative image of Alberic, Wagner’s dwarf, who steals the Rhine gold from
the Rhine maidens. He is, instead, handsome, brave, and notoriously generous.
And yet he defies Shaw’s rather smug psychology. Once treasure is introduced
into the world, it is not merely the malformed, in a transvaluation of values,
who glom onto it and begin the process of inoculating society with the desire
for exchange in itself. Rather it is, at least in Nostromo’s case, the well
formed who, inadequately equipped with an outmoded code of honor, are captured
by the power of treasure, even as they
are forced into the shadow side of capitalism. Shaw’s interpretation of the Rhine
gold is, as far as it goes, revelatory; but it all too quickly dissolves the
difference between treasure, in the form of gold, and capital, in the form of
money. This transformation is fraught with more magic than Shaw can accommodate:
In due time the
gold of Klondyke will find its way to the great cities of the world. But the
old dilemma will keep continually reproducing itself. The man who will turn his
back on love, and upon all the fruitful it, and will set himself
single-heartedly to gather gold in an exultant dream of wielding its Plutonic
powers, will find the treasure yielding quickly to his touch. But few men will
make this sacrifice voluntarily. Not until the Plutonic power is so strongly
set up that the higher human impulses are suppressed as rebellious, and even
the mere appetites are denied, starved, and insulted when they cannot purchase
their satisfaction with gold, are the energetic spirits driven to build their
lives upon riches. How inevitable that course has become to us is plain enough
to those who have the power of understanding what they see as they look at the
plutocratic societies of our modern capitals.
Conrad was not satisfied with the
character of Nostromo. He was unhappy about the last two chapters, in which
Nostromo becomes more and more like Alberic. And one feels, in reading the
novel, that Nostromo is a creature who is explained into being before he exists
as a palpability. He is always too spurred, too … operatic. Conrad only hits
upon Nostromo as a solid existence to be explained, instead of an explanation
to be solidified, when, two thirds of the way through the book, Nostromo begins
to confront the Plutocratic society that Costaguana, as the Republic of
Occidente, has become – with himself
unconsciously aiding the process. He, in other words, experiences a
genuine raising of consciousness: he becomes conscious of class as an economic
fact.
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