The news is so bad from Lebanon that LI has barely had time to celebrate Fidel Castro’s upcoming embalming. It is funny how communist parties in the final state of their decay leap over the French revolution and begin imitating Louis XIV. The failure to root themselves in anything but the bureaucracies they create is, perhaps, one reason for this, since family is the last trustworthy precinct in the morass of misrule. We do regret that Castro wasn’t either blown to smithereens by an anarchist bomb or otherwise deposed 35 years ago. Even for his sake -- at least that would have been an aesthetically pleasing terminus. Probably have done something good for the left in Latin America, too. Instead, like an island Franco, he reduced Cuba to a nullity, a welfare spot, a whorehouse for progressive tourists. That malign presence will now pass into the hall of fame of Latin American dictators: Duvalier, Pinochet, Vargas, Somoza, Castro.
Anyway, we can only hope that Raol, that old rotten homophobe, takes a dive into the pit too. Prying the corpse’s hands from the body of Cuba is going to take a long time, however. I hope Reinaldo Arenas is up in heaven, laughing.
“I’m so bored. I hate my life.” - Britney Spears
Das Langweilige ist interessant geworden, weil das Interessante angefangen hat langweilig zu werden. – Thomas Mann
"Never for money/always for love" - The Talking Heads
Tuesday, August 01, 2006
the wapo editorial board - operation endless stupidity
“DESPITE THE terrible bloodshed in New York City on the eleventh, including the tragic death of scores of people in the World Trade Center, the United States, Al Qaeda and the Taliban continue to seek the same outcome to the war.”
This is only a slight parody of the truly demented editorial put out by the Washington Post today. It actually said – it actually said – “DESPITE THE terrible bloodshed in Lebanon and Israel over the weekend, including the tragic death of scores of women and children in the village of Qana, the United States, Israel and the Lebanese government continue to seek the same outcome to the war.”
We are becoming a real fan of the new, Fruit Loops style of WAPO punditry, in which black is no longer just white. No, black is a dozen shades of white. Black is oyster white, cream white, lily white. Keeping up its support for the American downward spiral in the Middle East, the editorial board does us all a favor by reminding us: it is the entire culture of D.C., not just Bush, that is diseased. Hubris, the inability to imagine the Middle East from any perspective except that acceptable at Sally Quinn’s cocktail parties, or your average Heritage/Brookings foundation blowfest, and the disconnect from America’s interests are the heads of this condition. The underlying cause is one familiar from previous dying empires – the Soviets, the Habsburg – which is that the political class has finally structured itself internally to so eradicate any consciousness of reality that it can only reach, externally, for the ultimate weapon: war. So, the story line is of unending U.S. power, in the epoch of the unending squandering of U.S. power. The story line elevates a solutions approach to problems it totally misconstrues, problems that, in fact, have no solutions. It casts things in terms of the Cold War and the War Culture just at a time when that metaphor has become unaffordable – when, literally, the Pentagon is eating away at the very foundation of America’s middle class life styles. You can’t continue to waste a trillion dollars every two years indefinitely. But of course, our blind warriors in D.C., who have decided – it would be funny if this wasn’t so painful – that the country Israel is bombing, Lebanon, is aligned with Israel – have gone into some black hole, in which everything happens backwards, logic is abolished, and there is no “then” – there are only the play of principles in the oxygenated air: Freedom! Terror! Principles have the advantage of shucking all “thens”, all actual events.
Unfortunately, the people of Quana have just suffered from an irrevocable ‘then’, and it would surprise the Lebanese to know that they are aligned, right now, in solidarity with Israel. Surely, if only the kids with the smashed skulls and extruded eyes could be given just a little bit of breath, surely they would be going, yeah Israel. Surely the guys in the vans crushed by Israeli missiles would be going, I do like that neighbor to the South. Say, isn’t it a fine thing that the missile that burned off my skin came from the U.S. – fighting for my freedom? The dialogue of the dead, as the WAPO editorialists must imagine it, is a monument to patriotism – American patriotism. The only kind, after all, that is legitimate in the world.
The bottom line, as always, is that our rulers are thieves, liars, and bullshitters. They are pulling the structures down around their own heads, and it would be fun to sit back and watch this, except that I have some sympathy for the human product of their experiments, which does have a tendency to die horribly.
But shucks – it is just another day in Heat Death America.
This is only a slight parody of the truly demented editorial put out by the Washington Post today. It actually said – it actually said – “DESPITE THE terrible bloodshed in Lebanon and Israel over the weekend, including the tragic death of scores of women and children in the village of Qana, the United States, Israel and the Lebanese government continue to seek the same outcome to the war.”
We are becoming a real fan of the new, Fruit Loops style of WAPO punditry, in which black is no longer just white. No, black is a dozen shades of white. Black is oyster white, cream white, lily white. Keeping up its support for the American downward spiral in the Middle East, the editorial board does us all a favor by reminding us: it is the entire culture of D.C., not just Bush, that is diseased. Hubris, the inability to imagine the Middle East from any perspective except that acceptable at Sally Quinn’s cocktail parties, or your average Heritage/Brookings foundation blowfest, and the disconnect from America’s interests are the heads of this condition. The underlying cause is one familiar from previous dying empires – the Soviets, the Habsburg – which is that the political class has finally structured itself internally to so eradicate any consciousness of reality that it can only reach, externally, for the ultimate weapon: war. So, the story line is of unending U.S. power, in the epoch of the unending squandering of U.S. power. The story line elevates a solutions approach to problems it totally misconstrues, problems that, in fact, have no solutions. It casts things in terms of the Cold War and the War Culture just at a time when that metaphor has become unaffordable – when, literally, the Pentagon is eating away at the very foundation of America’s middle class life styles. You can’t continue to waste a trillion dollars every two years indefinitely. But of course, our blind warriors in D.C., who have decided – it would be funny if this wasn’t so painful – that the country Israel is bombing, Lebanon, is aligned with Israel – have gone into some black hole, in which everything happens backwards, logic is abolished, and there is no “then” – there are only the play of principles in the oxygenated air: Freedom! Terror! Principles have the advantage of shucking all “thens”, all actual events.
Unfortunately, the people of Quana have just suffered from an irrevocable ‘then’, and it would surprise the Lebanese to know that they are aligned, right now, in solidarity with Israel. Surely, if only the kids with the smashed skulls and extruded eyes could be given just a little bit of breath, surely they would be going, yeah Israel. Surely the guys in the vans crushed by Israeli missiles would be going, I do like that neighbor to the South. Say, isn’t it a fine thing that the missile that burned off my skin came from the U.S. – fighting for my freedom? The dialogue of the dead, as the WAPO editorialists must imagine it, is a monument to patriotism – American patriotism. The only kind, after all, that is legitimate in the world.
The bottom line, as always, is that our rulers are thieves, liars, and bullshitters. They are pulling the structures down around their own heads, and it would be fun to sit back and watch this, except that I have some sympathy for the human product of their experiments, which does have a tendency to die horribly.
But shucks – it is just another day in Heat Death America.
Thank you, Senator Hagel
Our relationship with Israel is a special and historic one," Hagel said. "But it need not and cannot be at the expense of our Arab and Muslim relationships. That is an irresponsible and dangerous false choice."
"How do we realistically believe," Hagel said, "that a continuation of the systematic destruction of an American friend, the country and people of Lebanon, is going to enhance America's image and give us the trust and credibility to lead a lasting and sustained peace effort in the Middle East?"
He called the showdown in Lebanon between Israel and the Iran-backed Hezbollah guerrillas "sickening slaughter on both sides."
"President Bush must call for an immediate cease-fire," Hagel said. "This madness must stop." - Dow Jones News Service.
One should note that the media approved word about the Middle East is 'solution'. An old, conservative tradition says: there are no solutions in human affairs. LI doesn't think that is completely right, but certainly one should use the word with caution. There is no solution in the Middle East. There are better and worse states of affairs, there. The worst was the eighties. Bush, in his insanity, presumption and ignorance is doing all he can to top that bloody decade.
I am still opposed to impeaching the man -- I want him scorched into the memory of this country, this representative of the low and the cretinous. I want Bush branded on Uncle Sam's behind. But I am beginning to think, hmm, maybe the world can't afford two more years of Bush. Maybe he will have to be impeached, for gross incompetence.
"How do we realistically believe," Hagel said, "that a continuation of the systematic destruction of an American friend, the country and people of Lebanon, is going to enhance America's image and give us the trust and credibility to lead a lasting and sustained peace effort in the Middle East?"
He called the showdown in Lebanon between Israel and the Iran-backed Hezbollah guerrillas "sickening slaughter on both sides."
"President Bush must call for an immediate cease-fire," Hagel said. "This madness must stop." - Dow Jones News Service.
One should note that the media approved word about the Middle East is 'solution'. An old, conservative tradition says: there are no solutions in human affairs. LI doesn't think that is completely right, but certainly one should use the word with caution. There is no solution in the Middle East. There are better and worse states of affairs, there. The worst was the eighties. Bush, in his insanity, presumption and ignorance is doing all he can to top that bloody decade.
I am still opposed to impeaching the man -- I want him scorched into the memory of this country, this representative of the low and the cretinous. I want Bush branded on Uncle Sam's behind. But I am beginning to think, hmm, maybe the world can't afford two more years of Bush. Maybe he will have to be impeached, for gross incompetence.
Monday, July 31, 2006
LI's adventures in the world
The writers LI admires most are scourgers of mankind – Swift, Marx in his political mode, Nietzsche, Kraus, etc., etc. Alas, though we nourish misanthropy in our bosom, hoping to become like them, when we are released into a crowd situation we become as unselectively friendly as a beagle.
So, I went and moderated this panel last night at the Bob Bullock museum. The crowd was sparse, unfortunately. But I loved it that anybody came out at all.
It has been a while since I addressed a number of people, and I was a little nervous. That soon passed. I will not bore you with the play by play of the three panelists and me. One of the panelists, Jim Haley, the historian, is an acquaintance.
The unexpected part of the whole thing, for me, was Ms. Denise McVea. She’s written a controversial book (if you are a Texan) about Emily West de Zavala. E.W.d.Z was the wife of the first vice president of the Texas Republic. Her slave, according to legend, amorously dallied with Santa Ana on the morning of the battle of San Jacinto, thus giving our Texas boys a fatal advantage as we routed the Mex. Our Delilah. McVea’s thesis is that this story is an distorted version of a suppressed fact – that Mrs Zavala was herself black, and possibly had been employed, before she met de Zavala, as a courtisan. This thesis has created a small storm – the Republic of Texas still has a space in the hearts of some of the men and women throughout the state who have never taken kindly to miscegenation, integration, and uppityness. I wish to God that I was caricaturing. I’m not. Denise turned out to be such an absolute doll, and in the Q and A she displayed no countering scorn for her detractors, who are the type to sling all kinds of your usual blog comment insults. Instead, she was the height of … well, dignity is an insufficient word. There is a sort of solemnity that accrues around a person who has a scholarly object that has absorbed her world, and when that solemnity is exposed to the light of the public response, it has a disarmed smile. It is a smile that continues even as the response to one’s researches seem, for mysterious reasons, to have provoked every jerkwater idiot within reach of a keypad to pen some dull and insulting opinion that goes straight for the genitalia or skin color. The serenity of the smile of reason in the storm of unreason stands out, like some broken marble column from a better age, around which spreads the ragged ass tents of a barbarian encampment. So Denise said that she found the response … interesting. Shockingly interesting. Such perfect poise – I was blown away.
Then it was out with a friend to get a couple of drinks on sixth street. Apparently, some convention of largeheaded bald men was happening in the city. A bouncer convention or something, since men with huge shaven heads were parading up and down the street. It looked like a loopy MTV video. And so, as Pepys would say, with some margaritas swimming in my belly, to bed.
So, I went and moderated this panel last night at the Bob Bullock museum. The crowd was sparse, unfortunately. But I loved it that anybody came out at all.
It has been a while since I addressed a number of people, and I was a little nervous. That soon passed. I will not bore you with the play by play of the three panelists and me. One of the panelists, Jim Haley, the historian, is an acquaintance.
The unexpected part of the whole thing, for me, was Ms. Denise McVea. She’s written a controversial book (if you are a Texan) about Emily West de Zavala. E.W.d.Z was the wife of the first vice president of the Texas Republic. Her slave, according to legend, amorously dallied with Santa Ana on the morning of the battle of San Jacinto, thus giving our Texas boys a fatal advantage as we routed the Mex. Our Delilah. McVea’s thesis is that this story is an distorted version of a suppressed fact – that Mrs Zavala was herself black, and possibly had been employed, before she met de Zavala, as a courtisan. This thesis has created a small storm – the Republic of Texas still has a space in the hearts of some of the men and women throughout the state who have never taken kindly to miscegenation, integration, and uppityness. I wish to God that I was caricaturing. I’m not. Denise turned out to be such an absolute doll, and in the Q and A she displayed no countering scorn for her detractors, who are the type to sling all kinds of your usual blog comment insults. Instead, she was the height of … well, dignity is an insufficient word. There is a sort of solemnity that accrues around a person who has a scholarly object that has absorbed her world, and when that solemnity is exposed to the light of the public response, it has a disarmed smile. It is a smile that continues even as the response to one’s researches seem, for mysterious reasons, to have provoked every jerkwater idiot within reach of a keypad to pen some dull and insulting opinion that goes straight for the genitalia or skin color. The serenity of the smile of reason in the storm of unreason stands out, like some broken marble column from a better age, around which spreads the ragged ass tents of a barbarian encampment. So Denise said that she found the response … interesting. Shockingly interesting. Such perfect poise – I was blown away.
Then it was out with a friend to get a couple of drinks on sixth street. Apparently, some convention of largeheaded bald men was happening in the city. A bouncer convention or something, since men with huge shaven heads were parading up and down the street. It looked like a loopy MTV video. And so, as Pepys would say, with some margaritas swimming in my belly, to bed.
Sunday, July 30, 2006
thanks!
LI is such a putz sometimes. We meant to put this in post form yesterday. We want to give a big shout out of thanks to the Anonymous donor who helped us pay the electric bill. This is a bottom of our heart thank you. You don't know how hair thin our escapes have been this summer.
And so... onward towards the Writers' Braggin' panel tonight! Wish me luck.
And so... onward towards the Writers' Braggin' panel tonight! Wish me luck.
Saturday, July 29, 2006
Bela Tarr
Taking advice from our reader, Amie, LI went out and rented Damnation, the Bela Tarr film, the other day. We’ve watched it twice. …
I’m a reviewer of books, not film. I don’t know how to approach the medium. But let’s say something about Damnation anyway. Or one sequence. The sequence begins in a torrential rain – the rain beats down upon the coal mining city where the film is located, with few let ups, all through the film. You see the lights – this is a b&w film -- announcing the Titanik Bar. A car pulls up. A man gets out of it. We see all this from a camera that is mounted just behind the back of another man’s head, which looms in the shadows of the foreground. The camera is watching the bar at approximately his angle. Then the camera goes into the bar. In Goodfellas and Mean Streets, Scorcese made going into a bar or club a virtuoso fugue for camera, fluidly moving into the Copacabana (I think it was, in Goodfellas) through the kitchen and out into the show area with the faces of the people in the kitchen, first, and then the lit tables in the dark all turning to greet Henry and his date, and Henry greeting or stuffing money into the pockets of waiters and busboys. It was a perfect reflection of the giddiness of Henry’s date, but in its uninterrupted flow it stitches that giddiness into a larger glamour - Scorcese's camera seems to be making a liquid dive into the 'night' part of the nightclub, Peggy Lee's night, downtown. Tarr is so different. His camera is infinitely slow, and it will advance by millimeters on some completely trivial detail. There is a sequence, a really great sequence, later on, when the camera just shows a concrete wall sluiced by rainwater for almost two minutes. Going into the Titanik, we slowly go around, examining the patrons, who are often in odd angles and seemingly stunned. The camera has an ancient slowness – it is like an old man carefully examining his surroundings. The patrons and the bus people are like Brueghel’s peasants after the Industrial revolution and two world wars – they work in filth and rain, and outside of work they search for oblivion, escape from all thought, sprawled in stupor in chairs in the corners. We see them, at various moments, throughout the film, until we reach a sequence at the end of the film showing a dance that becomes a collective, linked arm dance, in which the stupor is completely cast off. A man – probably the lover, a man we have seen at the beginning of the film – has his hands over his face. And then the music begins. A deathly slow camera approach to the singer, a blonde woman with a big face, who holds the mike with one hand and holds a cigarette in the other – against which she is also leaning her head. She wears a cheap, crumpled black vinyl raincoat, and her big eyes with the big fake eyelashes are closed. She croons a love song that repeats variations on “its over/there’s no end, no end now.” At one point she does open her eyes, the song goes into a sort of small speaking chant – “he has the upper hand/without him life is barren” – then closes her eyes, and finishes the song. Not only her lover is gone, but he has taken her life. She really does seem to be at the lowest point, that point at which a person realizes that there actually is no lowest point, and that hell is simply an accurate representation of the human nervous system, with its infinite capacity for new and different shades of pain and its limited, even stunted, capacity for pleasure. Bottomless hells, sentimental heavens. The singers thin, exquisite voice – only exquisite in this one sequence, otherwise we only hear her harsh voice, talking, or her angry screams, in future sequences – seems to be trying to strip off not only the tatters of a superficial individual dignity which, offered to her lover, is weighed by him and found wanting, (as though it were the fatal law of the economy of love that the gift offered by the lover loses, in the moment of its surrender, the only value it ever had, which is precisely that it would never be offered) but the tattered dignity of the whole system, the filthy bars, eternal coal mine, the cheap clothes, the wretched faces that have been pounded by the years and years of futile labor.
Now, I am a huge fan of torch singing in movies. Obviously Tarr’s reference point is not Scorcese, but the Blue Angel. Just as that movie ends with Lola’s (Marlene Dietrich’s) lover doing an imitation of a cock crowing, Damnation ends with the lover doing an imitation of a dog. Everything is prefigured in the sequence that shows the song. The Barthesian question is: why do I want to see this sequence over and over?
I’m a reviewer of books, not film. I don’t know how to approach the medium. But let’s say something about Damnation anyway. Or one sequence. The sequence begins in a torrential rain – the rain beats down upon the coal mining city where the film is located, with few let ups, all through the film. You see the lights – this is a b&w film -- announcing the Titanik Bar. A car pulls up. A man gets out of it. We see all this from a camera that is mounted just behind the back of another man’s head, which looms in the shadows of the foreground. The camera is watching the bar at approximately his angle. Then the camera goes into the bar. In Goodfellas and Mean Streets, Scorcese made going into a bar or club a virtuoso fugue for camera, fluidly moving into the Copacabana (I think it was, in Goodfellas) through the kitchen and out into the show area with the faces of the people in the kitchen, first, and then the lit tables in the dark all turning to greet Henry and his date, and Henry greeting or stuffing money into the pockets of waiters and busboys. It was a perfect reflection of the giddiness of Henry’s date, but in its uninterrupted flow it stitches that giddiness into a larger glamour - Scorcese's camera seems to be making a liquid dive into the 'night' part of the nightclub, Peggy Lee's night, downtown. Tarr is so different. His camera is infinitely slow, and it will advance by millimeters on some completely trivial detail. There is a sequence, a really great sequence, later on, when the camera just shows a concrete wall sluiced by rainwater for almost two minutes. Going into the Titanik, we slowly go around, examining the patrons, who are often in odd angles and seemingly stunned. The camera has an ancient slowness – it is like an old man carefully examining his surroundings. The patrons and the bus people are like Brueghel’s peasants after the Industrial revolution and two world wars – they work in filth and rain, and outside of work they search for oblivion, escape from all thought, sprawled in stupor in chairs in the corners. We see them, at various moments, throughout the film, until we reach a sequence at the end of the film showing a dance that becomes a collective, linked arm dance, in which the stupor is completely cast off. A man – probably the lover, a man we have seen at the beginning of the film – has his hands over his face. And then the music begins. A deathly slow camera approach to the singer, a blonde woman with a big face, who holds the mike with one hand and holds a cigarette in the other – against which she is also leaning her head. She wears a cheap, crumpled black vinyl raincoat, and her big eyes with the big fake eyelashes are closed. She croons a love song that repeats variations on “its over/there’s no end, no end now.” At one point she does open her eyes, the song goes into a sort of small speaking chant – “he has the upper hand/without him life is barren” – then closes her eyes, and finishes the song. Not only her lover is gone, but he has taken her life. She really does seem to be at the lowest point, that point at which a person realizes that there actually is no lowest point, and that hell is simply an accurate representation of the human nervous system, with its infinite capacity for new and different shades of pain and its limited, even stunted, capacity for pleasure. Bottomless hells, sentimental heavens. The singers thin, exquisite voice – only exquisite in this one sequence, otherwise we only hear her harsh voice, talking, or her angry screams, in future sequences – seems to be trying to strip off not only the tatters of a superficial individual dignity which, offered to her lover, is weighed by him and found wanting, (as though it were the fatal law of the economy of love that the gift offered by the lover loses, in the moment of its surrender, the only value it ever had, which is precisely that it would never be offered) but the tattered dignity of the whole system, the filthy bars, eternal coal mine, the cheap clothes, the wretched faces that have been pounded by the years and years of futile labor.
Now, I am a huge fan of torch singing in movies. Obviously Tarr’s reference point is not Scorcese, but the Blue Angel. Just as that movie ends with Lola’s (Marlene Dietrich’s) lover doing an imitation of a cock crowing, Damnation ends with the lover doing an imitation of a dog. Everything is prefigured in the sequence that shows the song. The Barthesian question is: why do I want to see this sequence over and over?
Friday, July 28, 2006
the tora bora conspiracy
"Osama bin Laden turned Blackwater into what it is today," Clark said. – Virginia Pilot, series on Blackwater, the mercenary company, July 24, 2006
In one of his weirder essays, “Secret Societies,” De Quincey claimed that at the age of seven (an important age for de Quincey – the age when his father died, and the age when he started dreaming vividly), he was introduced to the literature on secret societies – specifically, the dreaded Illuminati – by a thirty four year old woman. She loaned him Abbe Barruel’s Memoires pour servir a l’histoire du Jamcobinisme, a book that recounted the “dark associations” of a vast society organized to over throw Christianity. De Quincey was particularly – or perhaps morbidly – fascinated by Barruel’s use of a disease metaphor that has perennially clung to the conspiracy discourse
“I had already Latin enough to know that cancer meant a crab; and that the disease so appalling to a child’s imagination, which in English we call a cancer, asoon as it has passed beyond the state of an indolent scirrhous tumour, drew its name from the horrid claws, or spurs, or roots, by which it connected itself with distant points running underground, as it were, baffling detection, and defying radical extirpation.”
De Quincey, at seven, asks the right questions: ‘Then, also, when wickedness was so easy, why did people take all this trouble to be wicked? The how and the why were alike incomprehensible to me.”
“The mysteriousness to me of men becoming partners (and by no means sleeping partners) in a society of which they had never heard, - or, again, of one fellow standing at the beginning of a century, and stretching out his hand as an accomplice towards another fellow standing at the end of it, without either having known of the other’s existence, -- all that did but sharpen the interest of wonder that gathered about the general economy of Secret Societies. Tertullian’s profession of believing things, not in spite of being impossible, but simply because they were impossible, is not the extravagance that most people suppose it. There is a deep truth in it. Many are the things which, in proportion as they attract the highest modes of belief, discover a tendency to repel belief on that part of the scale which is governed by the lower understanding. And here, as so often elsewhere, the axiom with respect to extremes meeting manifests its subtle presence. The highest form of the incredible is sometimes the initial form of the credible.”
Albert Pionke, in Plots of Opportunity, his study of conspiracy literature in Victorian England, highlights the notion of a general economy of secret societies – the phrase being marked, for the literatus, by Bataille’s notion of general economy. But LI loves those last two sentences – English eccentricity finding its metaphysics.
Myself, I take a literary interest in conspiracies. I’ve noticed, however, much talk about conspiracy theory lately on the blogs, including a post on Charlotte Street contrasting conspiracy theory and incompetence. I think Mark Kaplan is responding to the conspiracy theories that still revolve around 9/11. In fact, there are nothing but conspiracy theories that revolve around 9/11. The orthodox view, which I share, is that the 9/11 attack was the result of a conspiracy devised by the leadership of Al Qaeda. Other theories finger other devisers of the attack – none of those theories seem to me to be convincing on any level. De Quincey’s question to the woman who gave him Barruel’s book was, why are the illuminati conspiring to overthrow Christianity? Her response was that then they could commit all kinds of wickedness, to which the wise child replied, but they could commit all kinds of wickedness anyway.
On the other hand, I have nursed my own conspiracy theory about another incident in the “war on terror … ttt-terrorism… ttt-terrorists.” In fact, I am very surprised that this incident has attracted so little attention. Perhaps it is because the Lefty side that opposes Bush has such ambiguous feelings about the Afghanistan war that it doesn't want to investigate what it means to leave a terrorist group on tap. I’m talking, of course, about the battle of Tora Bora, and the escape of Bin Laden into Pakistan.
Here is an instance, I think, when incompetence and conspiracy are two faces of the same coin. What really happened at Tora Bora has been reported, as most of the fuck-ups of the non-war have been reported, long after it really happened. To disarm the news, simply delay it for enough years that people don’t care any more – that does seem to be the strategy of the Big Fix in D.C., and it certainly works on the journalists. None of them, so far, have taken the hint from Suskind about Bush’s meeting with the CIA in August, 2001 and deepened it, so we still don’t know have a complete sense of our unpreparedness due, almost uniquely, to the apathy of the reigning potentate.
Anyway, I recently came across Army Times reporter Sean Naylor’s account of the battle. According to Naylor, the incompetence factor (although he doesn’t put it so bluntly) can be laid at the feet of General “Kick me in the ass” Franks, who operated in our heroic Afghanistan war as a conduit for the senilities of Rumsfeld. Rumsfeld, of course, didn’t want the Afghanistan war to involve regular troops, on the theory that that is where the Russians went wrong. No, we’d used bombing and our super duper special forces – initial decisions that we are paying for today. Anyway, the American force that approached Tora Bora at the end of November, 2001 was extremely small, and depended on Afghan allies that were busy feuding with each other. According to Naylor, as the siege proceeded, the Air Force flew over the twenty mile passage between Tora Bora and Pakistan and recorded “hot spots” on their heat sensing equipment. Now, CENTCOM, unbelievably, had never considered the possibility that Al Qaeda’s forces could escape from Tora Bora – thus, there were no guards on the border between Pakistan and Afghanistan. But the hot spot data did provoke some consultation:
“The Generals in Kuwait recommend[ed] bombing the positions as soon as possible. But Franks [who, you will recall, bravely lead our heroic troops from a boat in Florida] and his staff did not see it like that. “They might be shepherds,” was Control Command’s attitude, according to two officers who sat in on the video-teleconferences in which the matter was discussed. At CFLCC that theory didn’t wash. The idea that scores of shepherds were tending to their flocks at 10,000 feet in the middle of winter was implausible.”
Implausible is a kindly word. Let’s recall what was happening back at the scene in Tora Bora. This is from the NYT Magazine’s rather thorough article about it in 2005:
“The American bombardment of Tora Bora, which had been going on for a month, yielded to saturation airstrikes on Nov. 30 in anticipation of the ground war. Hundreds of civilians died that weekend, along with a number of Afghan fighters, according to Hajji Zaman, who had already dispatched tribal elders from the region to plead with bin Laden's commanders to abandon Tora Bora.” – Mary Ann Weaver, NYT, 9/11/05
Recall, also, that at the time Franks was displaying this untoward shepherdophilia, the U.S. was accepting payment from the Northern alliance in captives gathered at random – the camel driver, the Avon salesman, the cab driver – and subjecting them to the waterboarding, beatings, and sometimes murder that they obviously richly deserved.
So if it wasn’t kindness that drove Franks, what could it be? Well, LI’s search for a theory would begin by asking who would gain an advantage by a stripped down force of Al Qaeda escaping to Pakistan. Hmm. Well, they would provide a ready reminder of “terror” if there were people in the military and in the White House who intended to use the 9/11 attack to provoke, for purely political reasons, further wars that would aggrandize their shaky political position and – oh joy – unleash the fruits of the war culture, giving the government an excuse to spend hundreds of billions of dollars, especially in the Red States, and sweetening the retirement of every general who went along.
The problem with this theory is that it implies that the White House is full of cretinous, treasonous creatures who would flush the interests of the country down the toilet if it gave them an extra meal or two at Signatures restaurant.
Hmmm.
In any case, how nice and thoughtful of OBL to be around, and popping out whenever needed, at the small cost of a few collateral deaths in Casablanca, London, and Madrid.
One of the very grateful people should be the founder of Blackwater, the mercenary company. The Virginia Pilot’s JOANNE KIMBERLIN AND BILL SIZEMORE have written a six piece series on that company. Here are highlights from different articles in the series.
“Blackwater wants all doors open. The company says it has more than two dozen projects under way, an almost dizzying pursuit of new frontiers.
“Among them:
-- In addition to its ongoing assignments guarding American officials and facilities in Iraq and Afghanistan, Blackwater has won contracts to combat the booming opium trade in Afghanistan and to support a SEAL-like maritime commando force in Azerbaijan, an oil-rich former Soviet republic.
-- On the home front, Hurricane Katrina's $73 million purse has persuaded Blackwater officials to position themselves as the go-to guys for natural disasters. Operating licenses are being applied for in every coastal state of the country. Governors are being given the pitch, including California's Arnold Schwarzenegger, whom a Blackwater official recently visited to discuss earthquake response.
"We want to make sure they're aware of who we are and what we can bring to the table," said Seamus Flatley, deputy director of Blackwater's new domestic operations division. "We want to get out ahead of it."
-- Last year, the company opened offices in Baghdad and Amman, Jordan. More recent expansion plans call for a Blackwater West in Southern California and a jungle training facility at the former Subic Bay naval base in the Philippines.”
From the first article:
“The company had spent its first three years struggling for an identity, paying staff with an executive's credit card and begging for customers.
"But in 2000, in the fallout from the terrorist attack on the destroyer Cole, Blackwater found its future: providing security in an increasingly insecure world.
"There is nothing humble about the company today. In March, Fast Company business magazine, under the heading "Private Army," named Blackwater President Gary Jackson No. 11 in its annual "Fast 50" list of leaders who are "writing the history of the next 10 years." It made special note of the company's estimated 600 percent revenue growth between 2002 and 2005.
Blackwater has rocketed from obscurity to the big time in less than a decade. Peter Singer, author of "Corporate Warriors" and a scholar at the Brookings Institution, a Washington think tank, says that although Blackwater might not be the biggest player in the private military industry, "they've certainly gained the biggest profile."”
“While the company had struggled early on, its timing was excellent. Several forces had created a perfect storm for the rise of the private military industry.
"Instead of peace, the end of the Cold War created a power vacuum and a chaotic world order, putting millions of former soldiers out on the market. At the same time, there was a growing trend toward privatization of government functions. The result: a $100 billion-a-year global business.”
Ah, all the disgusting details. Definitely check out these articles at the Virginia Pilot’s site. Yes, who did benefit from OBL’s escape? Hint – it wasn’t shepherds.
In one of his weirder essays, “Secret Societies,” De Quincey claimed that at the age of seven (an important age for de Quincey – the age when his father died, and the age when he started dreaming vividly), he was introduced to the literature on secret societies – specifically, the dreaded Illuminati – by a thirty four year old woman. She loaned him Abbe Barruel’s Memoires pour servir a l’histoire du Jamcobinisme, a book that recounted the “dark associations” of a vast society organized to over throw Christianity. De Quincey was particularly – or perhaps morbidly – fascinated by Barruel’s use of a disease metaphor that has perennially clung to the conspiracy discourse
“I had already Latin enough to know that cancer meant a crab; and that the disease so appalling to a child’s imagination, which in English we call a cancer, asoon as it has passed beyond the state of an indolent scirrhous tumour, drew its name from the horrid claws, or spurs, or roots, by which it connected itself with distant points running underground, as it were, baffling detection, and defying radical extirpation.”
De Quincey, at seven, asks the right questions: ‘Then, also, when wickedness was so easy, why did people take all this trouble to be wicked? The how and the why were alike incomprehensible to me.”
“The mysteriousness to me of men becoming partners (and by no means sleeping partners) in a society of which they had never heard, - or, again, of one fellow standing at the beginning of a century, and stretching out his hand as an accomplice towards another fellow standing at the end of it, without either having known of the other’s existence, -- all that did but sharpen the interest of wonder that gathered about the general economy of Secret Societies. Tertullian’s profession of believing things, not in spite of being impossible, but simply because they were impossible, is not the extravagance that most people suppose it. There is a deep truth in it. Many are the things which, in proportion as they attract the highest modes of belief, discover a tendency to repel belief on that part of the scale which is governed by the lower understanding. And here, as so often elsewhere, the axiom with respect to extremes meeting manifests its subtle presence. The highest form of the incredible is sometimes the initial form of the credible.”
Albert Pionke, in Plots of Opportunity, his study of conspiracy literature in Victorian England, highlights the notion of a general economy of secret societies – the phrase being marked, for the literatus, by Bataille’s notion of general economy. But LI loves those last two sentences – English eccentricity finding its metaphysics.
Myself, I take a literary interest in conspiracies. I’ve noticed, however, much talk about conspiracy theory lately on the blogs, including a post on Charlotte Street contrasting conspiracy theory and incompetence. I think Mark Kaplan is responding to the conspiracy theories that still revolve around 9/11. In fact, there are nothing but conspiracy theories that revolve around 9/11. The orthodox view, which I share, is that the 9/11 attack was the result of a conspiracy devised by the leadership of Al Qaeda. Other theories finger other devisers of the attack – none of those theories seem to me to be convincing on any level. De Quincey’s question to the woman who gave him Barruel’s book was, why are the illuminati conspiring to overthrow Christianity? Her response was that then they could commit all kinds of wickedness, to which the wise child replied, but they could commit all kinds of wickedness anyway.
On the other hand, I have nursed my own conspiracy theory about another incident in the “war on terror … ttt-terrorism… ttt-terrorists.” In fact, I am very surprised that this incident has attracted so little attention. Perhaps it is because the Lefty side that opposes Bush has such ambiguous feelings about the Afghanistan war that it doesn't want to investigate what it means to leave a terrorist group on tap. I’m talking, of course, about the battle of Tora Bora, and the escape of Bin Laden into Pakistan.
Here is an instance, I think, when incompetence and conspiracy are two faces of the same coin. What really happened at Tora Bora has been reported, as most of the fuck-ups of the non-war have been reported, long after it really happened. To disarm the news, simply delay it for enough years that people don’t care any more – that does seem to be the strategy of the Big Fix in D.C., and it certainly works on the journalists. None of them, so far, have taken the hint from Suskind about Bush’s meeting with the CIA in August, 2001 and deepened it, so we still don’t know have a complete sense of our unpreparedness due, almost uniquely, to the apathy of the reigning potentate.
Anyway, I recently came across Army Times reporter Sean Naylor’s account of the battle. According to Naylor, the incompetence factor (although he doesn’t put it so bluntly) can be laid at the feet of General “Kick me in the ass” Franks, who operated in our heroic Afghanistan war as a conduit for the senilities of Rumsfeld. Rumsfeld, of course, didn’t want the Afghanistan war to involve regular troops, on the theory that that is where the Russians went wrong. No, we’d used bombing and our super duper special forces – initial decisions that we are paying for today. Anyway, the American force that approached Tora Bora at the end of November, 2001 was extremely small, and depended on Afghan allies that were busy feuding with each other. According to Naylor, as the siege proceeded, the Air Force flew over the twenty mile passage between Tora Bora and Pakistan and recorded “hot spots” on their heat sensing equipment. Now, CENTCOM, unbelievably, had never considered the possibility that Al Qaeda’s forces could escape from Tora Bora – thus, there were no guards on the border between Pakistan and Afghanistan. But the hot spot data did provoke some consultation:
“The Generals in Kuwait recommend[ed] bombing the positions as soon as possible. But Franks [who, you will recall, bravely lead our heroic troops from a boat in Florida] and his staff did not see it like that. “They might be shepherds,” was Control Command’s attitude, according to two officers who sat in on the video-teleconferences in which the matter was discussed. At CFLCC that theory didn’t wash. The idea that scores of shepherds were tending to their flocks at 10,000 feet in the middle of winter was implausible.”
Implausible is a kindly word. Let’s recall what was happening back at the scene in Tora Bora. This is from the NYT Magazine’s rather thorough article about it in 2005:
“The American bombardment of Tora Bora, which had been going on for a month, yielded to saturation airstrikes on Nov. 30 in anticipation of the ground war. Hundreds of civilians died that weekend, along with a number of Afghan fighters, according to Hajji Zaman, who had already dispatched tribal elders from the region to plead with bin Laden's commanders to abandon Tora Bora.” – Mary Ann Weaver, NYT, 9/11/05
Recall, also, that at the time Franks was displaying this untoward shepherdophilia, the U.S. was accepting payment from the Northern alliance in captives gathered at random – the camel driver, the Avon salesman, the cab driver – and subjecting them to the waterboarding, beatings, and sometimes murder that they obviously richly deserved.
So if it wasn’t kindness that drove Franks, what could it be? Well, LI’s search for a theory would begin by asking who would gain an advantage by a stripped down force of Al Qaeda escaping to Pakistan. Hmm. Well, they would provide a ready reminder of “terror” if there were people in the military and in the White House who intended to use the 9/11 attack to provoke, for purely political reasons, further wars that would aggrandize their shaky political position and – oh joy – unleash the fruits of the war culture, giving the government an excuse to spend hundreds of billions of dollars, especially in the Red States, and sweetening the retirement of every general who went along.
The problem with this theory is that it implies that the White House is full of cretinous, treasonous creatures who would flush the interests of the country down the toilet if it gave them an extra meal or two at Signatures restaurant.
Hmmm.
In any case, how nice and thoughtful of OBL to be around, and popping out whenever needed, at the small cost of a few collateral deaths in Casablanca, London, and Madrid.
One of the very grateful people should be the founder of Blackwater, the mercenary company. The Virginia Pilot’s JOANNE KIMBERLIN AND BILL SIZEMORE have written a six piece series on that company. Here are highlights from different articles in the series.
“Blackwater wants all doors open. The company says it has more than two dozen projects under way, an almost dizzying pursuit of new frontiers.
“Among them:
-- In addition to its ongoing assignments guarding American officials and facilities in Iraq and Afghanistan, Blackwater has won contracts to combat the booming opium trade in Afghanistan and to support a SEAL-like maritime commando force in Azerbaijan, an oil-rich former Soviet republic.
-- On the home front, Hurricane Katrina's $73 million purse has persuaded Blackwater officials to position themselves as the go-to guys for natural disasters. Operating licenses are being applied for in every coastal state of the country. Governors are being given the pitch, including California's Arnold Schwarzenegger, whom a Blackwater official recently visited to discuss earthquake response.
"We want to make sure they're aware of who we are and what we can bring to the table," said Seamus Flatley, deputy director of Blackwater's new domestic operations division. "We want to get out ahead of it."
-- Last year, the company opened offices in Baghdad and Amman, Jordan. More recent expansion plans call for a Blackwater West in Southern California and a jungle training facility at the former Subic Bay naval base in the Philippines.”
From the first article:
“The company had spent its first three years struggling for an identity, paying staff with an executive's credit card and begging for customers.
"But in 2000, in the fallout from the terrorist attack on the destroyer Cole, Blackwater found its future: providing security in an increasingly insecure world.
"There is nothing humble about the company today. In March, Fast Company business magazine, under the heading "Private Army," named Blackwater President Gary Jackson No. 11 in its annual "Fast 50" list of leaders who are "writing the history of the next 10 years." It made special note of the company's estimated 600 percent revenue growth between 2002 and 2005.
Blackwater has rocketed from obscurity to the big time in less than a decade. Peter Singer, author of "Corporate Warriors" and a scholar at the Brookings Institution, a Washington think tank, says that although Blackwater might not be the biggest player in the private military industry, "they've certainly gained the biggest profile."”
“While the company had struggled early on, its timing was excellent. Several forces had created a perfect storm for the rise of the private military industry.
"Instead of peace, the end of the Cold War created a power vacuum and a chaotic world order, putting millions of former soldiers out on the market. At the same time, there was a growing trend toward privatization of government functions. The result: a $100 billion-a-year global business.”
Ah, all the disgusting details. Definitely check out these articles at the Virginia Pilot’s site. Yes, who did benefit from OBL’s escape? Hint – it wasn’t shepherds.
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