“I’m so bored. I hate my life.” - Britney Spears
Das Langweilige ist interessant geworden, weil das Interessante angefangen hat langweilig zu werden. – Thomas Mann
"Never for money/always for love" - The Talking Heads
Saturday, February 24, 2007
I am finishing up a project that has powderized the marrow from my bones and snuffed it up its big fat nose. So, no big post today, no flapping of my dusty moth wings against the infamies of empire. No rousing and pointless charges at my usual tilts. Instead, go to this link, which is about something capitalism is getting right for a change: the google book project! I have a tragic and total love for the google book project. Gots to testify, here, friend, neighbors, mooks and gibberers! As a editor and researcher for hire, this project has certainly revolutionized my life and given me a stiff neck from hours of searching for hire. I haven’t used this blog to advertise myself, lately, or shill for buckos, but let’s just say LI is an early adapter, and well worth the pittance if you are in need of a research scout for that paper.
Friday, February 23, 2007
good news (again) in Iraq
As LI has said before, there is something curiously hollow about the Bush administration’s policy stated aim of victory in Iraq. On the one hand, we already won – you will remember the Saddam Hussein hanging. On the other hand, we are still there, fighting for something. Often, that something is simply conflated with “defeating Al Qaeda.” It is an interesting policy – one perhaps stemming from Jesus’ Good Samaritan parable - that seeks to protect the Iraqis from Al Qaeda while allowing Al Qaeda to regroup and party in Pakistan. Is this due to the saintliness of our president? Bravely trying to wrestle the control of the White House plane away from the pilot on 9/11/2001 so he could go mano a mano with the terrorist fiends, did Bush’s thoughts drift to the potential danger to the Iraqis – in Kirkuk, Mosul, Basra, Baghdad and all of those cities he had difficulty finding on a map – from an Al Qaeda that didn’t exactly exist in Iraq, but could, if America didn’t challenge them by inviting them in and then fighting them interminably.
Well, that’s our president. Even when he was knee high to a grasshopper, he was always in a sweat about Iraqis. Were they happy? Was their burning yearning for liberty being satisfied? Were there enough of them happily vacationing (in that funny way Iraqis vacation – they bring all their money, as many possessions as they can, and their families) in Jordan and Syria? Even then, he knew that when he grew up, he would protect them against the terrorists that he invited into their country and win a big victory and go down in history as one of our great presidents, like George Washington – except with better teeth.
Now that the British have started to withdraw from Basra, our Vice President has remarked that this is good news. This is all about success in Iraq. So now, at least, we can catch a glimpse of what victory means – what the Iraq of our dreams is going to look like. That’s why readers should go to Patrick Cockburn’s report in the Independent. It is a heady thing, victory, and this is what we are fighting for:
The war’s supporters, of course, have reason to feel smug. Our long nightmare is over. As a people, Americans – rich and poor, black and white – have, for over a decade, been clamoring for an Iraq ruled by Sciri and Sadr. It is all that we talk about. Sometimes we entertain ourselves with a few celebrity deaths or haircuts, but here in the States – I’m writing this down so that readers overseas get a feel for the American reality – conversations about money, sex, jobs invariably drift to that dreamy moment when your average American says, I don’t care how much money it takes or how much blood, I want to see an Shi’a fundamentalism take control in Mesopotamia – it is a long held childhood dream, actually! Then Americans get all misty eyed, thinking about how they can die happy if only things go the right way in Kirkuk.
One thing you have to say about this country – we are willing to sacrifice any amount of Iraqi blood to make our dreams come true. It is the way we are. Morally superior to the rest of the world. Which is why GOD has promised us victory, damn it, and we are going to reach for it!
Well, that’s our president. Even when he was knee high to a grasshopper, he was always in a sweat about Iraqis. Were they happy? Was their burning yearning for liberty being satisfied? Were there enough of them happily vacationing (in that funny way Iraqis vacation – they bring all their money, as many possessions as they can, and their families) in Jordan and Syria? Even then, he knew that when he grew up, he would protect them against the terrorists that he invited into their country and win a big victory and go down in history as one of our great presidents, like George Washington – except with better teeth.
Now that the British have started to withdraw from Basra, our Vice President has remarked that this is good news. This is all about success in Iraq. So now, at least, we can catch a glimpse of what victory means – what the Iraq of our dreams is going to look like. That’s why readers should go to Patrick Cockburn’s report in the Independent. It is a heady thing, victory, and this is what we are fighting for:
The British forces had a lesson in the dangers of provoking the heavily armed local population when six British military police were killed in Majar al-Kabir on 24 June 2003. During the uprising of Mehdi Army militia of Muqtada al-Sadr in 2004, British units were victorious in several bloody clashes in Amara, the capital of Maysan province.
But in the elections in January 2005, lauded by Mr Blair this week, Sciri became the largest party in Basra followed by Fadhila, followers of the Mohammed Sadiq al-Sadr, the father of Muqtada al-Sadr. The lat-ter’s supporters became the largest party in Maysan.
Mr Cordesman says the British suffered political defeat in the provincial elections of 2005, and lost at the military level in autumn of the same year when increased attacks meant they they could operate only through armoured patrols. Much-lauded military operations, such as “Corrode” in May 2006, did not alter the balance of forces.
Mr Cordesman’s gloomy conclusions about British defeat are confirmed by a study called “The Calm before the Storm: The British Experience in Southern Iraq” by Michael Knights and Ed Williams, published by the Washington Institute for Near East Policy.
Comparing the original British ambitions with present reality the paper concludes that “instead of a stable, united, law-abiding region with a representative government and police primacy, the deep south is unstable, factionalised, lawless, ruled as a kleptocracy and subject to militia primacy”.
Local militias are often not only out of control of the Iraqi government, but of their supposed leaders in Baghdad. The big money earner for local factions is the diversion of oil and oil products, with the profits a continual source of rivalry and a cause of armed clashes. Mr Knights and Mr Williams say that control in the south is with a “well-armed political-criminal Mafiosi [who] have locked both the central government and the people out of power”.
The war’s supporters, of course, have reason to feel smug. Our long nightmare is over. As a people, Americans – rich and poor, black and white – have, for over a decade, been clamoring for an Iraq ruled by Sciri and Sadr. It is all that we talk about. Sometimes we entertain ourselves with a few celebrity deaths or haircuts, but here in the States – I’m writing this down so that readers overseas get a feel for the American reality – conversations about money, sex, jobs invariably drift to that dreamy moment when your average American says, I don’t care how much money it takes or how much blood, I want to see an Shi’a fundamentalism take control in Mesopotamia – it is a long held childhood dream, actually! Then Americans get all misty eyed, thinking about how they can die happy if only things go the right way in Kirkuk.
One thing you have to say about this country – we are willing to sacrifice any amount of Iraqi blood to make our dreams come true. It is the way we are. Morally superior to the rest of the world. Which is why GOD has promised us victory, damn it, and we are going to reach for it!
Thursday, February 22, 2007
fightin' al qaeda at abu ghraib
“I beg you, let us establish from the start as the solid bases of any such system,” said Verneuil, that in the intentions of nature there is necessarily one class of individuals essentially subordinate to the other by weakness and by birth: given this, if the subject sacrificed by the individual who gives himself up to his passions belongs to this weak and deficient class, then the sacrificer has no more done anything evil than the owner of a farm who kills his pig.” – D.A.F. de Sade, quoted in Luc Boltanski’s Distant Suffering.
Boltanski’s book has a section devoted to the pure spectator. He uses painting and its placement to illustrate the evolution of the spectator, and his erasure from the painting. In Florence, the paintings that depicted the tortures of the damned were placed in chambers of justice where the tortures of the living – the criminals – were enacted. “The works analysed by Edgerton which represent the Last Judgment (or, in the upper part a Last Judgement and, in the lower part, a trial and execution) are not directed at a spectator who contemplates them for pleasure. These pictures, which are sometimes displayed in the rooms where the tribunals are held or in the chapels of places of detention (like the Bargello in Florence), place the prisoner before the sufferings awaiting him in the hereafter and also – the demonic cruelties reproducing farily exactly the procedures of interrogation and execution in force in Renaissance Italian towns – before those due to him and soon to be inflicted on him in the world below. They have meaning only in an active relationship with the culprit who, exposed to what they illustrate, must find the way to contrition.”
This, of course, reminds LI of the dialogue between Mr. Shiftlet and the old lady in The Life you Save May be Your Own:
“"I told you you could hang around and work for food," she said, "if you don't mind sleeping in that car yonder."
"Why listen, Lady," he said with a grin of delight, "the monks of old slept in their coffins!"
"They wasn't as advanced as we are," the old woman said.”
How advanced we are comes home to this reader from Alessandra Stanley’s review, more in sadness than in anger, of “The Ghosts of Abu Ghraib.” The sadness, of course, is for the lack of good old American know-how:
Now, of course, it is rather banal to condemn torture. But Stanley’s idea of spiffying up the tired subject by taking a “we can surely torture better than this” approach to Abu Ghraib does have a way of revealin’ just how fuckin’ advanced this great, this moral, this benign superpower has become. From Stanley’s tone, one can tell that if she was at Abu Ghraib, why she would have been producing memos about better torture techniques left and right. Why, just the introduction of some of those lovely power tools you can purchase at home depot for those basement repairs would come in handy! But no, it strikes her that her country is letting her down in the torture department.
The future Stanley guide to the subject (7 highly efficient tortures for highly efficient soldiers!) will certainly advise against those cameras!
However, though Stanley’s concern that the torturing business in the U.S. needs a definite overhaul – dental drills, front and center! – we beg to differ on the picture issue. For what signals total domination more than being able to take a picture, any time any where, of a subject? Here the world surely closes in. The Florentines, it turns out, just wasn’t advanced like we are, digital cameras in hand. If Boltanski is right to connect the evaporation of the spectator from within the picture to the pure spectatorship of the bourgeois era, starting in the 18th century – a cooler relationship that prefigures tv – the Abu Ghraib pics might just figure the foreclosing of the possibility that Iraqis could be spectators – our form of subjectivity in these here states, gimme the channel changer would ya, honey – and that, in turn, would be perfectly consonant with their erasure from the Iraq story as it is reported, day after day, in the newspapers. I notice that the NYT published, today, on the same day as Ms. Stanley gets depressed about America’s torture deficit, an op ed about the withdrawal of British troops from Iraq that goes on and on as if the occupiers were just the most popular things with the Iraqis since clay bricks. That even the Pentagon’s polls have shown, for years, that a majority of Iraqis approve of attacks on the coalition troops, that they overwhelmingly support withdrawal, is one of those cutting room sequences. There is a buncha those piled up on the floor, from what the Iraqi government thinks of Iran’s interference in Iraq (they are trying to get more of it, as every Iraqi politician who has traveled to Teheran has been saying for three years) to the popularity of free enterprise reform in Iraq (overwhelmingly rejected by the population).
So, as we blissfully ignore what the Iraqis say, we torture them to give us Intelligence. Not that we could fuckin' understand it if they gave it. The motherfuckers insist on speaking Arabic.
But let’s let Ms. Stanley, valiantly getting bi-partisan about the torture issue (some are for it, some agin – but us advanced folk are willing to look on both sides) have the last word:
“That danger from Al Qaeda” – yes, that is just just jjjjust why we are in Iraq! It is simply bliss to be alive at a time of such record levels of cretinism. I’m going to die of being so tickled every day.
Boltanski’s book has a section devoted to the pure spectator. He uses painting and its placement to illustrate the evolution of the spectator, and his erasure from the painting. In Florence, the paintings that depicted the tortures of the damned were placed in chambers of justice where the tortures of the living – the criminals – were enacted. “The works analysed by Edgerton which represent the Last Judgment (or, in the upper part a Last Judgement and, in the lower part, a trial and execution) are not directed at a spectator who contemplates them for pleasure. These pictures, which are sometimes displayed in the rooms where the tribunals are held or in the chapels of places of detention (like the Bargello in Florence), place the prisoner before the sufferings awaiting him in the hereafter and also – the demonic cruelties reproducing farily exactly the procedures of interrogation and execution in force in Renaissance Italian towns – before those due to him and soon to be inflicted on him in the world below. They have meaning only in an active relationship with the culprit who, exposed to what they illustrate, must find the way to contrition.”
This, of course, reminds LI of the dialogue between Mr. Shiftlet and the old lady in The Life you Save May be Your Own:
“"I told you you could hang around and work for food," she said, "if you don't mind sleeping in that car yonder."
"Why listen, Lady," he said with a grin of delight, "the monks of old slept in their coffins!"
"They wasn't as advanced as we are," the old woman said.”
How advanced we are comes home to this reader from Alessandra Stanley’s review, more in sadness than in anger, of “The Ghosts of Abu Ghraib.” The sadness, of course, is for the lack of good old American know-how:
“The problem with the Fox thriller “24” is not that it justifies torture but that it fosters the illusion that the American government is good at it.
The practices of Abu Ghraib suggest the opposite. The mystery of that shameful episode was not the cruelty of American troops assigned there. After the initial disbelief over the obscene snapshots, their smile-for-the-camera barbarity turned out to be another painful reminder that the banality of evil has no borders.
The real puzzle is why the administration, which argued that the war against terror required extreme interrogation techniques — the kind critics call torture — would then entrust such measures to untrained amateurs.”
Now, of course, it is rather banal to condemn torture. But Stanley’s idea of spiffying up the tired subject by taking a “we can surely torture better than this” approach to Abu Ghraib does have a way of revealin’ just how fuckin’ advanced this great, this moral, this benign superpower has become. From Stanley’s tone, one can tell that if she was at Abu Ghraib, why she would have been producing memos about better torture techniques left and right. Why, just the introduction of some of those lovely power tools you can purchase at home depot for those basement repairs would come in handy! But no, it strikes her that her country is letting her down in the torture department.
But the raw material never ceases to shock. How is it that a government that took such bold steps to reinterpret the Geneva Conventions and update the rules of combat did not pay closer attention to how its policy changes were carried out on the ground?
The Pentagon didn’t even manage to shield the worst excesses from public view.
The power of photography was yet another forgotten lesson of Vietnam, one relatively easy for the military to have remembered. If school principals can ban cellphones from the classroom, it seems strange — or reckless — that generals did not apply the same common sense and forbid cameras inside top-security cellblocks.”
The future Stanley guide to the subject (7 highly efficient tortures for highly efficient soldiers!) will certainly advise against those cameras!
“If there were no photographs, there would be no Abu Ghraib, no investigation,” says Javal Davis, an M.P. interviewed on camera who was court-martialed and sentenced to six months in prison on charges of prisoner abuse. “It would have been, ‘O.K., whatever, everybody go home.’ ”
However, though Stanley’s concern that the torturing business in the U.S. needs a definite overhaul – dental drills, front and center! – we beg to differ on the picture issue. For what signals total domination more than being able to take a picture, any time any where, of a subject? Here the world surely closes in. The Florentines, it turns out, just wasn’t advanced like we are, digital cameras in hand. If Boltanski is right to connect the evaporation of the spectator from within the picture to the pure spectatorship of the bourgeois era, starting in the 18th century – a cooler relationship that prefigures tv – the Abu Ghraib pics might just figure the foreclosing of the possibility that Iraqis could be spectators – our form of subjectivity in these here states, gimme the channel changer would ya, honey – and that, in turn, would be perfectly consonant with their erasure from the Iraq story as it is reported, day after day, in the newspapers. I notice that the NYT published, today, on the same day as Ms. Stanley gets depressed about America’s torture deficit, an op ed about the withdrawal of British troops from Iraq that goes on and on as if the occupiers were just the most popular things with the Iraqis since clay bricks. That even the Pentagon’s polls have shown, for years, that a majority of Iraqis approve of attacks on the coalition troops, that they overwhelmingly support withdrawal, is one of those cutting room sequences. There is a buncha those piled up on the floor, from what the Iraqi government thinks of Iran’s interference in Iraq (they are trying to get more of it, as every Iraqi politician who has traveled to Teheran has been saying for three years) to the popularity of free enterprise reform in Iraq (overwhelmingly rejected by the population).
So, as we blissfully ignore what the Iraqis say, we torture them to give us Intelligence. Not that we could fuckin' understand it if they gave it. The motherfuckers insist on speaking Arabic.
But let’s let Ms. Stanley, valiantly getting bi-partisan about the torture issue (some are for it, some agin – but us advanced folk are willing to look on both sides) have the last word:
““Ghosts of Abu Ghraib” will appall and sadden viewers worried about human rights and international law. But it will be just as discouraging for those who believe that the danger posed by Al Qaeda trumps even those humanitarian concerns.
Abu Ghraib wasn’t just a moral failure, it was a strategic setback in the war against terror.”
“That danger from Al Qaeda” – yes, that is just just jjjjust why we are in Iraq! It is simply bliss to be alive at a time of such record levels of cretinism. I’m going to die of being so tickled every day.
check out lumpenprofessoriat on the love boat to mesopotamia
A friend of mine has started a blog, and has a nice, rabble rousing post up for today. Check out lumpenprofessoriat! LP argues that we can see the outpouring of love, love, love in the wreck and murder of Iraq: “Love of country, love of freedom, love of the troops, and love for the victims of 9/11 becomes transformed into the injustice and evil of shock and awe, of Abu Ghraib, and of the hundreds of thousands dead in Iraq. This seems to fit well with both the experience and rhetoric of the war to date where noble sentiments and endless shit have marched hand in hand.”
Wednesday, February 21, 2007
a post that bristles with references like a porcupine bristles with spikes

“Let’s be clear. There is simple ass kissing, and there is metaphorical ass kissing.” –Rameau.
The dialogue between Diderot and Rameau’s nephew seems, like a normal conversation, to touch on one thing and then another. The theme of it, though, keeps returning to Rameau – how he lives, and how he lives with himself. Rameau is a flatterer, a backbiter, a crook (escroc), a go-between, a lover of good food and riches. But he is also endowed with good taste, or at least steady, classical taste – he doesn’t delude himself about the quality of Voltaire’s work, but he does comfort himself with the badness of the worst of Voltaire's moral character. To illustrate his world, he tells several anecdotes. Now,the curious thing about these anecdotes is that they operate as a test. It gradually becomes clear that there is a competition, a game, going on between Diderot, the moi in the dialogue, and Rameau, the lui.
What is this game?
It is a test we all go through as kids: the test of disgust. The test, as it happens on the playground, consists of being told something disgusting, or being the witness of something disgusting, and not giving vent to any sentiment, any shrinking, any shame. LI is not, by the way, trying to disparage this particular sequence of our common education. There is something that pisses me off about people who are too particular, too grossed out about blood and shit and the whole general stink of life – the full diaper, the squashed cockroach.
So let's not load the dice. I have zigzagged against the buffoon, but this swerve should be seen within a dialectical history of the disappearance of the sage. Look at this as a plea for the counterbalance, as well as an indictment for social murder.
Perhaps there is something in this playground test that is particularly male – although I’m cautious about this kind of gender generalization. In William Miller’s anatomy of disgust, he quotes the case of the wild boy of Aveyron, reported by Doctor Itard: ‘The well documented early nineteenth century wild boy of Aveyron had no sense of pure and impure, was extraordinarily filthy, was not “toilet trained”, and clearly disgusted Jean Itard, the doctor who supervised him and to whom we owe our knowledge of the case. Itard’s evidence, however, is not without some problems. Although the boy would sniff like an animal at everything no matter how malodorous, he would not eat everything. “A dead canary was given him, and in an instant he stripped off its feathers, great and small, tore it open with his nails, smelt it, and threw it away” The boy was not exactly omnivorous. He was initially willing to eat a canary, but this particular canary had an unappetizing odor. Certain odors might indeed have disgusted him, although his aversion might have been more simply constituted, that is, it might have given rise to no thoughts of contamination and pollution. We would surely like to know how he felt about his hands after discarding the bird.” Contamination [Ansteckung] is, in fact, the word Hegel uses to speak of one moment in the struggle of Enlightenment – borne by an intelligence that is founded on universal principles, and yet confronts, as an individual, the belief of the masses – as it carries out its social strategy of stripping belief from its supports: “The communication of the pure intelligence [Einsicht – understanding] is thus comparable to that of a scent in an unresisting atmosphere. It is a penetrating contamination, which does nothing at first to call attention to itself against the indifferent element, in which it insinuates itself, and thus cannot be guarded against. Only when the contamination has spread is it something for the consciousness, that had carelessly permitted it.”
Thus, in one sense the Nephew of Rameau recapitulates a primal, playground scene, the moment in which shame and shamelessness engage in a ritual contest. However, there are limits to a test that is so structured that victory must go to the shameless. These limits are embodied in the moment that the surrounding silence, the spectatorial silence, the silence of accommodation, is broken. The ‘consciousness’ – which in this passage in Hegel is embodied in the institutions of the state, the church, and the third power of the bourgeoisie – finally reacts. In so reacting, they claim dominion over shame itself. But the Café de la Regence lies, for a moment, outside of those institutions. While the pure intelligence of chess (a use of virtuosity about which Diderot was doubtful) is being played around our pair, the game of shamelessness procedes without witnesses, so to speak, allowing Rameau to bare not only himself, but the shamemaking institutions themselves, and the political strategy they have taken against the ‘contamination’ of the enlightenment philosophes. This is the beginning of a wobble – that wobble which, in the history of the pairing of the buffoon and the sage, will eventually turn the buffoon against the sage and, at the same time, seem to ordain the sage’s place for the buffoon. Diderot represents both himself as the philosophe, being half jokingly led through this trial (and getting in his own strokes as well) and the common sense, the massed, silent witness, which is the aftermath that supposedly belongs to the writer – although the trajectory of the manuscript of the Nephew of Rameau provides an ironic commentary on that writerly certainty. As Jacques D. once wrote, in an essay on Poe’s Purloined Letter, another story about the competition between shame and shamelessness – about provocation as an instrument of power - "a letter can always not arrive at its destination".
the true victims of the Iraq war - some of them not wearing underwear
Here’s an article that probes that American concern, anguish really, about war, peace, and freedom, and the death of half a million Iraqis, and the flight of at least two million so far. And - impressively - it turns out that the big victims here, the real victims, are Americans. The stories of going to Europe and being victimized are just heartbreaking. People, good people, are being treated meanly! In Europe!
An excerpt:
“Jacqie Venable, a 40-year-old music producer, was wearing a beret and jeans. She said she wasn’t wearing underwear.
She said the war in Iraq was meant to happen “karmically.”
“In my spiritual picture, it has to do with karma,” she said. “Everything that happens in life, to each of us, is what we call into our space. Everything comes full circle. So right now, it’s going to work out to whatever it works out to be. It might be happy for me and not happy for you.
“The people who are there fighting—it’s their journey. This is our journey,” she continued. “People are dying all around the world. Forget Iraq—they’re dying in this country. And their parents are suffering with them, and our parents suffer for us because we’re at Bungalow. There is no separation in the trauma.”
The guy who wrote it, incidentally, George Gurley, also did the drooling piece over Ann Coulter in the Obs.
An excerpt:
“Jacqie Venable, a 40-year-old music producer, was wearing a beret and jeans. She said she wasn’t wearing underwear.
She said the war in Iraq was meant to happen “karmically.”
“In my spiritual picture, it has to do with karma,” she said. “Everything that happens in life, to each of us, is what we call into our space. Everything comes full circle. So right now, it’s going to work out to whatever it works out to be. It might be happy for me and not happy for you.
“The people who are there fighting—it’s their journey. This is our journey,” she continued. “People are dying all around the world. Forget Iraq—they’re dying in this country. And their parents are suffering with them, and our parents suffer for us because we’re at Bungalow. There is no separation in the trauma.”
The guy who wrote it, incidentally, George Gurley, also did the drooling piece over Ann Coulter in the Obs.
Tuesday, February 20, 2007
Zigzag
This is from Ashton’s The History of Gambling in England. It is what Ivan Karamazov would call an allegory. Yes, for LI, there is something about this story of drunken hanging that reminds me of the paired destiny of the buffoon and the sage, this thread that I have been following – into my own asshole, certain cruel readers might say. No – into even drier gulches of history than that.
"The Annual Register about this time supplies us with several gambling anecdotes, the following being almost incredible: 15th April, 1812 – “On Wednesday evening an extraordinary investigation took place at Bow Street. Croker, the officer, was passing along the Haampstead road, when he observed, at a short distance before him, two men on a wall, and , directly after, saw the tallest of them, a stout man, about six feet high, hanging by his neck, from a lamp post attached to the wall, being that instant tied up and turned off by the short man. This unexpected and extraordinary sight astonished the officer; he made up to the spot with all speed; and, just after he arrived there the tall man, who had been hanged, fell to the ground, the handkechief, with which he had been suspended, having given way. Croker produced his staff, said he was an officer, and demanded to know of the other man the cause of such conduct. In the meantime, the man who had been hanged recovered, got up, and, on Croker’s interfering, gave him a violent blow on the nose, which nearly knocked him backwards. The short man was endeavouring to make offl however, the officer procured assistance, and both were brout to the office, when the account they gave was that they worked on the canals. They had been together on Wednesday afternoon, tossed up for money, and afterwards for clothes; the tall man who was hanged,won the other’s jacket, trousers and shoes; they then tossed up which should hang the other, and the short one won the toss. They got upon the wall, the one to submit, and the other to hang him on the lamp iron. They both agreed to this statement. The tall one, who would have been hanged, said, if he had won the toss, he would have hanged the other. He said he then felt the effects of his hanging in the neck, and his eyes were so much swelled he saw double. The magistrates expressed their horror and disgust, and ordered the man who had been hanged to find bail for the violent and unjustifiable assault on the officer, and the short one for hanging the other. Not having bail, they were committed to Bridewell for trial.”
If the short man and the tall man weren’t named Estragon and Vladimir, fate missed a trick.
Surely it is odd that LI is railing, in these posts, against the buffoon, when this is the same LI that claims to be lead, as if by supernatural light of the muse of ludicrousness, through the shadow of the valley of the moronic inferno I call my own country, my life and times. However, what I want to know is why, of the sage and the buffoon, the moi and the lui of Rameau’s nephew, only the buffoon made it into the present – and how it came about that the sage has been so utterly throttled by circumstances. What was the toss about? What were the stakes? How did they meet (illmet) and how did they part (one alone)? So, these are the questions, which I’m laying out like a deck of cards in this game of solitaire.
The key to the conversation of Rameau’s nephew is shamelessness – that most dialectical of attitudes. Shamelessness not only assumes shame, but it also assumes innocence – but only as a supreme lie. The lie of innocence is embodied in the peculiar way in which Rameau’s nephew not only speaks, but pantomimes – as if word and act were indivisible, which is indeed how a child has to learn to speak. It is later that we ignore the act of the tongue. Yet the charm of the pantomime is fully intended – Rameau’s nephew is nothing if not intentional in all things, even as he is described as being self-contradictory and a ball of contradictions. Shamelessness has become his strategy – just as it is the strategy of Sade’s fuckers. Shamelessness, vanity and flattery are the circuit of acts and attitudes in which Rameau has his existence, and they collectively have a political value. One that is fairly new. The ideology of the old right, the legitimist or the Tory, is about tradition and order – but the new right, that represented by Rameau, is about provocation. What takes shape here is a foretaste of the system that dominates us now, the mixture of shamelessness and outrage by which we drift over the hundreds of thousands of dead Iraqis and howl at, say, the nasty language of bloggers. To use the U.S. for one example – but the same thing happens in Italy, in France, in the U.K.
A couple more posts on this and then I have done.
"The Annual Register about this time supplies us with several gambling anecdotes, the following being almost incredible: 15th April, 1812 – “On Wednesday evening an extraordinary investigation took place at Bow Street. Croker, the officer, was passing along the Haampstead road, when he observed, at a short distance before him, two men on a wall, and , directly after, saw the tallest of them, a stout man, about six feet high, hanging by his neck, from a lamp post attached to the wall, being that instant tied up and turned off by the short man. This unexpected and extraordinary sight astonished the officer; he made up to the spot with all speed; and, just after he arrived there the tall man, who had been hanged, fell to the ground, the handkechief, with which he had been suspended, having given way. Croker produced his staff, said he was an officer, and demanded to know of the other man the cause of such conduct. In the meantime, the man who had been hanged recovered, got up, and, on Croker’s interfering, gave him a violent blow on the nose, which nearly knocked him backwards. The short man was endeavouring to make offl however, the officer procured assistance, and both were brout to the office, when the account they gave was that they worked on the canals. They had been together on Wednesday afternoon, tossed up for money, and afterwards for clothes; the tall man who was hanged,won the other’s jacket, trousers and shoes; they then tossed up which should hang the other, and the short one won the toss. They got upon the wall, the one to submit, and the other to hang him on the lamp iron. They both agreed to this statement. The tall one, who would have been hanged, said, if he had won the toss, he would have hanged the other. He said he then felt the effects of his hanging in the neck, and his eyes were so much swelled he saw double. The magistrates expressed their horror and disgust, and ordered the man who had been hanged to find bail for the violent and unjustifiable assault on the officer, and the short one for hanging the other. Not having bail, they were committed to Bridewell for trial.”
If the short man and the tall man weren’t named Estragon and Vladimir, fate missed a trick.
Surely it is odd that LI is railing, in these posts, against the buffoon, when this is the same LI that claims to be lead, as if by supernatural light of the muse of ludicrousness, through the shadow of the valley of the moronic inferno I call my own country, my life and times. However, what I want to know is why, of the sage and the buffoon, the moi and the lui of Rameau’s nephew, only the buffoon made it into the present – and how it came about that the sage has been so utterly throttled by circumstances. What was the toss about? What were the stakes? How did they meet (illmet) and how did they part (one alone)? So, these are the questions, which I’m laying out like a deck of cards in this game of solitaire.
The key to the conversation of Rameau’s nephew is shamelessness – that most dialectical of attitudes. Shamelessness not only assumes shame, but it also assumes innocence – but only as a supreme lie. The lie of innocence is embodied in the peculiar way in which Rameau’s nephew not only speaks, but pantomimes – as if word and act were indivisible, which is indeed how a child has to learn to speak. It is later that we ignore the act of the tongue. Yet the charm of the pantomime is fully intended – Rameau’s nephew is nothing if not intentional in all things, even as he is described as being self-contradictory and a ball of contradictions. Shamelessness has become his strategy – just as it is the strategy of Sade’s fuckers. Shamelessness, vanity and flattery are the circuit of acts and attitudes in which Rameau has his existence, and they collectively have a political value. One that is fairly new. The ideology of the old right, the legitimist or the Tory, is about tradition and order – but the new right, that represented by Rameau, is about provocation. What takes shape here is a foretaste of the system that dominates us now, the mixture of shamelessness and outrage by which we drift over the hundreds of thousands of dead Iraqis and howl at, say, the nasty language of bloggers. To use the U.S. for one example – but the same thing happens in Italy, in France, in the U.K.
A couple more posts on this and then I have done.
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