I did get a smile this morning on the Kanye news front. Ah, those Kardashians! They are to scandal like Ray Kroc was to the hamburger. Kanye, admittedly, spoils it somewhat by having a talent. But as a crooner, he was never going to get flashed on US, People Inclose and numerous others. I've noticed, however, that the K's have peaked - I think probably it was Kim's butt pic, which made her the toast of the Miami-Basel art fair. However, by number of covers or even inset cover stories, I've noticed a really sharp fall in Kardashian stories. Kanye's Trump love might revive the spark for a moment. Maybe it is time for Kim to argue with him, in some swank restaurant, and then the separation, and then the divorce. Of course, they are being overshadowed by the Angelina Brad divorce, and we have to remember that their string is old. The shows canceled, Bruce's sex change is last year, and we have put in power a reality tv guy whose staff and cabinet are looking like an old Jerry Springer special (Neo Nazi bikers and their cheating wives!), I've grown fond of Kim - the other Ks are, lets be frank, pretty minor. On their own, the weight, the divorces, the fashion lines would all flop. Britney Spears, another crooner, was really complexed by the scandals she caused. They dug into her life and she was hurt. The remarkable thing about the Kardashians is that you can dig into their life as much as you like, but you'll find it is pretty numb - in fact, tv and life have merged here.
So, anyway, Kanye has done his bit. It is a reminder that the American carnival is still going strong. It has to be good for our Balance of Trade!
“I’m so bored. I hate my life.” - Britney Spears
Das Langweilige ist interessant geworden, weil das Interessante angefangen hat langweilig zu werden. – Thomas Mann
"Never for money/always for love" - The Talking Heads
Friday, November 18, 2016
Tuesday, November 15, 2016
rule by humiliation: whose next to lick Trump's asshole?
The press still doesn't have a clue about our Grand Wizard. Their normalization of Trump is par for the course: the media bends over backwards to power. The kind of court society that La Bruyere anatomized in Louis 14th's day is alive and well in D.C. But the press's impulse is to attribute everything to being right or left, to having a theory. Trump don't play that game. His game is: humiliation. The subgroup of Romney voters who voted for him have long sought this, above all things - to humiliate their opponents. The deal is, the thirst to humiliate your opponents, after a while, becomes a whole politics of humiliation. It isn't enough to humiliate your opponent, you crave humiliation in itself. Thus, whether Ryan gets through his plan to privatize medicare depends less on whether he can convince the Kluxxers about Trump of its benefits, than upon whether Ryan needs another dose of humiliation or not. Christie, for instance, has staked his political life upon Trump. Alas, Trump decided he needed to be humiliated. Without warning, hey presto, he's fired and Pence is put into place as head of the transition team. I wonder if Trump even bothered to call him. It isn't just the Dems, or the nation, that is now Trump's bitch. Its the GOP. There are stories of Huey Long's love of humiliating his allies, and of LBJ. Supposedly, LBJ liked to humiliate Bill Moyers, then his aide, by commanding hims to give a report to LBJ while LBJ sat on a toilet and unloaded his barbecue. Trump is, of course, dumber than shit. LBJ was smart, and concerned with politics, But if you can imagine Trump as calling in all of us, every American, to surround him while he takes a dump - you'd have an accurate image of how the next four years will go, And, due to the spending Trump seems apt to spring, we will at the same time have a boom, which GOP people will point to to say, the Grand Wizard was right! Bush engineered one via the same means. Suck out the credit of the masses, then bust em - that is the game that is going to be played at a faster tempo, especially since they don't have that many assets left. Meanwhile what happens at least on the GOP side will depend on who needs to be humiliated next. I don't see Ryan faring very well in this environment, unless he can make his act of licking Trump's asshole extremely convincing.
Friday, November 11, 2016
election thoughts - on the Clinton campaign
I just have to get this off my chest. I voted for Clinton,
and I believed the polls, so I’m shocked. It is worth while playing the tape
again so that we can see how we got here. In other words, how did Clinton lose?
The first reaction of the Dem fluffer league was that it
must be the evil Green Party. This excuse makes me want to cry. That is like
saying that it is all because of the Republican party. If only she ran
unopposed, this would never have happened! Guess what? As the Green party has
made abundantly clear over the years, it is a party and will go everywhere for
votes on election day. If the Clinton campaign people did not know this and
plan for it, then it is on the Clinton campaign people. The merest baby knew
it. You can deal with it by trying to pursuade people from that tiny party to
vote for you, or you can try to get your people in greater numbers to vote for
you. If you aim for the former, here’s some advice: don’t think you will get
anywhere by shaming. What didn’t work over the last four elections probably isn’t
going to work in this one.
I’ve been thinking, to move onto a more serious note, about
the fact that 55 percent of white women didn’t vote for Clinton – that is, who
voted.
That’s an interesting stat. If 55 percent of African
Americans had not voted for Obama, he would never have been president.
So why? What failed here?
I think one thing that failed was that the campaign idea to
feature Clinton as a model woman – a mother, a wife, a grandmother – carrying Susan
B. Anthony’s torch ignored the fact, was blind to the fact, that one thing
about Clinton’s life that we all know is that he husband is very publically unfaithful
to her. I can’t imagine anybody in the campaign wanted to confront her on this,
but if you are going to run on a personal story, you are going to drag into
that personnal story what people know about you. Perhaps in the 50s and 60s,
the stand by your man thing would have seemed heroic. In 2016, it just seems
weird. Why would a woman who stands for
feminism seemingly never retaliate, or
free herself? Perhaps even so the campaign could have worked if she hadn’t been
running against Trump. There was a Saturday night live skit where the Hillary
character shows hilarious steeliness about Trump bringing Bill’s ex “mistresses”
to the debate. It was funny, but it was funny puzzling. If we are “with her”,
what’s the deal with such public humiliation? What kind of her is this?
I am nobody to judge Hillary Clinton. We make all kinds of
decisions in our personal life. But you can’t have it both ways – you can’t put
up your personal life as a political advertisement and then be simply silent
about a very well known fact about it.
Even if this were not the case, Clinton certainly should
have torn a page out of Obama’s book and made some speech about what it means
to run as a woman. In Obama’s case, it was about the moral grounding of our
history and its direction – how white and black could meet finally as equals
and partners in a political struggle. It was brilliant. Clinton, foregrounding
gender, then sort of let it hang therre, as if it was a given that we all know
about. This was not not not good. It was perceived as arrogant, I’m sure, by
women who would otherwise have loved to hear about this. And men too. It might
have been corny, it might have been the kind of thing that would make my teeth
grind, but I think it definitely should have been done. If one of your
attractions as a candidate is your gender, you can’t just be all I’m with her, you
have to get down to brass tacks. It took Michelle Obama, way too late in the campaign,
to address this.
Then there was the odd, in retrospect, idea that the Dems
just didn’t have to worry about their base states. Huh? Given the poll numbers,
even at the time, it made no sense to concentrate so much on, like, North Carolina.
That was fruitless. Clinton didn’t need an overwhelming victory, she needed a
victory, and the states she needed she should have hit. Instead, Florida – from
what I’ve read about the get out the vote there – was haphazard, and
Pennsylvania was an afterthought. Michigan, which she lost to Sanders, was
really necessary, but the Clinton campaign seemed oblivious. All the shit about
Putin was of concern to a lot of D.C. journalists, but otherwise of no interest
to the country at large. But China and the trade deficit and the currency
manipulation – now these were areas to plunge into. I have a great fear that
the Clinton campaign was sotto voce about trade cause they plannned to do the TPP
once in office. I don’t understand that at all. Obama won those Midwest states
by taking apart Romney, and sometimes it seems like Clinton was runnig as
Romney, spending more time fundraising among the ultrarich than staying on the
trail. Just borrow the fucking money shoulda been the motto.
That leads to my final bit. All campaigns have a
narcissistic end – the campaign about the campaign. Usually this happens when
the whole thing is winding down. But I think the shambles of the DNC and the
Podesta organizations were much more focused on their own navels than on what
was happening. Every day that Clinton was not in the headlines, and Trump was,
was a bad day for Clinton. The strategy seemed to be – let him kill himself.
But by the time Trump was nominated, it was obvious this strategy didn’t work.
Instead, his domination of the headlines was becoming a sort of Fuehrer thing.
That’s why keeping the press at arm’s length was, frankly, insane. Clinton
might hate the press, but you gotta make a lotta noise if you are going to keep
viable.
In as much as Clinton was part of these decisions, she is to
blame. But really, she was paying a lot of money to campaign people whose job
was to lead her away from mistakes. Instead, they seemed to participate in
them. It was like they thought it was 1996.
It wasn’t. It’s 1984, alas.
Wednesday, November 09, 2016
non president hilary clinton and dialectical feminism
The analytic bug... Hmm, it tickles. Anyway, I'm going to give in and say something about sexism that may well reveal my own sexism. I define sexism, by the way, as acting against sexism, no noble feelings rot counts.
During this election, on twitter, I followed Rebecca Traister, a journalist I respect. And I saw in her threads, very often, make statements about what Clinton wasn't "allowed", or couldn't "get to do", because of sexism. For instance, today: "God I wish she were allowed to just cry like the rest of us."
Now this might seem like it is bashing sexism, being critical of the mass of sexism in the populace, etc. Traister could easily point to people threatening her, physically, using the word bitch or cunt, etc. So she is right, sexism exacts a price from every woman. But to my mind, under the surface, this kind of rhetoric just enables sexism. In fact, one of Clinton's problems as a politician is/ was that I think she hears a lot of this kind of talk. It made her shorten her punches, or not do things because the sexists out there wouldn't "allow" it.
But in fact the only way to blow the sexists out of there is to do precisely that. To show emotion, to cry or laugh, to not be "tough" - these may, or no, will evoke vile sexist comments. But there is no way that the vile sexist commenters are going to be appeased. Seventies feminists - dialectical feminists - saw the bind between criticizing sexism and practically reinforcing its dictums very well.
In fact, Clinton would not be a rich, famous and important woman if she was not always doing things that "aren't allowed". If she allowed her public persona to be governed by a strategy that cedes the right to self imaging to the sexist, she is not only not being "allowed", she is retreating. The scriptedness, the self-imaging along the most conservative lines, takes away the politicians best tool. Trump, an idiot in so many ways, knows people love self-fashioning - at least for a while.
I am hoping that the next woman to run for president is not surrounded by enablers of sexism. It is ruinous.
I think, in the end, this goes back to a patriarchal trope that Americans swallow whole: permanent strength. Strength and toughness are always good. Losers and whiners are always bad. We want our women "strong". As in a Hollywood action flick.
I think that's shorthand for fascism.When we are weak, we are "allowed" to be weak. In fact, often it is the appropriate response. The cult of toughness aborts one's feelings until the feelings abort themselves. Fuck that. Obama had his moments, and the one thing I really adored in him was that he was very low on the tough talk scale. He saw sometimes that the better move was to be weak. An unacceptable thought in hypermasculinized DC.
During this election, on twitter, I followed Rebecca Traister, a journalist I respect. And I saw in her threads, very often, make statements about what Clinton wasn't "allowed", or couldn't "get to do", because of sexism. For instance, today: "God I wish she were allowed to just cry like the rest of us."
Now this might seem like it is bashing sexism, being critical of the mass of sexism in the populace, etc. Traister could easily point to people threatening her, physically, using the word bitch or cunt, etc. So she is right, sexism exacts a price from every woman. But to my mind, under the surface, this kind of rhetoric just enables sexism. In fact, one of Clinton's problems as a politician is/ was that I think she hears a lot of this kind of talk. It made her shorten her punches, or not do things because the sexists out there wouldn't "allow" it.
But in fact the only way to blow the sexists out of there is to do precisely that. To show emotion, to cry or laugh, to not be "tough" - these may, or no, will evoke vile sexist comments. But there is no way that the vile sexist commenters are going to be appeased. Seventies feminists - dialectical feminists - saw the bind between criticizing sexism and practically reinforcing its dictums very well.
In fact, Clinton would not be a rich, famous and important woman if she was not always doing things that "aren't allowed". If she allowed her public persona to be governed by a strategy that cedes the right to self imaging to the sexist, she is not only not being "allowed", she is retreating. The scriptedness, the self-imaging along the most conservative lines, takes away the politicians best tool. Trump, an idiot in so many ways, knows people love self-fashioning - at least for a while.
I am hoping that the next woman to run for president is not surrounded by enablers of sexism. It is ruinous.
I think, in the end, this goes back to a patriarchal trope that Americans swallow whole: permanent strength. Strength and toughness are always good. Losers and whiners are always bad. We want our women "strong". As in a Hollywood action flick.
I think that's shorthand for fascism.When we are weak, we are "allowed" to be weak. In fact, often it is the appropriate response. The cult of toughness aborts one's feelings until the feelings abort themselves. Fuck that. Obama had his moments, and the one thing I really adored in him was that he was very low on the tough talk scale. He saw sometimes that the better move was to be weak. An unacceptable thought in hypermasculinized DC.
Monday, November 07, 2016
President Hillary Clinton and epistocracy in that order
I was so hoping the Trump sex tape would turn up by now. It is surely out there. Well, no sex tape. No joy!
Anyway, I am going to start calling her President Clinton, cause it is all over save the vote suppression - which is not going to save the KKK's favorite candidate. But more sadly, I suspect that the Dems are not going to get past 49 in the Senate.
Anyway, I am going to start calling her President Clinton, cause it is all over save the vote suppression - which is not going to save the KKK's favorite candidate. But more sadly, I suspect that the Dems are not going to get past 49 in the Senate.
So, turning aside to Caleb Crain's review of Jason Brennan's book, Against Democracy - it does sound like Jason Brennan is full of bad bad arguments. Crain ropes him in with Bryan Caplen, the libertarian economist from Koch, er George Mason University - Crain stints on the background and just calls him an "economist", although I'd bet cash money that if Bryan Caplen were a Marxist economist, that fact would be mentioned. As a former reviewer myself - hey, I've got at least four hundred reviews under my belt, so I am not talking about one piece on a list serv or something - I count points off. Reviewing is much like wrestling, in that the points are awarded for things that the spectators can't quite see. Anyway, I was surprised that the review of the Brennan book, which really, really sound irritating, said absolutely zip about the concentration of power that goes along with Brennan's technocratic wetdream. Whereas in the 70s, Foucault savaged the kind of disciplinary society propelled, in part, by institutionilzed expertise, in the nudgery 10s, we find it getting a lot of neo-lib love. The first move is to take at face value polls about content, which supposedly display the vast ignorant of the American boobs out there. Of course, no parallel polls are ever taken about the knowledge of such bright beacons as Brennan about the experience of working class folks out there. For instance, what number of black households are in the top one percent? And what number of whites? What is the colloquial name for the stretch between East Baton Rouge and New Orleans? etc., etc.
Stories about technocratic power in the US tend to be pretty dystopian. Crain doesn't seem to have any of them at his fingertips, meaning that he has a nice ignorance of American history, one usually repandu among the centrist-liberal reviewer crowd. It isn't as if democracy has not been kicked in the teeth in the American experience about a million times. Crain does even refer to the eugenics programs that the US used to be no. 1 in, until Nazi Germany, admiring our policies, took away the crown. For, after all, if people who are ignorant about who the VP is (and who know silly things like the fact that the concentration of carcinogens in the area around East Baton Rouge all along the east bank of the Mississippi has earned it the name Cancer Alley) shouldn't vote, but should trust experts - well, why should they be allowed to have children. Crain doesn't advance even gingerly into the topic, although the topic cries out for it. Points off, points off!
There's a weird American tendency to reduce history to one's personal experience.If I wasn't born in 1910, then I am supposed to know nothing of 1920 or 30. I suppose this tendency moves in tandem with the idea that novels are all about the author who wrote them. However, this is definitely a standard that the reviewer should shun. 'You had to be there' is the deathknell of the historical consciousness. I do wish Crain had seized the elevation of nudgery to "epistocracy" and given it a rougher, much rougher, shake, with examples from the entire history of so called democratic societies.
Oh well.
Stories about technocratic power in the US tend to be pretty dystopian. Crain doesn't seem to have any of them at his fingertips, meaning that he has a nice ignorance of American history, one usually repandu among the centrist-liberal reviewer crowd. It isn't as if democracy has not been kicked in the teeth in the American experience about a million times. Crain does even refer to the eugenics programs that the US used to be no. 1 in, until Nazi Germany, admiring our policies, took away the crown. For, after all, if people who are ignorant about who the VP is (and who know silly things like the fact that the concentration of carcinogens in the area around East Baton Rouge all along the east bank of the Mississippi has earned it the name Cancer Alley) shouldn't vote, but should trust experts - well, why should they be allowed to have children. Crain doesn't advance even gingerly into the topic, although the topic cries out for it. Points off, points off!
There's a weird American tendency to reduce history to one's personal experience.If I wasn't born in 1910, then I am supposed to know nothing of 1920 or 30. I suppose this tendency moves in tandem with the idea that novels are all about the author who wrote them. However, this is definitely a standard that the reviewer should shun. 'You had to be there' is the deathknell of the historical consciousness. I do wish Crain had seized the elevation of nudgery to "epistocracy" and given it a rougher, much rougher, shake, with examples from the entire history of so called democratic societies.
Oh well.
Sunday, October 30, 2016
On voting for Clinton and watching "Weiner", the documentary
I did two things yesterday. I mailed in my vote for Clinton.
And I watched Weiner, the documentary.
The latter was a mistake.
It – the whole it of it – reminded me of the one and only
time I watched COPS. Cops was obviously a lineal descendent of the lynching
postcard. Americans used to enjoy their lynchings, and liked nothing better
than photographing themselves stringing up, pouring hot tar over, or castrating
black men. If you have ever seen a “postcard
of the hanging” – to quote Dylan – you will notice the hectic, satisfied faces
of the spectators. Looking is an act.
Weiner plays with different spectorial pleasures, but it
also operates within the condition that the spectator is not at all implicated
by the scene. But the spectator is. Watching Weiner and his wife Huma Abadin
was painful – these people have grown up without any consciousness of the
complicity of the spectator. A
documentary is a picture document, watch it, is probably what went through their minds when,
for giggles, or thinking that this would cement their celebrity, they agreed to
this mess. Clinton should have let Abadin
go as soon as she heard about the project. But she didn’t. So here is Weiner,
coming from a valid premise – that we organize our lives around a set of
segregations, putting fantasy in this corner, and our ideas of tax policy in
this corner – and refusing with all his might to see that this set of segregations
is conditional. In fact, his campaign for mayor was a vast effort to project
onto the city at large his notion that the segregation of fantasy and reason is
absolute, and privileged. Abadin seems to believe the same thing, oddly enough.
And the filmmakers condition their film
on showing the breakdown of this belief without ever questioning their own
belief that they are just filming.
It is a swamp of bad faith – no, it is the great dismal
swamp of bad faith, the Offeefenokee of bad faith. The Everglades.
One and only one fact pertinent to our civil life comes out
of the film, which is that the Weiner couple had ample resources, enough at the
very least to allow each partner to BUY THEIR OWN FUCKING LAPTOP! Like, who shares a laptop? So why Weiner and
Abedin ended up using the same laptop, why Abedin’s emails end up mixed in with
Weiner’s sexting, is a mystery. I feel for Abedin, less because she married the
wrong man – these things happen – then because she has apparently given her
life to the Clintons. To be absorbed in the ego of an oligarchic couple is an
unbelievable waste of a life. Unfortunately,
in this case, one member of the couple is going to be President. Painful as if
is not to have your factotum at your heels at all hours, it is pretty obvious
that Abedin needs to be let go. I don’t believe Clinton is going to lose, not
to Trump, but definitely Abedin has sacrificed three percentage points in the
victory, which could be life or death for many downticket candidates.
At the moment, Clinton might have no choice but to keep
Abedin. But she needs to get rid of her, just as LBJ needed to get rid of Bobby
Baker. Politics aint beanbag.
Sunday, October 16, 2016
Engels and song culture: you don't need a weatherman to know which way the wind blows .
The recent incomprehension event - the puzzlement of some commenters that the Nobel prize could go to a songwriter, and the equally flatheaded defense of Dylan as a poet - made me want to dig up old posts I wrote about song culture. A culture that has been significantly underrated or ignored in the cultural history of modernism. In particular, there is this bit from Engels that I liked... but here's the post I wrote in 2008.
From the perspective of the nineteenth century worker, there is something mocking, something a little satanic about freedom, as it was presented in the establishment discourse. Freedom, of course, comes with contracts – but what contracts! On the one side, the employer was in the position of seemingly having no limit to the things he could require of the laborer. On the other side, the laborer was blamed for not adhering to every tittle and jot of the employer’s dictate. From the perspective of the intellectual, society was making a Faustian pact with technology and industry. From the perspective of the worker, it wasn’t Faustian at all, but reeked of sulfur in the old, old way: the devil required infinite pain in this life, on penalty of losing life altogether without him. In the Position of the Working Class, Engels indicts the order of life required of the laborer in the factory by giving examples of the rules he or she had to follow, under threat of fine or dismissal:
The notion that the owner has complete freedom to put anything in a contract he feels like putting in – that in fact, this is the alpha and omega of freedom, the unmediated power relationship between owner and worker - is still a powerful one in the U.S. Some states, notably Texas, have a fire at will clause that allows abusive leeway to the owners which is close to that allowed to the owners of serfs. As Engels notes about the lives of the working class – “these laborers are condemned, from their ninth year until their death, to live under the mental and corporal rod, they are more utterly slaves than Blacks in America, because they are more closely supervised – and then it is demanded, that they live like human beings, think like human beings, and feel like human beings!”
I am fascinated, myself, by the prohibition on singing – which I want to get back to, as I am interested in tracing a history of alienation in the evanescent fabric of song culture. One should point out that the Manchester factories represented, at the time, a classical liberal ideal – elsewhere, for instance in the U.S., custom weighed on the extent to which you could limit freedom on the laborer’s side by contract. Jack Beatty’s excellent but, for some reason, little noticed book on the Gilded Age last year, Age of Betrayal: The Triumph of Money in America, 1865-1900, is all about the triumph of the libertarian freedom of the owner, at the expense of the worker.
Beatty’s chapter of the Homestead strike is well worth reading for those who want to understand how slowly the attitude took hold that one’s place of work was not at all one’s own – that ownership was strictly limited by the contract one freely signed, thus conveniently carving out a domain of serfdom in the free society. This serfdom has now, of course, been so assimilated that we naturally segregate our work space from other spaces, and in fact obey the rules that now organize any public space – so much for the existential dimension of freedom. The contract still has this marvelous, magical property, operating to emancipate the contractor and enslave the contractee. There’s an interview with Beatty at the Atlantic site about the book. Beatty points to a turning point after the Civil War in which the Republican party converged with the business elite and turned its back on the ideal of ‘free labor’, in essence betraying its very reason for being:
Legends have grown up around the Homestead strike. John Commons, in 1918, wrote:
“In the Homestead strike, the labor movement faced for the first time a really modern manufacturing corporation with its practically boundless resources of war. The Amalgamated Association of Iran and Steel Workers in 1891 … was the strongest trade union in the entire history of the American labour movement.”
In 1892, the Carnegie Corporation, under the management of a well known opponent of Unions, H.C. Frick, decided to take on the Amalgamated Association by proposing a lowering of the wage for skilled labor in the steel mills and a new date for renewing contracts, January 1. The latter would make any future refusal of contract fall in the winter, when it would be harder to strike. The Union refused the terms – Frick sent a contingent of 300 Pinkerton men guarding a number of strikebreakers on barges down the Monongahela River. In response, the union barricaded the factory. Somebody fired a shot. A pitched battled ensued, in which the Pinkertons raked the crowd with rifle fire. Seven men died, but then the crowd returned fire until the Pinkertons had to go below deck. Certain of the guards lost heart, and the Pinkertons finally surrendered and were marched through a crowd that mauled them, and then sent back to Pittsburgh. Using the violence as an excuse and, of course, recognizing unlimited freedom of property only on the side of Carnegie, the state government sent in the militia, and to the Carnegie company sent in more Pinkertons. The strikebreakers gained access to the mills, and though the strike lasted until October, the power of the Union was broken.
This is what Carnegie’s latest biographer, David Nasaw, said, in 2006, in an interview with a Pittsburgh paper:
Beatty’s account of the strike draws upon the sociological study of the Pittsburgh area financed by the Russell Sage foundation in 1912. One of the sociologists, Margaret Frances Byington (about whom there is an astonishing paucity of information) wrote the book about Homestead. I’m going to quote from her in the next post.
From the perspective of the nineteenth century worker, there is something mocking, something a little satanic about freedom, as it was presented in the establishment discourse. Freedom, of course, comes with contracts – but what contracts! On the one side, the employer was in the position of seemingly having no limit to the things he could require of the laborer. On the other side, the laborer was blamed for not adhering to every tittle and jot of the employer’s dictate. From the perspective of the intellectual, society was making a Faustian pact with technology and industry. From the perspective of the worker, it wasn’t Faustian at all, but reeked of sulfur in the old, old way: the devil required infinite pain in this life, on penalty of losing life altogether without him. In the Position of the Working Class, Engels indicts the order of life required of the laborer in the factory by giving examples of the rules he or she had to follow, under threat of fine or dismissal:
“What a time the worker has of it, too, inside the factory! Here the employer is absolute law-giver; he makes regulations at will, changes and adds to his codex at pleasure, and even, if he inserts the craziest stuff, the courts say to the working-man:
"You were your own master, no one forced you to agree to such a contract if you did not wish to; but now, when you have freely entered into it, you must be bound by it."
And so the working-man only gets into the bargain the mockery of the Justice of the Peace who is a bourgeois himself, and of the law which is made by the bourgeoisie. Such decisions have been given often enough. In October, 1844, the operatives of Kennedy’s mill, in Manchester, struck. Kennedy prosecuted them on the strength of a regulation placarded in the mill, that at no time more than two operatives in one room may quit work at once. And the court decided in his favour, giving the working-men the explanation cited above. And such rules as these usually are! For instance: 1. The doors are closed ten minutes after work begins, and thereafter no one is admitted until the breakfast hour; whoever is absent during this time forfeits 3d. per loom. 2. Every power-loom weaver detected absenting himself at another time, while the machinery is in motion, forfeits for each hour and each loom, 3d. Every person who leaves the room during working- hours, without obtaining permission from the overlooker, forfeits 3d. 5. Weavers who fail to supply themselves with scissors forfeit, per day, 1d. 4. All broken shuttles, brushes, oil-cans, wheels, window-panes, etc., must be paid for by the weaver. 5. No weaver to stop work without giving a week’s notice. The manufacturer may dismiss any employee without notice for bad work or improper behaviour. 6. Every operative detected speaking to another, singing or whistling, will be fined 6d.; for leaving his place during working-hours, 6d.”
The notion that the owner has complete freedom to put anything in a contract he feels like putting in – that in fact, this is the alpha and omega of freedom, the unmediated power relationship between owner and worker - is still a powerful one in the U.S. Some states, notably Texas, have a fire at will clause that allows abusive leeway to the owners which is close to that allowed to the owners of serfs. As Engels notes about the lives of the working class – “these laborers are condemned, from their ninth year until their death, to live under the mental and corporal rod, they are more utterly slaves than Blacks in America, because they are more closely supervised – and then it is demanded, that they live like human beings, think like human beings, and feel like human beings!”
I am fascinated, myself, by the prohibition on singing – which I want to get back to, as I am interested in tracing a history of alienation in the evanescent fabric of song culture. One should point out that the Manchester factories represented, at the time, a classical liberal ideal – elsewhere, for instance in the U.S., custom weighed on the extent to which you could limit freedom on the laborer’s side by contract. Jack Beatty’s excellent but, for some reason, little noticed book on the Gilded Age last year, Age of Betrayal: The Triumph of Money in America, 1865-1900, is all about the triumph of the libertarian freedom of the owner, at the expense of the worker.
Beatty’s chapter of the Homestead strike is well worth reading for those who want to understand how slowly the attitude took hold that one’s place of work was not at all one’s own – that ownership was strictly limited by the contract one freely signed, thus conveniently carving out a domain of serfdom in the free society. This serfdom has now, of course, been so assimilated that we naturally segregate our work space from other spaces, and in fact obey the rules that now organize any public space – so much for the existential dimension of freedom. The contract still has this marvelous, magical property, operating to emancipate the contractor and enslave the contractee. There’s an interview with Beatty at the Atlantic site about the book. Beatty points to a turning point after the Civil War in which the Republican party converged with the business elite and turned its back on the ideal of ‘free labor’, in essence betraying its very reason for being:
“Even when Lincoln was advocating free labor, it was a nostalgic idea. As early as 1866, 60 percent of people worked for other people. Now, it’s 90-something percent. Then, of course, they worked in small units; it wasn’t the full-blown factory. But sure, Lincoln’s vision was at variance with the imperatives of the economy and with the necessities of the industrializing elites who came to power after the war. And then there was the railroad—and that changed everything….
…
Still, the free-labor ideal survives in farming as propaganda. Preserving the tiny number of "family farms" is a justification put forward by the farm lobby. The Homestead Act was put forth by the Republicans as a supposed cure for the class structure congealed by industrialism. The idea was that the eastern factory laborer would leave the factory behind for free land in the west. But that’s not the way it worked out. Why? Because the land was not free—$1,500 was the minimum needed to set up a farm as early as the 1840s. And that was three years pay for the skilled factory worker of 1900! Small farms weren't economically viable. So it wasn’t the factory laborer who went to the farm, but the factory itself. Women’s labor, child labor, seasonal labor—all the aspects of wage labor that the farm was supposed to cure became a part of farm life. That was a bitter social turn. There was no escape from industrial capitalism.”
Legends have grown up around the Homestead strike. John Commons, in 1918, wrote:
“In the Homestead strike, the labor movement faced for the first time a really modern manufacturing corporation with its practically boundless resources of war. The Amalgamated Association of Iran and Steel Workers in 1891 … was the strongest trade union in the entire history of the American labour movement.”
In 1892, the Carnegie Corporation, under the management of a well known opponent of Unions, H.C. Frick, decided to take on the Amalgamated Association by proposing a lowering of the wage for skilled labor in the steel mills and a new date for renewing contracts, January 1. The latter would make any future refusal of contract fall in the winter, when it would be harder to strike. The Union refused the terms – Frick sent a contingent of 300 Pinkerton men guarding a number of strikebreakers on barges down the Monongahela River. In response, the union barricaded the factory. Somebody fired a shot. A pitched battled ensued, in which the Pinkertons raked the crowd with rifle fire. Seven men died, but then the crowd returned fire until the Pinkertons had to go below deck. Certain of the guards lost heart, and the Pinkertons finally surrendered and were marched through a crowd that mauled them, and then sent back to Pittsburgh. Using the violence as an excuse and, of course, recognizing unlimited freedom of property only on the side of Carnegie, the state government sent in the militia, and to the Carnegie company sent in more Pinkertons. The strikebreakers gained access to the mills, and though the strike lasted until October, the power of the Union was broken.
This is what Carnegie’s latest biographer, David Nasaw, said, in 2006, in an interview with a Pittsburgh paper:
Q: Now that the mills are gone, do you think Carnegie has a lasting local influence other than the libraries and museums?
A: I did not get into a cab or have a conversation at a hotel when I didn't get a response -- a lively response -- after telling people why I was in town. Everybody had a story about Carnegie, and very few stories put him in a good light. He moved to New York in the 1870s and died in 1919. But his presence still seems to haunt the city.
Is that because of the famous 1892 Homestead Strike? Carnegie blamed that on his business partner, H.C. Frick.
Well, reading the local papers on microfilm, I discovered that while the rest of the world might have been surprised by Homestead, Pittsburghers weren't. This wasn't the first time he'd brought in the Pinkertons -- he'd done the same damn thing at [Braddock's] Edgar Thomson works. Homestead followed a script he'd already written.
Still, Carnegie had written articles about respecting the working man. And previously, he'd been way out in front negotiating with unions. So workers weren't just angry when he brought in the Pinkertons: They felt betrayed.”
Beatty’s account of the strike draws upon the sociological study of the Pittsburgh area financed by the Russell Sage foundation in 1912. One of the sociologists, Margaret Frances Byington (about whom there is an astonishing paucity of information) wrote the book about Homestead. I’m going to quote from her in the next post.
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