That paper based ideology. On the thesis: Songs aren't poems or music.

It is interesting to me that so many writers who hate Dylan winning are talking about paper. The whole dispute about songs and poetry comes down, really, to the material substrate. But the idea that a song lyric written down doesn't work as poetry surely works two ways. I've heard a fair number of writers read their works, and rarely - in my experience, never - do the words work coming out of their mouths. Joyce who wanted in some ways to be a singer is great partly because the words work outside the paper. A song isn't a poem. The difference of the substrate is a real difference. You can sing certain poems, but in the singing, they become songs. That is only confusing if you ... well, if you have never read Grammatology, I'm tempted to say. Or if you have an idea that literature is defined by its material substrate. Now of course those writers who are so ardent about the paper test will protest that no, reading is somehow deeper, by which is meant that the paper substrate interfaces with the non-material mind substrate. Humanism is, when all is said and done, white magic. Myself, I think that this is bad metaphysics and a misunderstanding of the possibilities of literature. The art song has been around a long time: Brecht learned if from Karl Valentin in Munich cabarets. In France, it was Berenger under Louis Philippe - who Baudelaire hated - who mixed politics and song. Baudelaire, incidentally, is a key figure here, both pro and contra the fetish of paper.

 I sorta like the way Dylan's voice paved the way for the do it yourself era of voice. Again, though, this is nothing new - the popular song in 1830s France, or the voices in the Threepenny opera, were that same kinda raucous. Ca ira I guess is the mother of the raw song. I think that the distinction of song as a type of thing that is not poetry and not music is probably rooted in the raw voiced song. I wonder what Robert Burns sounded like? He was a great supporter of chopping the heads off kings. Was there a connection between the Jacobin sympathies (that his victorian fans bowdlerized) and the rawness of the sound he must have heard - since French revolutionary songs definitely penetrated the British isles? This interests me professionally, as a writer. I read the chapters of my novel to Antonia, or she reads them to me, because I am really interested in the sound, the sounds. I'm after sounds that I have heard in the street, in bars and restaurants and offices. Many of them I can write down, but I can't do myself. They won't come out of my mouth. This is the undervalued part of writing prose. The idea that you can simply read your stuff seems to point to this neglect rather than otherwise. Really you would have to bring a troupe with you. 

Congrats Bob! Dylan's Dunciad

I am going to succumb to my temptation to make a lit crit point. Although I don't think Bob Dylan was reading Alexander Pope during what I consider to be his richest period - 1964-1968 - he was producing what I think of as an American dunciad. Instead of Fleet street, the mockery was aimed at the circle that was located between Andy Warhol's The Factory and Greenwich village. Alexander Pope was a master at catching a certain English conversational tone - something nosepent, with its fraudulent assumption of cultural supremecy - and collaging it into the most classical of English meters. He even makes it an object of one of his great lines, from Essay on Criticism: “A needless Alexandrine ends the song, / That, like a wounded snake, drags its slow length along.” Dylan of course exists in a different environment, one that mixed the inheritors of the romantics - with their creed that all arts ideally merge in music - with the reality of pop and advertising, where all language becomes a caption to sell a product. When in Like a rolling stone the princess on the steeple says, finally, to the "mystery tramp" - do you want to make a deal. These songs are, on the surface, close to Warhol's product pieces - Brillo pads or Campbell soup - but they are supercharged with affect, instead of being cool and .affectless. It is just hard to make out what the affect is about - unlike Pope, Dylan doesn't have any vision of a classical order. He does, or at least Greil says he does, have a vision of a weird order - the order he finds all over the American songbook. The weird order transmutes all deals into moments of dread, I suppose you could say, since what is dealt comes down to who you are. The art of the deal eats the dealer. Or, as Hugh Kenner puts it in the counterfeiters, writing about Pope's rewriting the Dunciad as if a dunce had written it: "“’The Mighty Mother, and her Son who brings
The Smithfield Muses to the ear of Kings
I sing’
The bard stumbles into his kettledrums and falls headlong. A hideous cacaphony (brings – Kings – sings); a failure to assess the compatability of end-stopped lines with a system based on caesura; an insufficient breath, which terminates the opening period in mid-gesture: these Pope has imitated with the care a Lichtenstein bestows on comic book panels, or a Warhol on soup labels.”

Dylan got this not only from the american songbook, but, evidently, from Eliot. The wasteland is the easiest modernist masterpiece to read because Eliot, too, has a certain devastating talent for interrupting the elegy form with the banal conversational tag. It was what Berryman was doing in the sixties, too. If you have a taste for it, as I do, it is what you crave in poetry and in song. It is the hardest thing to do in the world, although it looks like the easiest.

who's the rapist now? Donald, Bill and the Press

I've been thinking about the press and their disservice to the public this election year. Specifically, the odd torpor they showed in investigating or even being interested in Trump's pathological love iife. Many people have told me that Trump's Access Hollywood remarks are only one in a series of racist and sexist remarks, and are nothing special. For liberals, I think this is definitely true. But the republican party, and America, has long had a large population of conservatives who claim, at least, to find the character of their leaders as important as their policies. This constituency is served when the issue has to do with Democrats. From Gary Hart to Bill Clinton, the press was interested and investigative when it came to their sex lives. But when it came to Trump, until he was already a candidate and it was already October, they''ve been inert, disinterested, lazy and hopeless. For them, Trump speaking out against St. McCain was sin enough. But it would be too "low" to investigate, say, Trump and the Playboy culture.
Interesting this word "low". Cause what is low, what is tabloid, comes down to revealing things having to do with women. In the male world of politics, and make no mistake, this is patriarchy armed, a politicians "private life" is sacrosant - until it isn't. And even then it is considered low.
That's bullshit, of course. Politics infuses our sexual relationships. Especially if those relationships are combined with the power of money or position.
On the other side of this is another liberal maxim: Bill Clinton's private life has nothing to do with this election. It is simply sexism, making Hilary Clinton an appendage of her male partner.
Trumpites have a point that this is a way of getting over a problem. Do a thought experiment. What if Hilary Clinton was married to Donald Trump? Would one, as a liberal, think this was just not our business? Would we just be happy to see Donald Trump as the first man? I'd say this is bullshit. Bill Clinton ran very much on the platform that his wife would be an important part of his administration. In fact, she did admirable things then. She spoke out about feminism and human rights, she opposed the appalling bankruptcy bill, and she put her input into healthcare issues.
So, I think a voter has every right to consider Bill Clinton. Myself, Clinton's posse appalls me. I put that down as a definite negative. But I support HRC because there are more positives, as for instance her pledges about childcare, about the minimum wage, etc. I think she has been pushed to the left. I don't trust that she might turn to the right once she is in office, but I am hoping that the left is resurgent enough in the Dem party to give her no cover for that.
Everybody says this is the election from hell. And it is true, it is like being forcefed some awful combination of the Apprentice and the Aryan Nation power hour. But it is, to say the least, diagnostic.
Very.

living in the pre-Freudian age

I just finished the slyly debunking article about the “girl in the dark” in last week’s New Yorker. The girl in the dark is a woman named Lyndsey (or not – that is her pseudonym) who began to experience such violent bodily reactions to light  that she quit her job and made the house she shared with her husband into a blacked out den in order to survive.  

Ed Caesar, the author of the article, never comes out and says that he believes the condition is psychosomatic, but the article obviously tips that way. Lyndsey strongly objects to this interpretation. To her, this is a way of dismissing the condition, or blaming her for it, instead of finding out what it “really is.”

I was struck by how we have regressed to a pre-Freudian era in the terms that are set for illnesses and conditions.

There’s an obvious antinomy in the argument that psychosomatic conditions aren’t real.  The ground of that objection is based in a sort of common folk psychological positivism, a naïve materialism. The argument goes that an illness or something with sickness like symptoms is real if you can trace the cause back to some alien presence in the body – a virus, a bacteria – or some genetic or natal cause. Otherwise, the symptom or disease like condition is not real, in as much as its cause is some idea. It is, instead, feigned. However, how would feigning be possible if ideas in some sense had no effect on the physiological condition of the body? Once we grant that the effect can occur, we have granted another causal route for bodily conditions. We don’t really have to go too far afield in our folk interpretations of our actions to see the most commonplace instances of this. I have an idea that I want to run, so I run. Running causes my heart to beat faster and my breathing to quicken. Nobody would say that the heart beating faster and the breathing wasn’t real. One might say, however, that I was proximately responsible for this by my decision to run. We can change our example and make the responsibility charge (which, I should point out, is a term that is overdetermined – it is not just a way of talking about a cause, but a way of talking about the morality of an act) a little fuzzier. I’m afraid of heights. When, for instance, I went up with A. to have drinks on top of a swank L.A. hotel, recently, I experienced some slight physiological changes and a great deal of a sort of proprioceptive mental discomfort that I cannot trace back to a decision I made, as in the running case. Instead, the phobia has a subconscious status. I am aware of it, but I can’t turn it off and on in the way I can the decision to run. Even those peope who are resistant to the idea of a subconscious would probably try to pursuade me to treat it like running or other actions I turn off and on, implicitly acknowledging that it has another footing. In habit, say.

The point is, whether Lyndsey’s condition comes from chemicals or a virus or something unconscious,  it is in as much as she feels it real. A therapist might speak of Lyndsey’s unconscious decision to feel in a certain way, using the model of decision-making that would put the idea on the same plane as the decision to run, but this is a simplification and distortion of the unconscious idea. Eventually, Freud, needing “deciders”, came up with a topography of the self that included the ego, the id, and the superego. It is not clear, however, that decision actually describes the effect of an idea on the unconscious level.

The unconscious is back in style, scientifically, although neurologists try to make clear that they are not talking about the yucky Freudian unconscious, with all that sex going on. This unconscious is sexless and data driven. It has become obvious that we take in far more sense data than we can consciously process. It has to go somewhere. The popular model for this is the User illusion – taken from computers. Users downloading a file will look at the little graph showing the file being downloaded as if it is connected to the activity, instead of being a mere icon pointing to the activity going on, and thus unconnected to it in a real sense – in the same way that the blinking light warning you to get oil for your car is not the thing you pour the oil over when you get the oil.  The user illusion idea is that mostly we deal with icons in our consciousness  instead of the real processes going on in our unconscious.

This view of the unconscious dovetails with Freudian theory much more than the neurologists and pop scientists think. That is because most of them have never read Freud at all, but have read magazine articles about what a kook Freud was. Oh well.

The violent resistance to the suggestion that a symptom or condition can have its ultimate cause in the unconscious is another symptom of the flatheadedness of our time. On the other hand, the original Freudian therapeutic impulse, which was about understanding our unconscious idea and thus ‘curing’ the condition or syndrome, seems to have been way too optimistic. What changes the body necessarily operates through the bodies tools, and corporal tendencies can reinforce themselves in different ways once a condition is established. It is likely that if Lyndsey were really suffering from some psychosomatic condition, she would really need certain physical treatments. My point is that the rejection of the psychosomatic is something encouraged by the positivist trend in medical science that is ultimately therapeutically unsound. 

The unconscious – can’t live with it, can’t live without it. 

Jules Renard I

Jules Renard is one of the great untranslateables, everybody says. Although his Poil de Carotte is a classic French children’s book – or rather, classic book about children, more Huck Finn than Tom Sawyer – and though his posthumously published Journal is considered one of the great (although eccentric) books of the fin de la siecle, his  name resonates only with diehard francophiles among us speakers of that mongrel Normand dialect,  English, people like Julian Barnes, who wrote a great essay about him. Perhaps the Journal awaits a translator of genius, who might do for Renard what Barbara Wright did for Queneau – translate not just the letter but the spirit.  Like the difference between a freshly opened bottle of  champaign and that same bottle the next morning, the difference between the original ane the translation can be that the latter “goes flat.” Technically, the translation can get the glossary right without being able to capture the bubbles, the irrepressible spirits in the original. This is why poetry is so much harder to translate than prose – why Montaigne is part of English literature and Du Bellay is not.     

Renard’s Journal was published – in a version that was censored by his widow – in three fat tomes in the nineteen twenties. In the Pleiade edition, this adds up to a fat  thousand pages. The  book became quite faddish in the 30s. Nibbles from  it were translated by Louise Brogan in the 60s, and the reviews congratulated her for not heaving the whole whale  into English. But a greatest hits approach does the Journal an injustice. I think its equivalent is that strange thing,  essoa’s Book of Disquiet, with its mixture of autobiography and revery. Renard had a weakness for aphorism – he was a man of the theater, he liked lines – and he produces them next to things described, situations deciphered, self-analysis, and dialogues that were obviously caught on the wing. A writer’s workshop, in other words.  

 Here are two aphorisms.

“My past is three fourths of my present. I dream more than I live, and I dream backwards.”

“I don’t know if God exists. But it would be better for his reputation if he didn’t.”

The first one is close to Pessoa, the second to Nietzsche – at least the Nietzsche of Dawn.

One of the great readers of the Journal was Samuel Beckett. As his friends testify, Beckett would read them bits from the Journal. When, briefly, he taught French at Trinity in Dublin, he assigned Renard. According to all the Beckett biographers, he used Renard’s dry style of observation and noting of things said in getting beyond, or out of, Joyce-land.  The last entry in the Journal is pretty much the seed for Beckett’s triology. “Last night, I wanted to get up. Dead weight. A leg hung outside. Then a trickle runs down my leg. I allow it to reach my heel before I make up my mind. It will dry in the sheets, like when I was a redheaded boy.” That’s a pretty fine finis.

Beckettians have noticed Renard. But Beckett was not the only Renard reader – Sartre read him too, and had his say in a 1945 essay that ended up in Situations I: The Man who was all tied up. L’homme ligoté.  I have not found an English translation of this essay, even though it is Sartre’s most compact look at modernist literature. I am going to look at this next.  

the human geography of attention

The term allergy was invented in 1906. In Mark Jackson’s Allergy: history of a modern malady, it is noted that the man who invented the term, Clemens von Pirque recognized there was something counterintuitive in a disease that seemed to orginate in the immunity to disease. On the  other hand, in 1906, the wonders of the human immune system were not well known.

There was some resistance to this linguistic newcomer – I’m tempted to say that the term allergy was treated as an allergen. Jackson’s book is about how the disease – or condition – took off in the 20^th century.  That is, the prevalance rate for allergies climbed throughout the century. Other diseases – tuberculosis and polio – did not – they, famously, declined. And they declined not just because cures were found for them, but also because – at least in the case of tuberculosis – there was a concerted public health effort to alter the environments that favored tuberculosis. It is always worth remembering that the greatest medicine broadcast in the twentieth century was public sewers. Rene Dubos, in a famous study, showed that tuberculosis was declining precipitantly before the advent of drugs to treat it. He also made a strong case for the idea that tuberculosis skyrocket in the 19^th century due to the environmental changes brought about by industrialization. Or perhaps I should say: changes in human geography.  Similarly, it is rare tht one hears of someone dying of stomach cancer nowadays, even though, worldwide, it is the fifth most common cause of death by a malignancy. In the US, it used to be a bigger killer than lung cancer. Epidemiologists have shown that the decline can be directly linked – some say up to 50 percent - to the refrigerator. In those regions of the world where food is still preserved by using salt, stomach cancer is relatively common. Even in the refrigerated countries, incidence are climbing again, due to obesity.

It is interesting to compare the discovery and investigation of allergies as “industrial” conditions with the discovery of attention deficit disorder, or ADHD. Our attention landscape has not been mapped very well.  I like some attempts: for instance, Jonathan Crary’s excellent book about the attention crisis in the 19^th century, Suspensions of Perception. But there’s no systematic mapping of the changes wrought by, say, literacy. Literacy is often treated as an unmitigated good. How can anybody be against literacy? But the question is not whether literacy is good of bad, the question is whether the increase in literacy and the creation of human landscapes that incorporate literacy on a large scale has created a psychological neurological response among a certain portion of the population that feeds into ADHD. The landscape changes have been rapid and recent. A relatively short time ago – in 1900 – in the US, for instance, half the population was rural. In 1910, only 35 percent of 17 year olds were in high school – the majority of kids stopped their education at the 8^th grade level. Education and literacy are, among other things, experiments. It wouldn’t surprise me if an attention landscape that favored one form of perceptual interaction  would produce attention casualties when the landscape shifted. It would also, of course, privilege certain individuals that the previous attention landscape handicapped. To quote from Jackson’ book about allergies: “As Ludwik Fleck insisted in 1927, diseases should not be regarded as stable natural

entities but as ‘ideal fictitious pictures . . . round which both the individual and the variable morbid phenomena are grouped, without, however, ever corresponding completely to them’.

If the attention required by literacy is qualitatively different, so, too, is the attention required for driving a car. In fact, it would be interesting to me to see if attention micor-environments don’t conflict with each other. Is it possible that the attention required for going at 60 miles per hour, judging other cars, stopping, starting, the whole range of attention tasks required by the automobile, is in conflict with the attention required for looking at equations being put up on a blackboard and taking a written test?

gender and the three year old

 The the box that says “knows difference between boys and girls” , which figured in the sheet about Adam’s progress at school, has been checked for more than a year – along with “can wash hands” and “can draw line on paper unassisted”. But I did not realize that Adam, who is now two months from four, had become fully baptised in the world of gender until this morning, when he informed me that he couldn’t like Princess Leia because he was a boy.  He liked Luke Skywalker.

Of course, this was going to come. The river of time  that carries us onward, helpless strivers against the flow – I know about it, see it on my face every day. Noooovemberrr …. Deceeeeemmmmber. Sing it Frank! But  the decision that, as a boy, he can’t like Princess Leia,  is, nevertheless, a mark, a milestone of some kind, a bit of telling turbulence in the river’s flow.  

In the afterword that Ursula Le Guin wrote to Left Hand of Darkness in 1975 (Is Gender Necessary), she makes certain comments about gender that she radicalized in 1985 when she reprinted the essay. For instance, in 1975 she did not notice how hetero her story was – while in 1985 she criticizes herself for this. What strikes me from the first essay is that she talks of her book as a thought experiment: what would happen if you eliminate gender in the world?

As Le Guin recognizes in her essay, that elimination was not thorough. For instance, gender comes back in the pronoun “he” or “him” that dogs us in English when we want to refer to some ungendered previous noun – an actor, a worker, a person in a crowd, etc.  In 1985, Le Guin came out for substituting “they” and “them” for the he and him, pointing out that the masculine pronouns were introduced into English in the 16^th century, and that in the common tongue, they and them still live.

I wonder about the project. Why eliminate gender, after all? It seems that Le Guin’s first view is that gender is always a product of fundamentallly unequal social relations between men and women. Is it possible, however, that fundamentally equal social relations would simply produce another style of gender?

Having never lived in a society with fundamentaly equal social relations, I have no data to point to. Philosophically, however, I think that the social logic of gender need not be sexist. I would like Adam to consider whether he likes or doesn’t like Princess Leia on a different basis than that of being a boy. On the other hand, I want him to enjoy being a boy. I want him to like it. I think that not liking it does lead, all other things being equal, to the kind of resentments that flow into the collective sexist disposition, the poison swamp of a million comments sections.

I was reading a German novel a couple of days ago and the author made an excellent remark: our education, or at least our sentimental education, of children makes it the case that children learn, by the end of childhood, how to be a child. But it is the nature of the case that they cannot, at that point, learn how it is to be an adult. And just as adulthood starts, education stops.

This, I would say, is another way of pointing to the fundamental place of philosophy in education, which never stops. But that is my prejudice, eh?